Stories deal with dreams, a woman who accidently injures her son, sheep herders, whales, violence, and family life.

    That was my mammy's name, anyway. Jenny. You be Jenny from now on..." Cornelius Carson's mother cautioned him never to own slaves, but in 1830s Louisiana, land and slaves are proof of a man's worth. At 23 Cornelius is ambitious, and in love. He owns one elderly slave, Malachi, and a small cotton farm along Bayou Cocodrie. And he plans to marry Stephanie Coqterre, daughter of a wealthy Natchez planter. He needs another field-hand, but prices are high. So when a trader brings a coffle of smuggled slaves to Natchez, Cornelius buys a 10-year-old girl. She is mute and nameless, but she's all he can afford. He names her Jenny. It quickly becomes apparent that Jenny will change life on the Cocodrie as much as it changes her. The winds of ambition are blowing everywhere, both among the whites, who strive for wealth and status, and among the slaves, who yearn for freedom. But dangers are everywhere, too. As madness and treachery reach from Natchez to the Cocodrie to blast all their dreams, Cornelius struggles to find a way to salvage his life and the lives of Jenny and Malachi as well.

    Rowan too, otherwise safe in her 'upper crusty' suburb, is drawn more and more strongly 'out west'.  The past is dangerously alive. Clyde Buckley - violent as a boy; enigmatic, subterranean as an old man - returns to his childhood territory. What does he want? What crimes does he hide? And how is Lionel involved? Rowan must abandon safety if she is to find out . . . Maurice Gee is a master storyteller. Access Road is at once a novel of chilling tension and expansive humanity; both a beautifully crafted work of literature and an effortlessly seductive family story.

    Having successfully sold his business, he can look forward to an exciting new chapter in his life with his beautiful wife and teenage daughter. But his father shunned him as he was growing up, and the old man's coldness still causes deep pain.His father spent the war ferrying SOE agents across the channel into occupied France, and Iain knows that his change in personality dated from a mission in 1944 that ended in disaster, with his father barely making it home. Now, on her death-bed, Iain's mother gives him a clue about what happened on that fateful night, and Iain sets off for the tiny Breton village of St Cyriac determined to discover the truth. At first the villagers are welcoming, remembering his father as a hero, but as he nears the final, extraordinary revelation, Iain realizes that he has unleashed terrible forces that might destroy them all.

    But nothing prepared him for Milkwood: a fat, ugly bastard who could take a beating like a government mule, but never, ever won. So when Malcolm risks his life to discover Milkwood's secret, he convinces the fighter to stop being a punching bag and to go for broke in the local tournament. Only problem? A beautiful woman called Lash who needs Milkwood for her own purposes, and a fouler creature on her heels known only as Dizzy Colt. But for Malcolm and Milkwood? Hell, it’s just another day of Blood and SawdustPRAISE FOR BLOOD AND SAWDUST!"With wicked, playful prose that blends the best of pulp with the supernatural, Jason Ridler’s Blood and Sawdust creates an unholy, hell-raising hybrid, the kind of tale Christopher Moore and Jim Thompson might swap after a long night of drinking, trying to one-up one another with acerbic absurdity." Joe Clifford, Author of CHOICE CUTS and JUNKIE LOVEPRAISE FOR THE WORK OF JASON RIDLER!"An exciting new writer." Lucius Shepard, multiple-award-winning author of HANDBOOK OF AMERICAN PRAYER. “Jason Ridler is kind of like a bull rider who’s tossed a saddle on a Tiger tank, and he’s riding that bucking sucker for all he’s worth, because, hey, no one told him that he couldn’t do it, did they? So here he is, the Man in the Barbed-Wire Straitjacket." Norman Partridge, Award Winning Author of DARK HARVEST. "Jason Ridler’s work is intense and taut, with incredible characters and plots that keep your mind buzzing long after you’ve reached the final page." Trent Zelazny, author of TOO LATE TO CALL TEXAS, and FRACTAL DESPONDENCY. ABOUT THE AUTHORJason S. Ridler is the author of BLOOD AND SAWDUST, the Spar Battersea thrillers (DEATH MATCH, CON JOB and DICE ROLL), the short story collection KNOCKOUTS, and has published over fifty stories in such magazines and anthologies as Beneath Ceaseless Skies, Brain Harvest, Chilling Tales, and more. His popular non-fiction has appeared in Clarkesworld, Dark Scribe, and the Internet Review of Science Fiction. A former punk rock musician and cemetery groundskeeper, Mr. Ridler holds a Ph.D. in War Studies from the Royal Military College of Canada. Visit him at twitter at http://twitter.com/JayRidler, Facebook ,http://www.facebook.com/Ridlerville, or his writing blog, Ridlerville, atwww.jsridler.com

    He didn't expect Darlene Johnson to walk into his office with her chocolate box. And certainly didn't expect what followed. . Book One of the Detectives That Don't Fit Series.

    He has no wife, no child, and refuses ever to get inside a car.Leonie is certain she can help this man, that her love will heal his emotional wounds. But Patrice will not tell her anything about his past. So she decides to search herself – unaware of what she’ll discover.Five years before, Patrice was living in London. He was called Patrick, and he had a wife and child. And one fateful day in July changed his life for ever.

    He begins working as a washer of robes at a hotel for itinerant judges. There he meets and falls in love with Prudence, a forensic photographer whose pictures reveal the secrets of the dead.When Prudence disappears, Frank sets out in search of her, a quest that leads him into the shadowy world of a revolutionary salon, then to prison, and finally to discover the city's strange secrets and the secrets of his own heart.A haunting novel that recalls the early work of Paul Auster and Steven Millhauser, The Artist of the Missing is a stunning debut, both a richly imagined evocation of another world and a piercing examination of the mystery of love, and beautifully illustrated by the acclaimed artist Stephen Alcorn.A visionary novel about love, loss, imagination, and despair.

    

    As the young wife of the much sought after and wealthy Jack Whitfield, Carrigan's days revolve around having fun with her best friends, Ella Rae and Laine, playing sandlot softball and juggling an affair...or two. But on an idyllic summer day, a shocking and unexpected discovery turns her 'perfect' life into a tumultuous storm and transforms a girl into a woman. Save Us a Seat is the endearing testament of a brutally honest, no holds barred and fiercely loyal friendship between three women. Ride the rollercoaster of emotions as the friends navigate the sometimes hilarious, often touching and always loyal road of friendship and the joys and trials it brings.

    His once prosperous landowning family has slipped low down the class ladder. Arif ’s sole ambition in life is to crack the civil service examination and become an IAS officer. He believes this will restore the family’s fortunes and works hard at his studies. Until his first glimpse of Sumitra, a voluptuous long-haired beauty. Married, Hindu and several years older than him, she is wrong for him in every way. It is the beginning of an infatuation that will consume his life.‘Reading Patna Blues is like pedalling your way through a littleknown India. It is certain to fill you with inexplicably candid and absolutely stunning tales. Patna Blues marks an impressive debut and brings us an important voice.’ —Anees Salim‘I am familiar not only with the places where this novel is set, the cramped rooms, the names of shops, or the streets, but, it seems to me, even the people, their little joys, their struggles, their often irrational hopes and desires, their guilt, and their beauty. Part literary novel, part-pulp fiction, Patna Blues is a report from a rarely seen world in Indian writing in English, the contemporary lives of provincial Muslims.’ —Amitava Kumar

    Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home.But Ārama is braver than he looks, and he has a friend and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sorrow. As long as there’s aroha to give and stories to tell and a good supply of plasters.Here is a novel that is both raw and sublime, a compelling new voice in New Zealand fiction. Haere mai, Becky Manawatu.

    Valerie reads George Eliot to get to sleep – just to take her mind off worries over her patients, her children, their father and the next family dinner. Elena is so obsessed with health, traditional food, her pregnancy and her blog she doesn’t notice that her partner, Malcolm the ethicist, is getting himself into a moral dilemma of his own making. Evie wants to save the world one chicken at a time. Meanwhile her boyfriend, Michael is on a quest to reconnect with his Māori heritage and discover his own identity. Rosa is eight years old and lost in her own fantasy world, but she’s the only one who can tell something’s not right. Crisis has the power to bring this family together, but will it be too late?

    Marks the seasons of the author's life, her early writing, her work as active media practitioner, and her religio-spiritual writing.

    His special favorite was Alice, who returned his attentions. Her husband George came home from the war, and set out to prove his love and reclaim his wife by shifting a hill with a wheelbarrow to improve the view. Now, decades later, Alma's 'in lieu of' payment is revived so that an abandoned mother living in a depressed town can make her way. For the other townspeople looking to escape various corners of despair, drawing classes provide the answer. For when you draw, the only thing that matters is what lies before you.