In a village by the sea she watches the lives of the inhabitants unfold around her. But the year is now 1410 and this is a world of devils and miracles, a world in which there are no clear boundaries between reality and the power of the imagination. A man's discovery of a mermaid washed up on the sand starts a chain of events that leads three of the villagers to accompany the enigmatic figure of the leper on a pilgrimmage to the Holy Land. The woman joins them and sets out without the certainty of ever coming home again.The Leper's Companions was shortlisted for the Orange Prize.

    Because Billie has a lot of past to forget. She was a biker chick, one of the Devil’s Own, the speed- and acid-fueled road demons. Her life was hurtling out of control, and it ended in murder. Now, years later, she has to face the consequences.Joolz Denby was born in 1955. She married an outlaw biker at 19. She lives in Bradford, Yorkshire.

    The two lovers were executed in a whirl of publicity in 1923. The case caused a sensation, a crime of passion that gripped the nation's imagination and became the raw material for Jill Dawson's sensual and captivating novel Fred and Edie, a fictional account of the lovers' romance and their subsequent trial, predominantly told through Edie's imaginary letters addressed to her lover, "Darlint Freddie". This is a remarkable novel, that brilliantly evokes the suburban world of 1920s London (T.S. Eliot's The Waste Land, published the same year as the trial, runs like a leitmotif throughout the novel). Edie, viewed from the public gallery as "silly, vain" is a superb literary creation--sensual, intelligent, articulate and liberated, bitterly denouncing in her letters to Freddy a world that denies "that our love might be a real love, on a par with other great loves. That just because you are from Norwood and work as a ship's laundry man and I grew up in Stamford Hill and read a certain kind of novel, we are not capable of true emotions, of having feelings and experiences that matter".Dawson's novel gradually reveals that Edie's "crime" is actually her articulate, contradictory and assertive femininity. "I am not all sweetness and light" she insists, but it is her independent behaviour that ultimately stands trial, as Freddy becomes an increasingly enigmatic and questionable figure on the margins of the novel. Elegantly written and carefully researched, Fred and Edie is as passionate and assured as the tragic heroine it portrays. --Jerry Brotton

    Urban dwellers released from parental control, they respond to the untamed landscape and find their own wildness.

    1933. Loyalties, beliefs, love and family ties: all are about to be tested to the limit in a fight to see who will survive one of the most crushing moments the world will ever know. Boris Ivanov, the father who understands politics and pragmatism; his daughter Natasha, a carefree, delightful girl who will be almost crushed because of political compromises; Anton, Boris's oldest friend, who in an uncharacteristic moment saves a skinny little orphan he finds on the Moscow train; Anna, that tough intriguing child. And watching it all is the marvellous Irina. Wry, wise, ironic, Irina understands that simple loyalty to an individual may well be more powerful than blind loyalty to an idea.

    A debut crime thriller in which a woman appeals for help after finding her lover dead, and along with her pathologist friend and a genetic scientist with an unusual interest in chickens, becomes tied in a web of intrigue, death and deceit.

    Taking off in their Plymouth Valiant they hit the road on a journey through the changing cultural landscape of America - civil rights marches, the assasinations of Martin Luther King and Bobby Kennedy. Frannie longs to return to the safety of her former reclusive life, but Doris just wants to raise hell and get laid. A touching, lyrical, and superbly crafted mid-life coming-of-age tale that was short-listed for the 1996 Orange Prize.

    It has a double narrative, part of which describes their childhood and shows the impact of the political changes and the violence of the late-1960s upon the people of Ulster, as the wholeness and coherence of early childhood gradually break down.

    She's the one growing up in the mad family, in the mad society, who doesn't want to know what's going on. But things are going on: eight-year-olds collecting very peculiar treasure; babies who might be, or might not be, bombs; schoolgirls bringing guns into schoolyards; and, of course, lots of food and bad, bad sex.If Amelia is to live she needs to change. Can she, though, in a place where people don't know how to look after themselves, and so wouldn't know how to look after one another?The shattering and darkly funny debut novel from the author of Milkman, winner of the Man Booker Prize.

    But then Grace isn't an ordinary girl.'Disgusting,' said the nurse.And when no more could be done, they put her away, aged eleven.On her first day at the Briar Mental Institute, Grace meets Daniel. He sees a different Grace: someone to share secrets and canoodle with, someone to fight for. Debonair Daniel, who can type with his feet, fills Grace's head with tales from Paris and the world beyond.This is Grace's story: her life, its betrayals and triumphs, disappointment and loss, the taste of freedom; roses, music and tiny scraps of paper. Most of all, it is about the love of a lifetime.

    The endless rain leaves them with little to do but watch the other residents.A woman goes running up the Ben as if fleeing; a retired couple reminisce about neighbours long since moved on; a teenage boy braves the dark waters of the loch in his red kayak. Each person is wrapped in their own cares but increasingly alert to the makeshift community around them. One particular family, a mother and daughter without the right clothes or the right manners, starts to draw the attention of the others. Tensions rise and all watch on, unaware of the tragedy that lies ahead as night finally falls.

    In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day. In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young clubgoers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. The tranquillity of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry -- so much vision -- that he can make the world seem new.

    Her husband, Gilbert Joseph, returns from the war expecting to be received as a hero, but finds his status as a black man in Britain to be second class. His white landlady, Queenie, raised as a farmer's daughter, befriends Gilbert, and later Hortense, with innocence and courage, until the unexpected arrival of her husband, Bernard, who returns from combat with issues of his own to resolve. Told in these four voices, Small Island is a courageous novel of tender emotion and sparkling wit, of crossings taken and passages lost, of shattering compassion and of reckless optimism in the face of insurmountable barriers---in short, an encapsulation of the immigrant's life.

    A posse stops a freight train and arrests nine black youths. Their crime: fighting with white boys. Then two white girls emerge from another freight car, and fast as anyone can say Jim Crow, the cry of rape goes up. One of the girls sticks to her story. The other changes her tune, again and again. A young journalist, whose only connection to the incident is her overheated social conscience, fights to save the nine youths from the electric chair, redeem the girl who repents her lie, and make amends for her own past. Intertwining historical actors and fictional characters, stirring racism, sexism, and anti-Semitism into an explosive brew, Scottsboro is a novel of a shocking injustice that convulsed the nation and reverberated around the world, destroyed lives, forged careers, and brought out the worst and the best in the men and women who fought for the cause.

    Carrie Tiffany captures the frailty and beauty of the human condition and vividly evokes the hope and disappointment of an era. Billowing dust and information, the government "Better Farming Train" slides through the wheat fields and small towns of Australia, bringing advice to the people living on the land. The train is staffed by irresistibly eccentric agricultural and domestic experts, from Sister Crock, the prim head of "women's subjects," to Mr. Ohno, the Japanese chicken specialist, to Robert Pettergree, a scientist with an unusual taste for soil. Amid the swaying cars full of cows, pigs, and wheat, a strange and swift seduction occurs between Robert and Jean. In an atmosphere of heady scientific idealism they settle in the impoverished Mallee farmland with the ambition of transforming the land through science. In luminous prose, Tiffany writes about the challenges of farming, the character of small towns, the stark and terrifying beauty of the Australian landscape, and the fragile relationships among man, science, and nature. Everyman's Rules for Scientific Living is a passionate and heartbreaking novel from an astonishing new writer.