Smith and his principal staff officers of the 2d Marine Division, Vice Admiral Raymond A. Spruance, commanding the Central Pacific Force, flew to New Zealand from Pearl Harbor. Spruance told the Marines to prepare for an amphibious assault against Japanese positions in the Gilbert Islands in November. The Marines knew about the Gilberts. The 2d Raider Battalion under Lieutenant Colonel Evans F. Carlson had attacked Makin Atoll a year earlier. Subsequent intelligence reports warned that the Japanese had fortified Betio Island in Tarawa Atoll, where elite forces guarded a new bomber strip. Spruance said Betio would be the prime target for the 2d Marine Division. General Smith's operations officer, Lieutenant Colonel David M. Shoup, studied the primitive chart of Betio and saw that the tiny island was surrounded by a barrier reef. Shoup asked Spruance if any of the Navy's experimental, shallow-draft, plastic boats could be provided. "Not available," replied the admiral, "expect only the usual wooden landing craft." Shoup frowned. General Smith could sense that Shoup's gifted mind was already formulating a plan. The results of that plan were momentous. The Tarawa operation became a tactical watershed: the first, large-scale test of American amphibious doctrine against a strongly fortified beachhead. The Marine assault on Betio was particularly bloody. Ten days after the assault, Time magazine published the first of many post-battle analyses: Last week some 2,000 or 3,000 United States Marines, most of them now dead or wounded, gave the nation a name to stand beside those of Concord Bridge, the Bon Homme Richard, the Alamo, Little Big Horn and Belleau Wood. The name was "Tarawa."

    A range of characters, male and female, tell about a particular group of Japanese who emigrated to Brazil in the first decades of this century. Christian, well-educated, and reasonably affluent, they sought to establish communities where Christian and Japanese values could flourish. The group prospered, though not without cost, and it is this cost that's a major theme here. A secondary theme, suggested by the quotes from the philosopher Rousseau that precede each section, is the nature of education in a new world where emigrants' children often have only 'natural and purely physical knowledge.' Young Emile begins with his recollections of his 1925 arrival in Brazil as a small child; the uncomfortable journey to the settlement where families already there helped them clear land; and the hard work required to become self-sufficient. But even the most idealistic communities have problems, and, successively, Emile, Haru, Kantaro, and Genji, over the years, record the events and personalities that threatened the group: Kantaro, the visionary and dilettante, whose enterprises from baseball to chicken-farming had unforeseen consequences; the bitter divisions caused by WW I that led to the murder of an original founder; the effects of the enduring passion of Yergo for Haru; and the increased assimilation with neighboring Brazilians. Paradoxically, assimilated Guillerme notes in an epilogue that thousands of unemployed Japanese-Brazilians are currently working in Japan as menial labor. Though often seeming more a work of reportage than a novel, Yamashita's characters are vital, full-bodied creations offering sufficient balance, as well as answers to the questions raised. Informative and timely.-Kirkus

    . . Klein exposes the 'battle of utopias' that is currently unfolding in storm-ravaged Puerto Rico - a battle that pits a pitilessly neoliberal plutocratic 'paradise' against a community movement with Puerto Rican sovereignty at its center." - Junot Diaz"We are in a fight for our lives. Hurricanes Irma and Maria unmasked the colonialism we face in Puerto Rico, and the inequality it fosters, creating a fierce humanitarian crisis. Now we must find a path forward to equality and sustainability, a path driven by communities, not investors. And this book explains, with careful and unbiased reporting, only the efforts of our community activists can answer the paramount question: What type of society do we want to become and who is Puerto Rico for?" - Yulin Cruz, Mayor of San Juan, Puerto RicoIn the rubble of Hurricane Maria, Puerto Ricans and ultrarich "Puertopians" are locked in a pitched struggle over how to remake the island. In this vital and startling investigation, bestselling author and activist Naomi Klein uncovers how the forces of shock politics and disaster capitalism seek to undermine the nation's radical, resilient vision for a "just recovery."All royalties from the sale of this book in English and Spanish go directly to JunteGente, a gathering of Puerto Rican organizations resisting disaster capitalism and advancing a fair and healthy recovery for their island. For more information, visit http://juntegente.org/.Naomi Klein is an award-winning journalist, syndicated columnist, documentary filmmaker and author of the international bestsellers No Logo: Taking Aim at the Brand Bullies, The Shock Doctrine: The Rise of Disaster Capitalism, This Changes Everything: Capitalism vs. the Climate, and No Is Not Enough."Fearless necessary reporting . . . Klein exposes the 'battle of utopias' that is currently unfolding in storm-ravaged Puerto Rico-a battle that pits a pitilessly neoliberal plutocratic 'paradise' against a community movement with Puerto Rican sovereignty at its center."-Junot Diaz"We are in a fight for our lives. Hurricanes Irma and Maria unmasked the colonialism we face in Puerto Rico, and the inequality it fosters, creating a fierce humanitarian crisis. Now we must find a path forward to equality and sustainability, a path driven by communities, not investors. And this book explains, with careful and unbiased reporting, only the efforts of our community activists can answer the paramount question: What type of society do we want to become and who is Puerto Rico for?"-Carmen Yulin Cruz, Mayor of San Juan, Puerto Rico"A gripping and timely account of classic 'shock doctrine' being perpetrated in Puerto Rico. Naomi Klein chronicles the extraordinary grassroots resistance by the Puerto Rican people against neoliberal privatization and Wall Street greed in the aftermath of the island's financial meltdown, of hurricane devastation, and of Washington's imposition of an outside control board over the most important U.S. colony." -Juan Gonzalez, co-host of Democracy Now! and author of Harvest of Empire: A History of Latinos in America. "Like so many of my generation, I've been a reader of Naomi Klein's since the late 1990s, always finding something to learn from her rigorous reporting and thoughtful analysis. There's no one better to tell the story of Hurricane Maria and its global significance than Naomi. In the face of speculation, exploitation, and climate crisis, this book calls on us to recognize Puerto Rico's struggle for democracy, justice, and human life itself, as our own." -Ada Colau, Mayor of Barcelona, Spain"

    Years ago, when In the Heights was just starting off-Broadway, Maria got the word out to our community to support this new musical about our neighborhoods. She has been a champion of our triumphs, a critic of our detractors, and a driving force to right the wrongs our society faces. When Maria speaks, I’m ready to listen and learn.” —Lin-Manuel Miranda Emmy Award–winning journalist and anchor of NPR’s Latino USA, Maria Hinojosa, tells the story of immigration in America through her family’s experiences and decades of reporting, painting an unflinching portrait of a country in crisis.Maria Hinojosa is an award-winning journalist who has collaborated with the most respected networks and is known for bringing humanity to her reporting. In this beautifully-rendered memoir, she relates the history of US immigration policy that has brought us to where we are today, as she shares her deeply personal story. For thirty years, Maria Hinojosa has reported on stories and communities in America that often go ignored by the mainstream media. Bestselling author Julia Alvarez has called her “one of the most important, respected, and beloved cultural leaders in the Latinx community.” In Once I Was You, Maria shares her intimate experience growing up Mexican American on the south side of Chicago and documenting the existential wasteland of immigration detention camps for news outlets that often challenged her work. In these pages, she offers a personal and eye-opening account of how the rhetoric around immigration has not only long informed American attitudes toward outsiders, but also enabled willful negligence and profiteering at the expense of our country’s most vulnerable populations—charging us with the broken system we have today. This honest and heartrending memoir paints a vivid portrait of how we got here and what it means to be a survivor, a feminist, a citizen, and a journalist who owns her voice while striving for the truth. Once I Was You is an urgent call to fellow Americans to open their eyes to the immigration crisis and understand that it affects us all. Also available in Spanish as Una vez fui tú.

    Gathered from tapes recorded a decade before Marion Davie's death, read, in her own words, the story of a fantastic and glittering life, as never told before.

    Jesse James, at the age of 34, is at the height of his fame and powers as a singularly successful outlaw. Robert Ford is the skittish younger brother of one of the James gang: he has made himself an expert on the gang, but his particular interest - his obsession - is Jesse James himself. Both drawn to him and frightened of him, the nineteen-year-old is uncertain whether he wants to serve James or destroy him or, somehow, become him.Never have these two men been portrayed and their saga explored with such poetry, such grim precision and such raw-boned feeling as Ron Hansen has brought to this masterful retelling.'Wonderful. This is great storytelling, not undermined by our knowin how it turns out. The reader is driven - by story and by language and by history... the best blend of fiction and history I've read in a long while!' -- John Irving, author of The World According to Garp

    Reports of strange activities at the scene of the crime circulated soon after. When the police arrived, was the head of Paramount Studios burning a bundle of papers in the fireplace, and was a well-known actress searching the house for letters she claimed were hers? Despite a full-scale investigation, the case was never solved; for sixty years is has remained a lingering Hollywood scandal. In 1967, more than forty years after Taylor's death, the great King Vidor, whose directing credits include Northwest Passage, The Fountainhead, Duel in the Sun, and War and Peace, determined to solve the mystery, which had haunted him throughout his career, in order to make a film about it. Through his intimate knowledge of both the studios and the stars, he succeeded, where dozens of professional detectives had failed, in discovering the identity of the murderer. But because his findings were so explosive, he decided he could never go public and locked his evidence away. After Vidor's death in 1982, Sidney D. Kirkpatrick, Vidor's authorized biographer, gained access to the evidence and reconstructed the amazing story of Taylor's murder and Vidor's investigation. With a cast of suspects that includes the actress Mabel Normand, a reputed drug addict; the beautiful ingénue, Mary Miles Minter; Mary's domineering mother, Charlotte Shelby; Taylor's homosexual houseman; and Taylor's secretary, who bore an uncanny resemblance to Taylor's mysteriously elusive brother, this true crime story has all the elements of a classic murder mystery. Covered up for more than half a century, the full story can now be told in all its riveting, shocking detail.

    Based on over 200 original interviews and extensive archival research, Nesteroff's groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past 100 years.Starting with the vaudeville circuit at the turn of the last century, Nesteroff introduces the first stand-up comedian - an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian's primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy's part in the Civil Rights movement and the social upheaval of the late 1960s to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the 21st century.

     Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.

    Featuring many photographs, this book also candidly recounts a gifted and celebrated writer's descent into the life of alcohol and drugs that would ultimately consume his bulldog spirit and staggering talent--but not before he'd hobnob with the likes of Grace Paley and Lee Radziwill, feud outrageously with Gore Vidal and Jacqueline Susann, and stage at New York's Plaza Hotel the sensational Black and White Ball.

    However, as Carrie Gibson explains with great depth and clarity in El Norte, the nation has much older Spanish roots—ones that have long been unacknowledged or marginalized. The Hispanic past of the United States predates the arrival of the Pilgrims by a century, and has been every bit as important in shaping the nation as it exists today.El Norte chronicles the sweeping and dramatic history of Hispanic North America from the arrival of the Spanish in the early 16th century to the present—from Ponce de Leon’s initial landing in Florida in 1513 to Spanish control of the vast Louisiana territory in 1762 to the Mexican-American War in 1846 and up to the more recent tragedy of post-hurricane Puerto Rico and the ongoing border acrimony with Mexico. Interwoven in this stirring narrative of events and people are cultural issues that have been there from the start but which are unresolved to this day: language, belonging, community, race, and nationality. Seeing them play out over centuries provides vital perspective at a time when it is urgently needed.In 1883, Walt Whitman meditated on his country’s Spanish past: “We Americans have yet to really learn our own antecedents, and sort them, to unify them,” predicting that “to that composite American identity of the future, Spanish character will supply some of the most needed parts.” That future is here, and El Norte, a stirring and eventful history in its own right, will make a powerful impact on our national understanding.

    We were halfway in when the Japanese machine guns got their range. Bullets slapped the water and whined as they ricocheted off the barge. Some of us ducked; some of us fell to the floor; and all of us prayed.” Here, in heart-stopping human detail, are twenty-one personal accounts told by the men themselves. They are the stories of men who lived in hell and lived to tell of it. There is the story of Sgt. Albert Schmid who was awarded the Navy Cross for his single-handed destruction of a flanking attack while on Guadalcanal. The account of Private Nicolli who was literally blown into the air like a matchstick and then, with a piece of shrapnel in his chest, managed to help a wounded comrade to the rear. “The luckiest man in the Solomons,” Sgt. Koziar, tells of how he had his tonsils removed with the assistance of a Japanese sniper’s bullet. These are just three of the twenty-one fascinating stories that were told to Gerold Frank and James Horan just months after these marines had returned from active duty to recover from the conflict in the Pacific. The valor of these marines is astounding, as twenty-one-year-old Corporal Conroy states in the book, “I don’t suppose I shall ever be able to sum up all the bravery, the guts, the genuine, honest courage displayed by the boys out in Guadalcanal. They were afraid, and yet they took it. They had what it takes . . .” The battles of Gavutu-Tanambogo, Tulagi, Tenaru, Matanikau and Guadalcanal are all covered through these accounts which take the reader right to the epicenter of the Pacific conflict. “telling of living conditions on the beaches and in the jungles where they fought, offering an insider’s view of foxholes, food, snipers, mosquitos, boondocks, shrapnel, their injuries, and their pain.” Great Stories of World War II Gerold Frank and James Horan were professional authors who wrote down the stories of these marines shortly after they had returned from active duty. The War in the South Pacific was first published in 1943 as Out in the Boondocks. Frank went on to become a prominent ghostwriter and passed away in 1998. Horan, author of more than forty books, died in 1981.

     Frank Sinatra was the best-known entertainer of the twenti­eth century—infinitely charismatic, lionized and notori­ous in equal measure. But despite his mammoth fame, Sinatra the man has remained an enigma. As Bob Spitz did with the Beatles, Tina Brown for Diana, and Peter Guralnick for Elvis, James Kaplan goes behind the legend and hype to bring alive a force that changed popular culture in fundamental ways. Sinatra endowed the songs he sang with the explosive conflict of his own personality. He also made the very act of listening to pop music a more personal experience than it had ever been. In Frank: The Voice, Kaplan reveals how he did it, bringing deeper insight than ever before to the complex psyche and tur­bulent life behind that incomparable vocal instrument. We relive the years 1915 to 1954 in glistening detail, experiencing as if for the first time Sinatra’s journey from the streets of Hoboken, his fall from the apex of celebrity, and his Oscar-winning return in From Here to Eternity. Here at last is the biographer who makes the reader feel what it was really like to be Frank Sinatra—as man, as musician, as tortured genius.

    Jeanine Basinger gives us an immensely entertaining look into the “star machine,” examining how, at the height of the studio system, from the 1930s to the 1950s, the studios worked to manufacture star actors and actresses. With revelatory insights and delightful asides, she shows us how the machine worked when it worked, how it failed when it didn’t, and how irrelevant it could sometimes be. She gives us the “human factor,” case studies focusing on big stars groomed into the system: the “awesomely beautiful” (and disillusioned) Tyrone Power; the seductive, disobedient Lana Turner; and a dazzling cast of others—Loretta Young, Errol Flynn, Irene Dunne, Deanna Durbin. She anatomizes their careers, showing how their fame happened, and what happened to them as a result. (Both Lana Turner and Errol Flynn, for instance, were involved in notorious court cases.) In her trenchantly observed conclusion, she explains what has become of the star machine and why the studios’ practice of “making” stars is no longer relevant. Deeply engrossing, full of energy, wit, and wisdom, The Star Machine is destined to become an invaluable part of the film canon.

    For centuries, it allowed Colombians to settle their mountainous, geographically unique region--one of the most challenging on the planet. Colombia's complicated history reflects the beautiful, wild and impossible geography of its largest river: in places, it is placid and calm; in other moments, tortured and unpredictable. A cultural wellspring of music, poetry and literature, in dark times the Magdalena also served as the nation's graveyard. As the country enters a momentous period of revitalization, Wade Davis explores the three major sections of the river, alto, medio, and bajo, evoking each singular landscape and the people he meets there in poetic, nuanced writing, accompanied by his own striking photography.At once an absorbing adventure and an inspiring story of hope and redemption, Magdalena gives us a rare, kaleidoscopic picture of the past and present of a nation often reduced to unfair clichés of drug cartels and violence. Through many years of uncertainty, however, the Magdalena never abandoned its people, always returning as a life-giving force, the source of much of Colombia's wealth--and its dreams.Seamlessly weaving together memoir, history, and a remarkable tale of a nation rising to bring about transformational change, Wade Davis tells the story of this magnificent river with passion and love, and in doing so, tells the epic story of Colombia.