Enjoy modern poetry, scanned pieces of typed words on scraps, and full color original artwork.Open your mind and let your heart go on an adventure.

    . . But among the many writers who have come of age in our fin de siècle, none have succeeded more completely as poet, critic, and translator than Robert Pinsky." --James Longenbach, The NationThe poems in Robert Pinsky's At the Foundling Hospital consider personality and culture as improvised from loss: a creative effort so pervasive it is invisible. An extreme example is the abandoned newborn. At the Foundling Hospital of eighteenth-century London, in a benign and oddly bureaucratic process, each new infant was identified by a duly recorded token. A minimal, charged particle of meaning, the token might be a coin or brooch or thimble--or sometimes a poem, such as the one quoted in full in Pinsky's poem "The Foundling Tokens." A foundling may inherit less of a past than an orphan, but with a wider set of meanings. The foundling soul needs to be adopted, and it needs to be adaptive.In one poem, French and German appear as originally Creole tongues, invented by the rough needs of conquered peoples and their Roman masters. In another, creators from scorned or excluded groups--among them Irving Berlin, Quintus Horatius Flaccus, and W.E.B. Du Bois--speak, as does the Greek tragic chorus, in the first-person singular.In these poems, a sometimes desperate, perpetual reimagining of identity, on the scale of one life or of human history, is deeply related to music: The quest is lyrical, whether the subject is as specific as "the emanation of a dead star still alive" or as personal as the "pinhole iris of your mortal eye."

    But when the baby dies of natural causes while under her roof, and knowing her neighbour will be devastated, Minnie swaps it with one of the infants in her care.Now seventeen, Jewel Nightingale knows nothing of her true origins. But assaulted by her hateful cousin and making the dreadful discovery that she is pregnant, she faces a desperate dilemma. Fleeing her job as a domestic maid, she follows an advertisement to a house in Bolton's dark slums, where a woman promises to help her when the child is born. Little does Jewel know that there’s a terrible price to pay . . .Can she keep herself – and her baby – safe? And what will happen when Jewel discovers the truth about where she came from? Gritty and page-turning historical saga set in Northern England in the late 1800s, perfect for fans of Dilly Court and Rosie Goodwin.

    In this festive holiday novella, Jules Hooker is having her first post-apocalyptic Christmas in the small French village of Chabanel when a mysterious stranger and an unholy secret from the past come together to try to ruin everybody’s holly jolly time.

    The first section of this collection pays homage to the poet's roots in a place where the world hands you nothing and promises less, so you are left to invent yourself or disappear. From there these poems both recount and embody repeated acts of defiant self-creation in the face of despair, loss, and shame, and always in the shadow of annihilation.With darkly raucous humor and wrenching pathos, Seuss burrows furiously into liminal places of no dimension—state lines, lakes' edges, the space "between the m and the e in the word amen." From what she calls "this place inbetween" come profane prayers in which "the sound of hope and the sound of suffering" are revealed to be "the same music played on the same instrument."Midway through this book, a man tells the speaker that beauty is that which has not been touched. This collection is a righteous and fierce counterargument: in the world of this imagination, beauty spills from that which has been crushed, torn, and harrowed. "We receive beauty," Seuss writes, "as a nail receives / the hammer blow." This is the poetry that comes only after the white dress has been blown open—the poetry of necessity, where a wild imagination is the only hope.

    

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    

    If she let her, Elizabeth would threaten her carefully erected walls. Louka has no intention of allowing her close.In Provence for a summer of teaching at the Maritima archaeological centre, Oxford University lecturer Elizabeth McLean would have no such qualms. She is absolutely up for some fun on the side, and the sexy coastguard has got under her skin.As the weeks unfold, and the two women get close, not all is as it seems.In the end…What’s the best that could happen?

     Now Lord Barnard is dead and his son, Lord Charles, has come home from the crusades with the last of their men -- and Simon is not among them. Lord Charles claims Simon died saving his life. Melisende suspects there is more to the story. Left to fend for herself and her two young children, Melisende is determined to discover what really happened to Simon at the battle for Acre. The truth is far stranger and more unsettling than she could ever have imagined. If you enjoy true-to-life historical fiction based on real events, with all the passion, drama, and heartache of life in Medieval Europe, you’ll love The Lode Stone, written by multi-award-winning author Jane Ann McLachlan.

    Each chapter serves a different purpose. The chapters are For The Healing, For The Erasing, For the Loving, For the Oppressed, and For the Broken. This book teaches you to love yourself and others. It's better experienced than described, so sit down with some coffee and allow yourself to feel-- and heal.

    A moving story of love and friendship with a wonderful sense of place' KATE MOSSE'A terrific story ... skilfully written and heart-rending' MIRIAM MARGOLYES'A virtual hug of a tale; warm, and engaging, and tender' JOANNE HARRIS'Romantic, evocative, and pulse racingly dramatic' WENDY HOLDEN'An emotional and moving read' FIONA VALPY ________ France, 1943.Forced to flee war ravaged Poland, Sara and her parents are offered refuge in a beautiful but dilapidated house in the French Alps. It seems the perfect hideaway, despite haunting traces of the previous occupants who left in haste.But shadows soon fall over Sara's blissful summer, and her blossoming romance with local villager Alain. As the Nazis close in, the family is forced to make a harrowing choice that could drive them apart forever, while Sara's own bid for freedom risks several lives . . .Will her family make it through the summer together?And can she hold onto the love she has found with Alain?By turns poignant and atmospheric, this is the compelling new novel from Sunday Times bestselling author Carol Drinkwater about the power of first love and courage in our darkest hours.________'An exciting, evocative and beautifully written romance' DAILY MAIL'I love Carol Drinkwater's writing . . . So evocative of the south of France - you can almost smell the maquis . . . Engrossing' Reader Review 'Carol skilfully draws us in to the beautiful Alpes Maritimes region of France to tell the story of Sara . . . the writing is evocative and Sara's story is both moving and inspiring' Sheila O'Flanagan, bestselling author of The Women Who Ran Away'Great storyline, great characters. A thoroughly enjoyable read' Reader Review 'I enjoyed it very much . . . it's her best' Elizabeth Buchan, author of The Museum of Broken Promises'A wonderful, enjoyable novel with courage and survival at its heart' Elizabeth Chadwick, author of The Wild Hunt series'One not to be missed ... tells a part of history that should never be forgotten' Shirley Dickson, author of The Lost Children Praise for Carol Drinkwater: 'I was hooked from the start' Dinah Jefferies 'Carol Drinkwater's writing is like taking an amazing holiday in book form' Jenny Colgan 'Beautifully woven and compelling' Rowan Coleman 'Secrets, tragedy, hidden pasts and family secrets - I loved this' Santa Montefiore

    Now, in "Dancing with Joy," he assembles 99 poems from 69 poets that celebrate the many colors of joy. Anything can be a catalyst for joy, these poems reveal. For Wislawa Szymborska, the catalyst is a dream; for Robert Bly, being in the company of his ten-year-old son; for Gerald Stern, it is a grapefruit at breakfast; for Billy Collins, a cigarette. "Dancing with Joy" includes English and Italian classical and romantic works; early Chinese and Persian verse; and poets from Chile, France, Sweden, Poland, Russia, Turkey, and India, plus a range of contemporary American and English poets. Whether inspiration is what you need, or an affirmation of what is already joyful in life, "Dancing with Joy" is a welcome treat for Housden s numerous fans, as well as anyone looking for sheer happiness, marvelously expressed."

    With loyal fans across the country and all over the Internet, he breathes new life into this ancient medium and delights fans with his openness and honesty alongside his beautiful photography.This new book will be his first poetry collection in four years, and he returns now with a message of hope. In his elegant and simple style, Gregson will lift your spirits, keep you going when times get tough, and remind you of the inherent inner strength you already have within you.