The King's Knight skilfully blends action with real historical events and personages... Medieval England is a time of both blood and humanity." Richard Foreman, author Band of Brothers. 1381. England seethes with discontent over unfair and arbitrary taxation. The country is on the cusp of an uprising - a peasant's revolt. All it will take is a spark. Gregory Maudesley, second son of a minor noble and disillusioned knight for hire, returns home after nearly a decade abroad. Maudesley intends to claim his deceased father's lands but the knight is plagued by misfortune. Gregory journeys to London to secure an audience with the boy king, Richard II. But the England he travels through is very different from that of his youth. The road is treacherous and the greatest dangers of all await him in the capital. London is ablaze. Even the Tower of London has fallen to Wat Tyler's forces. But Richard, enlisting the help of Gregory, will ride out to meet the rebellion head on. A king and kingdom must stand, or fall. Revolt is the first book is The King's Knight series of novellas, chronicling the life of Gregory Maudesley and the dramatic reign of Richard II. Recommended for fans of Bernard Cornwell, Robyn Young and Michael Jecks. Praise for J. A. Ironside “Entertaining, well-researched and compelling.” Michael Jecks on An Argument of Blood. “Ælfgifa…steals every scene and is a character who would fit in any George R. R. Martin novel.” Tony Riches author of The Tudor Trilogy (An Argument of Blood). “Intense drama, creative working of the sparse historical record, and a detailed look into what made William and Harold tick… A rousing, page turning tale awaits you…” Paul Bennett, author of Clash of Empires (on 'A Black Matter for the King'). J. A. Ironside grew up in rural Dorset in a house full of books. She was exposed to history at an early age and happily never recovered – the presence of so many Roman ruins in the area inspired a lifelong interest in historical warfare. She has taught and studied martial arts and weaponry for 25 years. Her published works include An Argument of Blood and A Black Matter for the King, both co-written with Matthew Willis.

     AMBER by Elizabeth Rose Amber de Burgh is a novice of the Sisters of St. Ermengild, in training to take her final vows of becoming a nun. But when the doors to the church slam open one night and a wounded man named Lucifer who everyone thinks is the devil enters, her life changes forever. Lucifer, or Lucas as he prefers to be called, has a very tarnished past and a future that fares no better. And when he lays his eyes on the abbey's new novice, he knows he can never let her become a nun. Having been abandoned as a baby on the steps of the church, Lucas will do anything to live a different lifestyle. And before he knows it, he finds himself right in the middle of church corruption. He is sent to Canterbury on a pilgrimage with Amber, but while she intends to pray, that is the furthest thing from his mind. His mission is to steal the Regale ruby of Canterbury Cathedral at Becket's shrine. Can a pure dove change the morals of a devil or will he change her morals first? FOLLOW YOUR HEART by Ruth Kaufman Joanna Peyntor has two uses for a man: to pose for a stained glass window design or to commission her skills. But when her brother conspires to ruin her reputation, she concedes to a third: a husband to help save her glass-painting workshop. On a quest to redeem his family name and lands, Sir Adrian Bedford must marry without delay. But what woman he’d accept would wed an impoverished former nobleman who insists on an unusual stricture in their marriage contract? Joanna, a woman striving to succeed in a man’s world. When irresistible attraction makes their marriage of convenience inconvenient, will his dangerous secrets keep them from following their hearts? THE HIGHLANDER’S OUTLAW BRIDE by Cathy MacRae Thrust into the role of laird upon his father's unexpected death, Connor MacLaurey returns home to learn his cousin has usurped his lands and title. Furthermore, his betrothed--a lass he barely knows and certainly did not agree to marry--is hunted by the sheriff, accused of stealing cattle. His plan is to petition the king for clemency for the foolish chit, break the betrothal, and take his castle back from his treacherous cousin. Marriage is not in his plans. Brianna Douglas has no use for men. Widowed young, berated daily for failing to give her husband a child, and sent home in subsequent disgrace, she devotes her life to holding her family's land for her young brother as their sotted father drowns his sorrow in whisky over their mother's death. Raiders have hit her clan hard, and to save them, she finds herself betrothed to Laird MacLaurey's absent son to seal a pact of protection with the MacLaurey clan. Forced into a marriage neither wants, it will take a king's edict and sacrifice from both to discover what love means. But can they accept their losses and learn from their mistakes before Brianna marries another? HIGHLAND DAYDREAMS by April Holthaus Forced into a loveless marriage Lara's husband Dermot, wanted more from her than just a docile wife, he wants to claim a treasure her clan secretly has in their possession. After several failed attempts to claim it, Dermot found a way to rid the burden of his defiant bride by having her locked away in the dungeon forever. Lara had almost given up hope until a nameless warrior whose strength and strong-will gave her the courage she needed. Thought to be dead, Bram MacKinnon barely held onto life after battling the English for Scotland’s freedom. Imprisoned with no means of escape, he is rescued by his cellmate, a woman. For saving his life, he vows to protect her and return her to her family, but Bram did not realize it was more than he bargained for.

    Each turning point and breakthrough of modernism and postmodernism is explored in depth, as are the frequent anti-modernist reactions that proposed alternative visions of art and the world. Art Since 1900 introduces students to the key theoretical approaches to modern and contemporary art in a way that enables them to comprehend the many “voices” of art in the twentieth and twenty-first centuries.

    But Celtica's villages and mines are silent. It is only when the three find an exhausted and starving girl called Evanlyn that they learn why: Morgarath has sent his foul creatures to enslave the Celts. As Gilan rides swiftly back to Araluen to report this news to the King, Will and Horace discover the true purpose behind Morgarath's actions. The Kingdom is sure to be defeated in a surprise three-sided attack - unless the two friends can somehow intervene.

     Working alongside skilled photographers, Rockwell acted as director, carefully orchestrating models, selecting props, and choosing locations for the photographs -- works of art in their own right -- that served as the basis of his iconic images. Readers will be surprised to find that many of his most memorable characters -- the girl at the mirror, the young couple on prom night, the family on vacation -- were friends and neighbors who served as his amateur models. In this groundbreaking book, author and historian Ron Schick delves into the archive of nearly 20,000 photographs housed at the Norman Rockwell Museum. Featuring reproductions of Rockwell's black-and-white photographs and related full-color artworks, along with an incisive narrative and quotes from Rockwell models and family members, this book will intrigue anyone interested in photography, art, and Americana.

    A compendium of the life and work of Maxfield Parrish, it is an essential part of a Parrish library. For the collector, the publisher has included a value guide to some of the products that bear Parrish images. Examples of Parrish's most famous book illustrations are shown, including selections from Mother Goose in Prose and the Arabian Nights. Also included are his famous magazine covers-from Life, Collier's, Harper's Weekly, etc., as well as all the landscapes that he painted for Brown and Bigelow, who reproduced them as calendars every year from 1936 to 1963. One of the highlights of the book is the chapter on Parrish's technique, examining in depth his materials, favorite methods, and unique way of painting. In addition, there is a lengthy excerpt from an unpublished manuscript by Maxfield Parrish, Jr., explaining step-by-step his father's glazing technique and use of photography in his work. This definitive study also contains numerous revealing excerpts from Parrish's unpublished correspondence with family, friends, and clients.

    It avoids the typical encyclopedic approach of surveys in favor of examining selected but highly representative works in greater depth and from an enlarged spectrum of critical discourse. Organized along chronological lines, topics explore the ideas, forms, events, artists, and works with each chapter devoted to a style, movement, or decade from Cezanne, Seurat, Gauguin, and Van Gogh through Minimalism and the general reaction known as Post-Modernism. Ideal for readers with a "general" interest in art. "

    There isn’t a single thing I’ve done, or experienced,” said Grant Wood, “that’s been even the least bit exciting.” Wood was one of America’s most famous regionalist painters; to love his work was the equivalent of loving America itself. In his time, he was an “almost mythical figure,” recognized most supremely for his hard-boiled farm scene, American Gothic, a painting that has come to reflect the essence of America’s traditional values—a simple, decent, homespun tribute to our lost agrarian age. In this major new biography of America’s most acclaimed, and misunderstood, regionalist painter, Grant Wood is revealed to have been anything but plain, or simple . . . R. Tripp Evans reveals the true complexity of the man and the image Wood so carefully constructed of himself. Grant Wood called himself a farmer-painter but farming held little interest for him. He appeared to be a self-taught painter with his scenes of farmlands, farm workers, and folklore but he was classically trained, a sophisticated artist who had studied the Old Masters and Flemish art as well as impressionism. He lived a bohemian life and painted in Paris and Munich in the 1920s, fleeing what H. L. Mencken referred to as “the booboisie” of small-town America. We see Wood as an artist haunted and inspired by the images of childhood; by the complex relationship with his father (stern, pious, the “manliest of men”); with his sister and his beloved mother (Wood shared his studio and sleeping quarters with his mother until her death at seventy-seven; he was forty-four). We see Wood’s homosexuality and how his studied masculinity was a ruse that shaped his work.Here is Wood’s life and work explored more deeply and insightfully than ever before. Drawing on letters, the artist’s unfinished autobiography, his sister’s writings, and many never-before-seen documents, Evans’s book is a dimensional portrait of a deeply complicated artist who became a “National Symbol.” It is as well a portrait of the American art scene at a time when America’s Calvinistic spirit and provincialism saw Europe as decadent and artists were divided between red-blooded patriotic men and “hothouse aesthetes.” Thomas Hart Benton said of Grant Wood: “When this new America looks back for landmarks to help gauge its forward footsteps, it will find a monument standing up in the midst of the wreckage . . . This monument will be made out of Grant Wood’s works.”

     When Moray Allen is left in charge of Muir Castle the fortnight before Yule, he doesn't anticipate any excitement. The excitement is all down south, where the Grant and Ramsay cousins are embroiled in their final battle with the Channel of Dubh, smugglers who trade in human cargo. But the chieftain hasn’t been gone for more than a day when Moray spots a golden-haired lass in the wilds surrounding Castle Muir. He suspects she’s lost and in need of food, but she runs from him. Meanwhile, the chieftain’s son, Steenie, is preparing for Yule with his beloved pet, Paddy, who seems to have his own plans for the holiday--plans that involve the mysterious stranger. Although Shona escaped the Channel of Dubh with her brother and three other bairns, she knows they’re not safe. Their food supply has run out and winter weather is settling in across the Highlands, seeping into the cave they're using for shelter. To protect herself and the others, Shona must place her faith in someone, although she’s hesitant to trust any man, even the handsome Highlander she keeps seeing. Moray and Shona are both in need of a little Yuletide magic. Who better to help them than Paddy the Pony?

    Among them are his most famous works, Knight, Death and Devil; Melencolia I; and St. Jerome in His Study. Also included are portraits of his contemporaries, including Erasmus of Rotterdam and Frederick the Wise, as well as six engravings formerly attributed to Dürer.

    This volume, prepared by an expert in the field, is devoted exclusively to just that. With its clear, concise text, its almost 200 excellent illustrations, and its overall life-drawing approach, the book provides valuable guidelines on how best to portray faces, features, and heads. There is probably no better instructor to turn to than George B. Bridgman. He brings to the subject both his expertise as an artist and his fifty years' experience as lecturer and teacher at the Art Students League of New York. Throughout the book, he places as much emphasis on perspective and planes as on anatomy. In this way, you'll develop a more precise understanding of each feature, the head and face in general, the relationship between features, and the relationship between a specific feature and the face or head. Mr. Bridgman's consideration of the head includes such topics as the head at eye level and below eye level; planes of the head; and round and square forms. Four features — eye, nose, mouth, ear — are dealt with in detail. Sections on light and shade, comparative measurements, and principles of cube and oval construction further enhance the scope of the book. The finely executed drawings complement the textual material, illustrating all important concepts.  Of special value is the author's inclusion of the work of famous portrait artists. Vermeer, Hals, Rembrandt, Reynolds, Louise Elisabeth LeBrun — these are the people who made portraiture a master art; and you'll be able to study, up close and at your leisure, the qualities that let their work achieve the status it did.

     Nesta was a consort to King Henry I, wife to Gerald of Pembroke and the captive-lover to Owain of Poweys. She is thought to be the original mother to the Tudor and Stuart Dynasties which Princess Diana and John F Kennedy are both descendants.

    Twombly carefully managed his own image, writing almost nothing about his life and work, and giving only a handful of interviews. Through years of scholarship and archival research, first-person interviews, and a sensitive eye to Twombly's art, Joshua Rivkin--who received a Fulbright grant to pursue this story--separates the myth from the reality to bring to life a more complicated and fascinating Twombly than we've ever known.

    LUCIFER HIMSELF IS THE STAR OF THIS BOOK, WHICH CONTAINS IMAGES OF HIM THROUGHOUT THE HISTORY OF ART. ETCHINGS, WOODCUTS, PAINTINGS, ILLUSTRATIONS, DRAWINGS, PHOTOGRAPHS, AND ADVERTISEMENTS FEATURING OF THE DEVIL, BY THE LIKES OF DA VINCI, BOSCH, PIERRE ET GILLES, GIGER, AND MANY MORE, POPULATE THE PAGES OF THIS SUPREMELY "EVIL" BOOK.

    This beautiful book contains 200 exquisite motifs to re-create, from flowers and fruits to wildlife and scenery.Each motif includes an explanation of its symbolic meaning, a palette of colors, and step-by-step instruction in the order, direction, and type of brushstrokes.An introductory section explains all the tools, materials, and techniques required, from choosing brushes and paper to achieving perfect color mixtures and the correct consistency of ink.Includes advice on composing and combining images to create perfectly balanced, harmonious paintings, and ideas for using and displaying your finished art.