He's tough, but times are even tougher. The wimps have stopped coughing up their lunch money. The administration is cracking down. Then to make things worse, Tod and his friends get busted doing something bad. Something really bad.Lucky Tod must spend his daily detention in a hot, empty room with Mrs. Woodrow, a no-nonsense guidance counselor. He doesn't know why he's there, but she does. Tod's punishment: to scrawl his story in a beat-up notebook. He can be painfully funny and he can be brutally honest. But can Mrs. Woodrow help Tod stop playing the bad guy before he actually turns into one . . . for real?Read Tod's notebook for yourself.

    But when the family’s finances hit a snag, sending chaos through the house the two drift apart like they never have before. Plum, a self-described social outcast, strikes up a secret friendship with the class jock, while Ginny’s usual high-strung nature escalates to pure hysterics.Why does everything feel different this year? Maybe because Ginny is going to leave for college soon. Maybe because Plum finally has something that she doesn’t have to share with her self-involved older sister. Or maybe because the girls are forced to examine who they really are instead of who their late father said they were. And who each girl discovers—beneath the years of missing their dad—could either bring them closer together…or drive them further apart.

    Straight As, close friends and a home life so perfect that it could have been a TV show straight out of the 50s. Then his oldest brother died. Now his fun-loving mom cries constantly, he and his remaining brother can’t talk without fighting, and the father he always admired proved himself a coward by moving out when they needed him most.Jolene Timber’s life is nothing like the movies she loves—not the happy ones anyway. As an aspiring director, she should know, because she’s been reimagining her life as a film ever since she was a kid. With her divorced parents at each other’s throats and using her as a pawn, no amount of mental reediting will give her the love she’s starving for. Forced to spend every other weekend in the same apartment building, the boy who thinks forgiveness makes him weak and the girl who thinks love is for fools begin an unlikely friendship. The weekends he dreaded and she endured soon become the best part of their lives. But when one’s life begins to mend while the other’s spirals out of control, they realize that falling in love while surrounded by its demise means nothing is ever guaranteed.

    Emmy hopes to pick up their relationship right where it left off. Are they destined to be together? Or has fate irreparably driven them apart?Emmy just wants to be in charge of her own life.She wants to stay out late, surf her favorite beach—go anywhere without her parents’ relentless worrying. But Emmy’s parents can’t seem to let her grow up—not since the day Oliver disappeared.Oliver needs a moment to figure out his heart.He’d thought, all these years, that his dad was the good guy. He never knew that it was his father who kidnapped him and kept him on the run. Discovering it, and finding himself returned to his old hometown, all at once, has his heart racing and his thoughts swirling.Emmy and Oliver were going to be best friends forever, or maybe even more, before their futures were ripped apart. In Emmy’s soul, despite the space and time between them, their connection has never been severed. But is their story still written in the stars? Or are their hearts like the pieces of two different puzzles—impossible to fit together?Readers who love Sarah Dessen will tear through these pages with hearts in throats as Emmy and Oliver struggle to face the messy, confusing consequences of Oliver’s father’s crime. Full of romance, coming-of-age emotion, and heartache, these two equally compelling characters create an unforgettable story.

    She wants to have that experience too (well, not exactly like that--but with someone she trusts and actually likes), so she's going to need to find the guy, and fast. Problem is, she's known all the boys in her small high school forever, and it's kinda hard to be into a guy when you watched him eat crayons in kindergarten. So she can't believe her luck when she meets a ridiculously hot new guy named Dean. Not only does he look like he's fallen out of a classic movie poster, but he drives a motorcycle, flirts with ease, and might actually be into her.But Dean's already in college, and Keely is convinced he'll drop her if he finds out how inexperienced she is. That's when she talks herself into a new plan: her lifelong best friend, Andrew, would never hurt or betray her, and he's clearly been with enough girls that he can show her the ropes before she goes all the way with Dean. Of course, the plan only works if Andrew and Keely stay friends--just friends--so things are about to get complicated.Cameron Lund's delightful debut is a hilarious and heartfelt story of first loves, first friends, and first times--and how making them your own is all that really matters.

    But this is no ordinary time, for it is 1935 and the Second World War is fast approaching; and this is no ordinary house, for this is the Berghof, the home of Adolf Hitler.Quickly, Pierrot is taken under Hitler's wing, and is thrown into an increasingly dangerous new world: a world of terror, secrets and betrayal, from which he may never be able to escape.

    So when the unexpected shows up in her living room, Kate must confront another reality she never thought possible—or thought of at all. Kate does have a father. He’s a powerful politician. And he’s running for U.S. President. Suddenly, Kate’s moving in with a family she never knew she had, joining a campaign in support of a man she hardly knows, and falling for a rebellious boy who may not have the purest motives. This is Kate’s new life. But who is Kate? When what she truly believes flies in the face of the campaign’s talking points, she must decide. Does she turn to the family she barely knows, the boy she knows but doesn’t necessarily trust, or face a third, even scarier option?

    Now Max is the go-to guru for heartbroken high-school girls all over NYC. But when her ex unexpectedly shows up in her neighborhood, Max’s carefully controlled world starts to unravel. With her clients’ hearts hanging in the balance, Max will have to do the seemingly impossible: get over him once and for all.Brilliant at bringing humor to the trials and tribulations of the lovestruck, #1 New York Times bestselling authors Emma McLaughlin and Nicola Kraus have crafted a tale that will resonate with any girl who has ever been in love or had her heart broken. It brims with smart observations, features a pitch-perfect teen voice, and will attract fans of Jenny Han, Sarah Mlynowski, and Lauren Barnholdt. Readers are sure to fall head-over-heels for this sharp spin on breaking up, making up, and getting even.

    Seamlessly woven together, this collection of interconnected short stories paints an authentic portrait of today's teen experience that is at once funny, moving, and haunting.

    So at a legendary end-of-summer pool party, Ashleigh's friends suggest she text him a picture of herself -- sans swimsuit -- to take with him. Before she can talk herself out of it, Ashleigh strides off to the bathroom, snaps a photo in the full-length mirror, and hits "send." But when Kaleb and Ashleigh go through a bad breakup, Kaleb takes revenge by forwarding the text to his baseball team. Soon the photo has gone viral, attracting the attention of the school board, the local police, and the media. As her friends and family try to distance themselves from the scandal, Ashleigh feels completely alone -- until she meets Mack while serving her court-ordered community service. Not only does Mack offer a fresh chance at friendship, but he's the one person in town who received the text of Ashleigh's photo -- and didn't look. Acclaimed author Jennifer Brown brings readers a gripping novel about honesty and betrayal, redemption and friendship, attraction and integrity, as Ashleigh finds that while a picture may be worth a thousand words . . . it doesn't always tell the whole story.