The First Folio is a literary icon and is the version of Shakespeare's text preferred by many actors and directors, yet no one has edited it in its entirety for over three hundred years.At the request of the Royal Shakespeare Company, Jonathan Bate and Eric Rasmunssen, two of today's most accomplished Shakespearean scholars, have used the very latest techniques and research to correct the errors and variations in the early printed copies and to present the First Folio for modern readers. The result is a fresh and definitive Complete Works for the twenty-first century.This edition includes all the material that might be needed by a student of Shakespeare. The Sonnets, The Two Noble Kinsmen, Pericles, Shakespeare's scene from Sir Thomas More, Venus and Adonis, The Rape of Lucrece, The Phoenix and Turtle, and a number of other interesting passages not published in the First Folio are also included.'This is a glorious edition of one of the world's most important books. It's the essential reference book for anyone who's ever been in love, felt jealousy, hatred, or desire. All human life is here — and every home should have one.'-Dame Judi Dench'A splendid edition … the general introduction is among the best 50-page guides to Shakespeare you could hope to find, while the short essays prefixed to each play are informative, thought-provoking and humane. Marginal notes help readers imagine what's happening onstage … the RSC's edition allows you to lose yourself in the wonder of the works.'-Dr Colin Burrow, Oxford University'A triumphant addition to our times.'-Fiona Shaw, The Times'The scholarly apparatus is discreet, elegant and pertinent. For each play, we get brief accounts of plots, dates and sources … footnotes are found snugly and legibly at the bottom of each page … there is a universe to be found in these annotations: the Renaissance world of power and fate, sex and death, language and philosophy … an edition full of endless fascination.'-Tom Deveson, Times Educational Supplement'Bate's general introduction to Shakespeare's life, stage and reputation is superb, and the short introductions to individual works are among the best of their kind available … they manage to speak about what really matters about the plays.'-Professor Michael Dobson, London Review of Books'Excellent, succinct notes and introductions to each play.'-John Carey, Sunday Times'Outstanding … Jonathan Bate writes with as much elegance as insight about the making of theatre and the creation of the plays … an impeccably informative introduction gives a comprehensive theatrical, social, political and biographical context to the plays … exemplary notes at the foot of each page translate verbal and topical obscurities … for actors and directors it will be incomparably useful, but for any curious reader of Shakespeare's plays it provides an invaluable guide to reading them not as novels or dramatic poems, but as they were intended to be read: blueprints for live performance.'-Richard Eyre, Sunday Telegraph

    According to Wikipedia: "Jack London (12 January, 1876 – 22 November, 1916) was an American author who wrote The Call of the Wild and other books. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first Americans to make a lucrative career exclusively from writing."

    Strangely pro-active, and keen to form friendships with the underlings and residents, he begins to uncover skeletons in the closet. At the same time, he's indulging his drink-ravaged landlady's desire for company. His intentions are good - too good to be true?Part of the Storycuts series, this short story was previously published in the collection In Between the Sheets.

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    Unusually for Agatha Christie it was a horror short story which is not normally associated with the Great Author. The story was retrieved from the Italian Magazine on the 19th June 2013 and is only 9 pages in length. In normal circumstances, nine pages is not enough to justify a printed version of this little known and recently discovered Agatha Christie work. This book attempts to celebrate the fact that a 'new' work by the Great Author has been discovered and the fact that it can be classified as a horror short story adds to what we know about the Great Lady. The book gives some background to the story in addition to faithfully reproducing the actual Italian translation from the magazine. The English translation follows and the ends with further reference to ensure a full understanding of the story.

    

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Its authorship is unknown, although suggestions include Thomas Kyd, Christopher Marlowe and William Shakespeare.Wealthy businessman Arden is convinced his wife Alice is cheating on him. He's right – but he doesn't know the full story. Determined to free herself from her miserable marriage, Alice is in fact plotting to have him murdered. As the assassins close in on their unwitting victim, husband, wife and lover find themselves locked in a deadly game.This edition of Arden of Faversham was published alongside the Royal Shakespeare Company's revival of the play in 2014, and features the text edited for the RSC production, and introductions by key members of its creative team.

    But after her father suddenly passed away, leaving none of his fortune behind, Eden forced herself to grow up and become practical. Step one was accepting a job at Camp Liberty, a summer camp for girls. Even a year after her world fell apart, Eden is still grappling with her new responsibilities—especially keeping the campers out of their neighbor’s apple orchard. Chase Elliot is overbearing, and very strict about trespassers. Eden is more than happy to stay out of his way, but soon she finds Chase bumping into her every chance he gets. Eden’s past relationship proved to be a sham, so she constantly brushes Chase off, but sometimes temptation is too hard to resist!The Best MistakeEx-model Zoe Fleming is now a hardworking single mom—and she wouldn’t have it any other way. She does need a tenant to help with the household expenses, and when she enlists for one, comfirmed bachelor J. Cooper McKinnon signs the lease. Handsome as he is, Zoe is too busy for romance, and even if she wasn’t, Coop is not the type of man she had in mind: a sports reporter who admits he doesn’t understand kids. Coop wasn’t planning on settling down anyway, and he certainly didn’t sign up to be a father, but the more time he spends getting to know Zoe and her son, Keenan, the more he can picture their future as a family. If only he can convince Zoe he’s finally ready to commit…

    As two armies march, Commander Vimes faces unpleasant foes who are out to get him … and that’s just the people on his side. A great stage adaptation by Stephen Briggs of Terry Pratchett’s best-selling novel.Terry Pratchett has sold 27 million books worldwide. Stephen Briggs is his chosen stage adaptor.

    Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1905. Excerpt: ... ACT I Scene--The octagon room at Sir Robert CHILTern's house in Grosvenor Square. [The room is brilliantly lighted and full of guests. At the top of the staircase stands Lady Chiltern, a woman of grave Greek beauty, about twenty-seven years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights, which illumine a large eighteenthcentury French tapestry--representing the Triumph of Love, from a design by Boucher--fhat is stretched on the staircase wall. On the right is the entrance 'to the music-room. The sound of a string quartette is faintly heard. The entrance on the left leads to other reception-rooms. Mrs. Marchmont and Lady Basildon, two very pretty women, are seated together on a Louis Seize sofa. They are types of exquisite fragility. Their affectation of manner- has a delicate charm. Watteau would have loved to paint them.) Mrs. Marchmont. Going on to the Hartlocks' tonight, Margaret? Lady Basildon. I suppose so. Are you? Mrs. Marchmont. Yes. Horribly tedious parties they give, don't they? Lady Basildon. Horribly tedious! Never know why I go. Never know why I go anywhere. Mrs. Marchmont. I come here to be educated. Lady Basildon. Ah! I hate being educated! Mrs. Marchmont. So do I. It puts one almost on a level with the commercial classes, doesn't it? But 1 dear Gertrude Chiltern is always telling me that I should have some serious purpose in life. So I come here to try to find one. Lady Basildon [Looking round through her lorgnette]. I don't see anybody here to-night whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time. Hrs. MArchmont. How very trivial of him! Lady Basildon. Terribly trivial! What did your man talk about? Mrs. Mabchmont. Abo...

    Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again. In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow.The Eye of the World — When The Two Rivers is attacked by Trollocs—a savage tribe of half-men, half-beasts— five villagers flee that night into a world they barely imagined, with new dangers waiting in the shadows and in the light.The Great Hunt — Long thought only legend, the Horn of Valere is found, a mystical item able to raise the dead heroes of the ages. But then, everything changes when it gets stolen.The Dragon Reborn — Winter has stopped the war—almost—yet men are dying, calling out for the Dragon. But where is he? In the Heart of the Stone lies the next great test of the Dragon reborn.The Shadow Rising — The seals of Shayol Ghul are weak now, and the Dark One reaches out. The Shadow is rising to cover humankind. Against the Shadow rising stands the Dragon Reborn.The Wheel of Time®New Spring: The Novel#1 The Eye of the World#2 The Great Hunt#3 The Dragon Reborn#4 The Shadow Rising#5 The Fires of Heaven#6 Lord of Chaos#7 A Crown of Swords#8 The Path of Daggers#9 Winter's Heart#10 Crossroads of Twilight#11 Knife of DreamsBy Robert Jordan and Brandon Sanderson#12 The Gathering Storm#13 Towers of Midnight#14 A Memory of Light By Robert Jordan and Teresa Patterson The World of Robert Jordan's The Wheel of Time By Robert Jordan, Harriet McDougal, Alan Romanczuk, and Maria Simons The Wheel of Time Companion By Robert Jordan and Amy Romanczuk Patterns of the Wheel: Coloring Art Based on Robert Jordan's The Wheel of Time At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Complete with Easy Table of Contents for quick navigation to any book and any Chapter in any of the Four Classic books by Lucy Maud Montgomery.Anne of Green Gables is a bestselling novel by Canadian author Lucy Maud Montgomery published in 1908. It was written as fiction for readers of all ages, but in recent decades has been considered a children's book. Montgomery found her inspiration for the book on an old piece of paper that she had written at a young age, describing a couple that were mistakenly sent an orphan girl instead of a boy, yet decided to keep her. Montgomery also drew upon her own childhood experiences in rural Prince Edward Island. Montgomery used a photograph of Evelyn Nesbit, which she had clipped from New York’s Metropolitan Magazine, and pasted the framed clipping on the wall of her bedroom, as the model for the face of Anne Shirley, the book's main character.Montgomery also found inspiration in the "formula Ann" orphan stories, the Anns without the e. Other characters, like Gilbert Blythe, were modelled, in part, on real-life characters. Montgomery wrote the novel in the twilight of the day, sitting at her window and overlooking the fields of Cavendish.Since publication, Anne of Green Gables has sold more than 50 million books. In addition, this book is taught to students around the world.