But the crusaders never made it to the Holy Land. Steered forward by the shrewd Venetian doge, they descended instead on Constantinople, wreaking terrible devastation. The crusaders spared no one: They raped and massacred thousands, plundered churches, and torched the lavish city. By 1204, one of the great civilizations of history had been shattered. Here, on the eight hundredth anniversary of the sack, is the extraordinary story of this epic catastrophe, told for the first time outside of academia by Jonathan Phillips, a leading expert on the crusades. Knights and commoners, monastic chroniclers, courtly troubadours, survivors of the carnage, and even Pope Innocent III left vivid accounts detailing the events of those two fateful years. Using their remarkable letters, chronicles, and speeches, Phillips traces the way in which any region steeped in religious fanaticism, in this case Christian Europe, might succumb to holy war.

    Only one man can save the empire . . . the Haga!1046 AD. The Byzantine Empire teeters on full-blown war with the Seljuk Sultanate. In the borderlands of Eastern Anatolia, a land riven with bloodshed and doubt, young Apion's life is shattered in one swift and brutal Seljuk night raid. Only the benevolence of Mansur, a Seljuk farmer, offers him a second chance of happiness. Yet a hunger for revenge burns in Apion's soul, and he is drawn down a dark path that leads him right into the heart of a conflict that will echo through the ages.

    The book offers an original interpretation of the Spaniards’ conquest, colonization, and destruction of pre-Columbian cultures in Mexico and the Caribbean. Using sixteenth-century sources, the distinguished French writer and critic Tzvetan Todorov examines the beliefs and behavior of the Spanish conquistadors and of the Aztecs, adversaries in a clash of cultures that resulted in the near extermination of Mesoamerica’s Indian population.

    The result is a nuanced portrayal of a multifarious western world that was sharply divided between its northern and southern aspects. By also integrating the histories of the Islamic and Byzantine world into the main narrative, the text brings new life to the continuum of interaction--social, cultural, and intellectual, as well as commercial--that existed among all three societies. In addition, it describes ways in which the medieval Latin West attempted to understand the unified and rational structure of the human cosmos, which they believed existed beneath the observable diversity and disorder of the world. This effort to re-create a human ordering of unity through diversity provides an essential key to understanding medieval Europe and the ways in which it regarded and reacted to the worlds around it. The Worlds of Medieval Europe is an ideal text for undergraduate courses in medieval history, Western civilization, the history of Christianity, and Muslim-Christian relations. It also serves as an excellent supplement for courses on the history of a specific country in the medieval period, the history of medieval art, or the history of the European economy.

    He paints a striking picture of the prominence of religion and warfare in everyday life, as well as the traditions of statecraft, administration, social values, financial, and land policies. "...masterly...Halil Inalcik is one of the foremost living students of Ottoman history...Read this book..."--Times Literary Supplement.

    Founding his capital at Constantinople, Constantine revitalized the Eastern half of the empire, enabling it to survive and to flourish (as the Byzantine Empire) for another thousand years. Yet, as Grant shows, this shift of power to the east would prove fatal to the Western empire and have profound consequences for Europe as a whole. Constantine’s most far-reaching decision, however, was the legalization of Christianity and his conversion to the faith. Without this dramatic change, Christianity might have remained a suppressed, minority religion—or worse. Grant points out the irony behind this watershed too: For Constantine, the Christian God represented not peace but power, not humanity but success in warfare. Whatever the emperor’s motives, Christian writers of that period—and after—greatly admired Constantine. Grant draws on their writings judiciously, while noting, for example, that Eusebius fails to mention Constantine’s murder of his own son and his empress. Grant deftly explores the many questions surrounding these killings—Had the son plotted revolution? Had his stepmother, the empress, fallen in love with him? Had the emperor allowed a charge of rape (possibly false) brought by the empress against her stepson, to stand?—and goes further than any historian before him in finding answers. In examining Constantine as soldier, administrator, Christian, father, andhusband, Michael Grant produces a rich composite picture of a gifted but profoundly flawed man. “Michael Grant is justly recognized as an expert & civilized guide to the ancient world.”—The Economist “Michael Grant was one of the few classical historians to win respect from academics & a lay readership.”—The Times, LondonList of IllustrationsList of MapsAcknowledgementsPrefaceThe sourcesThe rise to supremacyCivil Wars Foreign WarsThe government & character of ConstantineConstantine, Crispus & Fausta ConstantinopleConstantine & the Christian GodConstantine & the Christian churchBuilder Baptism, death & successionThe significance of ConstantineChronological TableSome Later Roman EmperorsGenealogical TableMapsAbbreviationsReferencesSome BooksIndex

     Explores previously neglected sets of connections in world history. Reveals that the world was far more 'globalised', even at the beginning of this period, than is commonly thought. Sketches the 'ripple effects' of world crises such as the European revolutions and the American Civil War. Shows how events in Asia, Africa and South America impacted on the world as a whole. Considers the great themes of the nineteenth-century world, including the rise of the modern state, industrialisation and liberalism. Challenges and complements the regional and national approaches which have traditionally dominated history teaching and writing. Part of The Blackwell History of the World SeriesThe goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.

    363, the violent end of the Emperor Julian has become synonymous with the death of paganism. But how did a young philosopher-warrior, who ruled for only eighteen months, come to be seen as one of the most potent threats to Christianity?Driven by a burning hatred of the Church, rooted in the brutal murder of his family and the treachery of his Christian predecessor Emperor Constantius II, Julian dedicated his brief reign to the eradication of this new and dangerous cult. He vowed to rid the Roman Empire of heresy and restore paganism to the hearts and minds of its citizens.Although vilified throughout history as the 'Apostate', Julian was an inspirational and visionary leader. He made appointments on merit rather than influence or money, cut down on bureaucracy and had an economic policy geared to avoid corruption and waste. His experiment with paganism may have ultimately failed, but Julian has long been a hero of secular humanists and critics of Christianity's historical record.Drawing on Julian's own writings, and using extensive new archaeological and literary research, Adrian Murdoch explores the vivid, engaging and complex character of this controversial emperor. The Last Pagan will fascinate anyone with an interest in ancient history or the history of Christianity.

    In Studies in Iconology, the themes and concepts of Renaissance art are analysed and related to both classical and medieval tendencies.

    She traces the development of the Western tradition from classical antiquity through to the Middle Ages in the perspective of social history—a significant departure not only from the standard abstract history of ideas but also from other contextual methods.Treating canonical thinkers as passionately engaged human beings, Wood examines their ideas not simply in the context of political languages but as creative responses to the social relations and conflicts of their time and place. She identifies a distinctive relation between property and state in Western history and shows how the canon, while largely the work of members or clients of dominant classes, was shaped by complex interactions among proprietors, labourers and states. Western political theory, Wodd argues, owes much of its vigour, and also many ambiguities, to these complex and often contradictory relations.From the Ancient Greek polis of Plato, Aristotle, Aeschylus and Sophocles, through the Roman Republic of Cicero and the Empire of St Paul and St Augustine, to the medieval world of Averroes, Thomas Aquinas and William of Ockham, Citizens to Lords offers a rich, dynamic exploration of thinkers and ideas that have indelibly stamped our modern world.

    Four stimulating essays: “The Sportive Origin of the State,” “Unity and Diversity of Europe,” “Man the Technician,” and “History as a System.” The essays by Ortega in this volume were originally published under the title Toward a Philosophy of History.

    It then traces their story back in time into prehistory to their deepest origins and their ancestors, before bringing the narrative forward to the present day. Each chapter also has a useful summary in bullet points to aid the reader and highlight the key facts in the story.

    Ex-concubine Anna is attempting to raise her daughter well, but as an Arab invasion threatens and Kallinikos an alchemist working on a secret weapon to use in the seige comes into their lives, a secret about her daughter is forced into the open. Anna must accept huge upheaval, and recognize her feelings for Kallinikos . . .

    In ancient times large fleets of Roman merchant ships set sail from Egypt on voyages across the Indian Ocean. They sailed from Roman ports on the Red Sea to distant kingdoms on the east coast of Africa and the seaboard off southern Arabia. Many continued their voyages across the ocean to trade with the rich kingdoms of ancient India. Freighters from the Roman Empire left with bullion and returned with cargo holds filled with valuable trade goods, including exotic African products, Arabian incense and eastern spices. This book examines Roman commerce with Indian kingdoms from the Indus region to the Tamil lands. It investigates contacts between the Roman Empire and powerful African kingdoms, including the Nilotic regime that ruled Meroe and the rising Axumite Realm. Further chapters explore Roman dealings with the Arab kingdoms of south Arabia, including the Saba-Himyarites and the Hadramaut Regime, which sent caravans along the incense trail to the ancient rock-carved city of Petra.The Roman Empire and the Indian Ocean is the first book to bring these subjects together in a single comprehensive study that reveals Rome s impact on the ancient world and explains how international trade funded the Legions that maintained imperial rule. It offers a new international perspective on the Roman Empire and its legacy for modern society.REVIEWS Investigating how the Roman Empire functioned, and particularly how it paid its enormous military costs, McLaughlin argues that the answer lies outside the Mediterranean and western part of Europe to which most classical historians limit their view. He contends that the Roman Empire belonged to an ancient world economy that stretched thousands of miles across the Indian Ocean and that significant commercial contacts linked Roman subjects with their distant counterparts in east Africa, southern Arabia, and the kingdoms of ancient India. He confirms these trade exchanges by source testimony from many different cultures and numerous archaeological finds. Protoview"

    In Bakhtin's view, the spirit of laughter and irreverence prevailing at carnival time is the dominant quality of Rabelais's art. The work of both Rabelais and Bakhtin springs from an age of revolution, and each reflects a particularly open sense of the literary text. For both, carnival, with its emphasis on the earthly and the grotesque, signified the symbolic destruction of authority and official culture and the assertion of popular renewal. Bakhtin evokes carnival as a special, creative life form, with its own space and time.Written in the Soviet Union in the 1930s at the height of the Stalin era but published there for the first time only in 1965, Bakhtin's book is both a major contribution to the poetics of the novel and a subtle condemnation of the degeneration of the Russian revolution into Stalinist orthodoxy. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.