One time near Yellingbo they found a church no one prayed in and they lived there and for three weeks had stained glass for windows…They got chased out and went to Shepparton but Shane had a run-in and police said move.Shane, Moira and Midge, along with young Zara and Rory, are ‘trants’—itinerants roaming the plains north-west of Melbourne in search of disused houses to sleep in, or to strip of heritage fittings when funds are low. When they find their Tree Palace outside Barleyville, things are looking up. At last, a place in which to settle down.But Zara, fifteen, is pregnant and doesn’t want a child. She’d rather a normal life with town boys, not trant life with a baby. Moira decides to step in: she’ll look after her grandchild. Then Shane finds himself in trouble with the local cops…Warmly told and witty, Craig Sherborne’s second novel is a revelation—an affecting story of family and rural life.

    Yet in the serene heart of the French province of Gascony, little has changed in a hundred years -- and the events in Paris seem but a distant thunder. Indeed, the dramatic crash landing of American artist and amateur balloonist Stephen Fletcher sparks far more excitement. Stephen lands in the pastoral world of a magistrate and his three daughters -- ethereal Claire, pert and precocious Mathilde, and plain, sensible Sophie, who lovingly tends her rose garden as she simmers with unfulfilled longings.As the revolution brings murder, terror, and fear into the remote Gascon countryside, Stephen finds himself enchanted by the angelic Claire. Yet he is also strangely drawn to Sophie, whose courage and compassion sustain them all, from her family to the quixotic, tormented physician who silently adores her. And even as Sophie keeps a tender secret of her own, she works toward realizing yet another dream: the miracle of an original repeat-flowering crimson rose -- a hopeful symbol of an unblighted future.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    The collection consists of five short stories: 'The Small Rain', 'Lowlands', 'Entropy', 'Under the Rose', and 'The Secret Integration', as well as an introduction written by Pynchon himself for the 1984 publication. The five stories were originally published individually in various literary magazines but in 1984, after Pynchon had achieved greater recognition, Slow Learner was published to collect and copyright the stories into one volume. The introduction also offers a rare insight into Pynchon's own views on his work and influences.

    Abducted. Her rich family has closed ranks and summoned Frank Calder, ex-soldier and sacked police hostage negotiator. They want him to deliver the ransom money to the kidnappers. Frank wants them to call in the law, but the family refuses, since police bungling nearly cost the life of another Carson child kidnapped years before. But are the two kidnappings connected? And is greed the motivation? Revenge? Or could it be something else? To find out, Frank Calder must go beyond his brief. As Frank feverishly searches for suspects in the web of Carson family businesses and deals, marriages and indiscretions, rivalries and intrigues, he knows that if his instincts are wrong, the girl will surely die.

    That's the view of the world in the 1950s and their lives are taken over by their mothers and welfare. But Brownie and Lola are determined to be together and show they are capable of handling life. Survival on their own terms is a tough road to travel but also a triumph.

    As the Dunbar boys love and fight and learn to reckon with the adult world, they discover the moving secret behind their father’s disappearance. At the center of the Dunbar family is Clay, a boy who will build a bridge—for his family, for his past, for greatness, for his sins, for a miracle. The question is, how far is Clay willing to go? And how much can he overcome?

    He doesn’t stop immediately. By the time he returns to the scene, the road is empty, but there is a dent in the car, high up on the passenger door, and what looks like blood. Only a man could have made such a dent, he thinks. For some reason he looks up, though he knows no one is there. Has he hit someone, and if so, where is the victim?So begins a story that takes us to the heart of contemporary Australia’s festering relationship to its indigenous past. A story about guilt for acts which precede us, crimes we are not sure we have committed, crimes gone on so long they now seem criminal- less.Part crime novel, part road movie, part love story, No One takes its protagonist to the very heart of a nation where non-existence is the true existence, where crimes cannot be resolved and guilt cannot be redeemed, and no one knows what to do with ghosts that are real.

    A native of New Zealand, she is the author of eleven novels, four collections of stories, a volume of poetry, a children's book, and her heartfelt and courageous autobiography -- all published by George Braziller. This fall, we celebrate our thirty-ninth year of publishing Frame's extraordinary writing.

    A mother-of-three had died at her house after a botched abortion. Rebecca was sentenced to three years hard labour, but less than six months into her prison term she gave birth to a child, a girl, who she kept with her in prison. "LONG BAY is that rare thing: a historical novel untainted by sentimentality, with a story not only fascinating in the context of its time, but made relevant to the modern world." - Hannah Kent, author of BURIAL RITES"Rebecca Sinclair is a character who will live on in my memory long after turning the final page on her story - which seems only just, as Limprecht has rescued an otherwise forgotten woman from archival obscurity. LONG BAY wears its history lightly but packs an emotional wallop, straight to the guts of our humanity. Deftly researched, deeply satisfying." - Clare Wright, author of THE FORGOTTEN REBELS OF EUREKA

    He’s learned, companionable, ribald, brave, mathematical, at once virtuosic and somehow without ego. Sorrentino’s books break free of the routine that inevitably accompanies traditional narrative and through a passionate renunciation shine with an unforgiving, yet cleansing, light.”—Jeffrey Eugenides“For a compelling, hilarious, and ultimately compassionate rendering of life in mid-20th-century America, forget the conscientious subjectors and take Gilbert Sorrentino at his golden Word.”—Harry Mathews“One of [Brooklyn]’s most intriguing and authentic homegrown talents, Sorrentino’s Bay Ridge deserves to be appreciated alongside Malamud’s Crown Heights, Arthur Miller’s Coney Island, Henry Miller’s and Betty Smith’s Williamsburg, Hamill’s and Auster’s Park Slope, and Lethem’s Boerum Hill.”—BookforumTitled after a line from Henry James, Gilbert Sorrentino’s final novel consists of fifty narrative set pieces full of savage humor and cathartic passion—an elegiac paean to the bleak world he so brilliantly captured in his long and storied career. Mirroring the inexplicable coincidences, encounters, and hallmarks of modern life, this novel revisits familiar characters—the aging artists, miserable couples, crackerjack salesmen, and drunken soldiers of previous books, placing them in familiar landscapes lost in time between the Depression era and some fraudulent bohemia of the present.A luminary of American literature, Gilbert Sorrentino was a boyhood friend of Hubert Selby, Jr., a confidant of William Carlos Williams, a two-time PEN/Faulkner Award finalist, and the recipient of a Lannan Literary Lifetime Achievement Award. He taught at Stanford for many years before returning to his native Brooklyn and published over thirty books before his death in 2006.

    Ruthie receives the news every woman dreads. Meanwhile, a wealthy landowner, Wally Oliver, appears on the local radio station, warning small farmers like Dimple and Ruthie that they are doomed, that the sooner they leave the land to large operators like him, the better. Bracing for a fight on all fronts, the couple decide to take a road trip to confront Oliver. Along the way, not only is their resolve tested, but their relationship as well.Desperate not to dwell on the past but to face up to the future, Dimple and Ruthie make a crucial decision they soon regret. And when the storm clouds finally roll in across the land they love, there’s more than the rain to contend with.Told with enormous heart, Small Mercies is a tender love story. It is a story of a couple who feel they must change to endure, and of the land that is as important as their presence on it.

    Kellyanne’s brother, Ashmol, can’t see them and doesn’t believe they exist anywhere but in Kellyanne’s immature imagination. Only when Pobby and Dingan disappear and Kellyanne becomes heartsick over their loss does Ashmol realize that not only must he believe in Pobby and Dingan, he must convince others to believe in them, too.From the Trade Paperback edition.

    But when Sylvie dies, the ground shifts dangerously for the remaining three.They are Jude, a once-famous restaurateur; Wendy, an acclaimed public intellectual; and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather at Sylvie's old beach house--not for festivities this time, but to clean it out before it is sold. Can they survive together without her?Without Sylvie to maintain the group's delicate equilibrium, frustrations build and painful memories press in. Fraying tempers, an elderly dog, unwelcome guests and too much wine collide in a storm that brings long-buried hurts to the surface--and threatens to sweep away their friendship for good.The Weekend explores growing old and growing up, and what happens when we're forced to uncover the lies we tell ourselves. Sharply observed and excruciatingly funny, this is a jewel of a book: a celebration of tenderness and friendship from an award-winning writer.

    This exceptional collection of stories is about young women of different ages, from their early teens to their late twenties, coming to terms with what it means to desire, and be desired, with funny, surprising and sometimes confronting results.Ulman first made her mark with the story Chagall's Wife in Meanjin; this collection shows that she's a young Australian writer to put alongside Ceridwen Dovey, Nam Le and Fiona McFarlane.