Despite attempts to save her, the girl died, and the coroner ruled it a “suicide.” But was it? Or was it a crime perpetuated by other teens who had bullied her? Sherokee’s short life and tragic death created a national media and social media frenzy much of it centered on sensationalism rather than the truth. Meanwhile in LaVergne, the community sought answers to questions about who, if anyone, should be held criminally responsible for “bullying.” Award-winning author and criminologist Judith A. Yates peels back the layers of sensational news coverage surrounding a girl’s death, and in context with national interest in the phenomenon of internet bullying tries to answer the question of whether Sherokee Harriman was BULLIED TO DEATH.

    These two youngsters only have each other, but with all their squabbling it's a miracle they still have that.When they get wind of the mysterious Pa ("crime kingpin of the West!"), Opie and Ned suddenly have something new: a mission. But tracking down the elusive (and deadly) Pa is going to take all the wiles these two kids have, and some new friends to boot.Clever, explosive, and deeply moving by turns, Varmints is a perfect middle-grade comedy. Hirsch brings an old-school Western style to bear on a story full of nuance, humor, and surprises.

    After witnessing a lone warrior scare bandits away from his village, Ryo sets his heart on training to become a hero.Setting out on a journey to find his way in the world, his encounters with the people he meets leads him to a true understanding of what it means to follow his dreams.

    When Jake’s mother blames his head injury for his tales of attempted murder, he has to rely on his girlfriend, Laurissa, to help him escape the killers and the law enforcement agents convinced that Jake himself had a role in the crash.Mike Mullin, author of the Ashfall series, delivers a gripping story with memorable characters and all-too-real scenarios.Mullin's premise is riveting and timely . . . a strong action story that touches lightly on topics of grave complexity.―Publishers WeeklyMullin (best known for his Ashfall series) succeeds in creating an engaging and suspenseful novel that will hook readers almost immediately. This heart-pounding, high-stakes thriller engages with race relations in an all-too-relevant exploration of terrorism, xenophobia, and corruption at the highest levels. ―Booklist

    His future is bright with scholarship offers and the dream of helping his struggling mom. But then comes a fateful match at the state championship, when his famous rage consumes him and he assaults a referee. In an instant, Mac loses all he and his mom have worked to build since his abusive father was locked up years ago.Facing arrest, Mac runs away to another town, where he is taken in by a shady promoter who has followed his career. He recruits Mac into Brawlers, an illegal underground fighting ring run by a gangland boss. This is a bloodsport that has no rules . . . but offers plenty of reward. Mac teams up with Khajee, a girl with the fighting skills he'll need to learn to survive . . . and her own dark past tying her to the head of the ring. Together the two must figure out their place in a world that hasn't been kind to them . . . and forge a future that could be.

    Twelve-year-old Ailis and her younger brother, Quinn, survive, but their family does not. Ailis and Quinn are taken by a family acquaintance to live in a boarding house in Chicago, where they meet six-year-old Nettie, an orphan displaced by Chicago's fire. But the woman who runs the boarding house makes their lives miserable, and Ailis vows to find a way for the three of them to leave. Ailis finds a job at a millinery shop and Quinn plays his fiddle on the streets so they can save money. Then Nettie disappears, and Ailis and Quinn discover she's been kidnapped by a group that forces children to work in the sewers killing rats. Can they find a way to rescue her?

    But after her father’s sudden death, money is tight, and Aunty Violet decides to give Max away—he is just too big for their cramped new life. Binny knows she can’t get her dad back, but she never stops missing Max, or trying to find him. Then, when she’s eleven, everything changes again.Aunty Violet has died, and left Binny and her family an old house in a seaside town. Binny is faced with a new crush, a new frenemy, and…a ghost? It seems Aunty Violet may not have completely departed. It’s odd being haunted by her aunt, but there is also the warmth of a busy and loving mother, a musical older sister, and a hilarious little brother, who is busy with his experiments. And his wetsuit. And his chickens.

    Legend has it, there are some undiscovered inventions hidden in the house. The students are eager to find them, and they convince Principal Klein to let them out of writing their essay on Minks if they do. But as Aaron, Eddie, Jessie, and Chloe explore the Minks Mansion, it seems like something strange is going on. Like the adults are missing and someone might be stealing the inventions. But in order to save the inventions and their teachers, the kids might just have to pull some serious pranks to stop the bad guys. Even if it means risking a lifetime of detention.Can the fifth graders save their field trip and the mansion . . . or will this be the last field trip ever in school history?

    Her mother died and her father has sunk into sadness. She doesn't have a friend to her name . . . except for Dirt, the Shetland pony next door. Dirt has problems of his own. He's overweight, he's always in trouble, and his owner is the mean Miss Enid, who doesn't have the patience for a pony's natural curiosity. His only friend is Yonder, the scrawny girl next door. So when Miss Enid makes the cruel decision to sell Dirt for horsemeat, Yonder knows she has to find a way to rescue him. Even if that means stealing Dirt away and sneaking him into her own house. What follows will make you worry, will make you cry, and will ultimately fill you with hope, love, and an unshakable belief in the power of friendship. Especially the four-legged kind.

    Having spent a short lifetime swinging agreeably between the poles of Eastern mysticism and New England Puritanism, Luke is fascinated by the new fields of brain science and believes in having evidence for his beliefs. “Without evidence,” he declares, “you just have hope, which is nice, but not reliable.” Luke is writing his college applications when his father—a famous television star whom he never knew—calls and invites him to Los Angeles for the summer. Luke accepts and is plunged into a world of location shooting, celebrity interviews, glamorous parties, and premieres. As he begins to know the difference between his father’s public persona and his private one, Luke finds himself sorting through his own personal mythology.      By the end of the summer Luke thinks he has found the answers he’s been seeking, only to discover that the differences between truth and belief are not always easy to spot, and that evidence can be withheld: when Luke returns home, his mother reveals something she knows will change everything for him.      With Blind Sight, Meg Howrey gives us a smart, funny, and deeply moving story about truth versus belief, about what we do and don’t tell ourselves—with the result, as Luke says, that we don’t always know what we know.

    She’s been taught to read and has learned to write. She believes her master is good to her and fears the rebel slave runaways. On the other side of the line is seventeen-year-old Cato, a black man, free born. It’s his personal mission to sneak as many fugitive slaves to freedom as he can. Willow’s and Cato’s lives are about to intersect, with life-changing consequences for both of them. Tonya Cherie Hegamin’s moving coming-of-age story is a poignant meditation on the many ways a person can be enslaved, and the force of will needed to be truly emancipated.

    She doesn't even know what she's afraid of, really. Only that if she raises her voice or leaves her mark or ventures too far from home, she'll risk falling flat on her face.But that all changes when Wren's cousin Silver walks into her life. Silver is totally fearless. Maybe that's why she's the most popular girl in the sixth grade. She dares Wren to take risks, to live out loud, to finally spread her wings. So when Silver decides to break all the rules, Wren is forced to make a choice: Is she in or is she out?There's only one way Wren will ever learn to fly. It's time for her to stand at the edge of the unknown . . . and jump.Full of heartache and hope, The World From Up Here is a tender, moving story about old secrets, new friendships, and what it means to face the things that scare us most.

    Only her dad recently lost his job and her parents have decided to sell the cabin. But not if Christa can help it. Everyone knows there is Al Capone blood money hidden somewhere in Whitefish Lake, and her friend Alex's cranky grandpa might have the key to finding it. Grumpa says the loot is gone, or worse—cursed!—but Christa knows better. If she finds it, she can keep it and save her family and their beloved cabin.

    And one night, after a particularly fierce storm, Danny's parents don't come back. Stranger still, the old sycamore tree in Danny's yard seems to have been struck by lightning, and when he picks up a fragment of wood from the tree's heart, he finds he can hear voices ... including that of next door's rather uppity cat, Mitzy. The stick is a taro, a shard of lightning that bestows upon its bearer unnerving powers, including the ability to talk with plants and animals - and it is very valuable. So valuable, in fact, that it attracts the attention of a Sammael, an ancient figure of darkness and a buyer of souls. And he will do anything to get his hands on it ... And so begins a dangerous and daring quest. Danny, who is bewildered, alone and unaccustomed to acts of bravery, must confront his fears, find his parents and unravel the secrets of The Book of Storms.

    Offering present-day reflections alongside the fresh, hopeful voice of the twenty-year-old student she once was, Laura Gray-Rosendale tells the story of her near destruction and her family's disintegration, but also one of abiding friendships and shining hope. In the end, College Girl is also a story about stories, and a meditation on memoir itself.Gray-Rosendale writes in a tone that is simply unforgettable--gritty, humorous, and raw. Artfully written and devoid of self-pity, College Girl is a rich story of triumph, hope, and survival.