Viola prodigy Adina yearns to become a soloist—and to convince her music teacher he wants her the way she wants him. Overachiever Tovah awaits her acceptance to Johns Hopkins, the first step on her path toward med school and a career as a surgeon. But one thing could wreck their carefully planned futures: a genetic test for Huntington’s, a rare degenerative disease that slowly steals control of the body and mind. It’s turned their Israeli mother into a near stranger and fractured the sisters’ own bond in ways they’ll never admit. While Tovah finds comfort in their Jewish religion, Adina rebels against its rules.When the results come in, one twin tests negative for Huntington’s. The other tests positive.These opposite outcomes push them farther apart as they wrestle with guilt, betrayal, and the unexpected thrill of first love. How can they repair their relationship, and is it even worth saving?From debut author Rachel Lynn Solomon comes a luminous, heartbreaking tale of life, death, and the fragile bond between sisters.

    Neither Rebekah nor her father have heard from her since. Now a recent college graduate, Rebekah has moved to New York City to follow her dream of becoming a big-city reporter. But she's also drawn to the idea of being closer to her mother, who might still be living in the Hasidic community in Brooklyn.Then Rebekah is called to cover the story of a murdered Hasidic woman. Rebekah's shocked to learn that, because of the NYPD's habit of kowtowing to the powerful ultra-Orthodox community, not only will the woman be buried without an autopsy, her killer may get away with murder. Rebekah can't let the story end there. But getting to the truth won't be easy--even as she immerses herself in the cloistered world where her mother grew up, it's clear that she's not welcome, and everyone she meets has a secret to keep from an outsider.

    As the religion stands on the brink of becoming irrelevant to the very people who look to it for answers, Nothing Sacred takes aim at its problems and offers startling and clearheaded solutions based on Judaism’s core values and teachings.Disaffected by their synagogues’ emphasis on self-preservation and obsession with intermarriage, most Jews looking for an intelligent inquiry into the nature of spirituality have turned elsewhere, or nowhere. Meanwhile, faced with the chaos of modern life, returnees run back to Judaism with a blind and desperate faith and are quickly absorbed by outreach organizations that—in return for money—offer compelling evidence that God exists, that the Jews are, indeed, the Lord’s “chosen people,” and that those who adhere to this righteous path will never have to ask themselves another difficult question again.Ironically, the texts and practices making up Judaism were designed to avoid just such a scenario. Jewish tradition stresses transparency, open-ended inquiry, assimilation of the foreign, and a commitment to conscious living. Judaism invites inquiry and change. It is an “open source” tradition—one born out of revolution, committed to evolution, and willing to undergo renaissance at a moment’s notice. But, unfortunately, some of the very institutions created to protect the religion and its people are now suffocating them.If the Jewish tradition is actually one of participation in the greater culture, a willingness to wrestle with sacred beliefs, and a refusal to submit blindly to icons that just don’t make sense to us, then the “lapsed” Jews may truly be our most promising members. Why won’t they engage with the synagogue, and how can they be made to feel more welcome?Nothing Sacred is a bold and brilliant book, attempting to do nothing less than tear down our often false preconceptions about Judaism and build in their place a religion made relevant for the future.From the Hardcover edition.

    The Bronsons were the first Jews to ever live in that tiny town (1920 population: 5,318) of one main street, one bank, one drugstore, one picture show, one feed and seed, one hardware, one barber shop, one beauty parlor, one blacksmith, and many Christian churches. Aaron Bronson moved his family all the way from New York City to that remote corner of northwest Tennessee to prove himself a born salesman--and much more. Told by Aaron's youngest child, The Jew Store is that rare thing--an intimate family story that sheds new light on a piece of American history. Here is One Man's Family with a twist--a Jew, born into poverty in prerevolutionary Russia and orphaned from birth, finds his way to America, finds a trade, finds a wife, and sets out to find his fortune in a place where Jews are unwelcome. With a novelist's sense of scene, suspense, and above all, characterization, Stella Suberman turns the clock back to a time when rural America was more peaceful but no less prejudiced, when educated liberals were suspect, and when the Klan was threatening to outsiders. In that setting, she brings to life her remarkable father, a man whose own brand of success proves that intelligence, empathy, liberality, and decency can build a home anywhere. The Jew Store is a heartwarming--even inspiring--story.

    

    Yet, despite their relatively small numbers, the members of these two minority groups often find themselves the focus of a disproportionate amount of media attention, particularly when it comes to the Israeli-Palestinian conflict. Beyond such international issues, American Jews and American Muslims find themselves struggling with similar inter-communal concerns when it comes to matters like education (for example tensions between student populations of Jews and Muslims on university campuses), politics (such as the swearing in of the first Muslim Congressman in the House of Representatives, Keith Ellison, or the omnipresent emails and robo-calls linking President Obama to the Muslim community that emerged during the 2008 Presidential election), or even pop culture (think of such recent Hollywood productions as Kingdom in Heaven, Munich, Paradise Now, and Traitor, to name but a few). In all of these matters, American Jews and American Muslims have consistently engaged each other in conversation – whether directly or indirectly; constructive or not – in ways that have usually eluded their co-religionists throughout the rest of the world. This has partly to do with America’s ethos as a “melting pot” of different religions, ethnicities, and cultures. But it also has to do with the innovative ways in which Judaism and Islam have absorbed, and been radically altered, by the so-called “American experience.”This book is an exploration of contemporary Jewish-Muslim relations in the United States and the distinct and often creative ways in which these two communities interact with one another in the American context. Each essay discusses a different episode from the recent twentieth and current twenty-first century American milieu that links these two groups together. Some deal with case examples of local inter-communal interaction, such as “dialogue groups,” which can help us better understand national trends of similar activities in other parts of the country. Others focus on national trends themselves, thus giving us greater insights into individual incidents.

    Brooks has an uncanny ability to hear and transform characters from history, and this beautifully written, unvarnished saga of faith, desire, family, ambition, betrayal, and power will enthrall her many fans.

    . . . This treasure trove of linguistics, sociology, history and folklore offers a fascinating look at how, through the centuries, a unique and enduring language has reflected an equally unique and enduring culture.”—Publishers Weekly, starred reviewThe main spoken language of the Jews for more than 1,000 years, Yiddish offers a comprehensive picture of the mind-set that enabled them to survive a millennium of unrelenting persecution across Europe. Through the idioms, phrases, metaphors, and fascinating history of this wonderful tongue, Michael Wex gives us a moving and inspiring portrait of a people, and a language, in exile. From tukhes to goy, meshugener to bobe mayse (cok-and-bull story), Born to Kvetch offers a wealth of material, some that has never appeared in English before, on all elements of Yiddish life, including food, nature, divinity, humanity, and even sex.

    This is the startling theme of Philip Roth’s wrenching new book: a wartime polio epidemic in the summer of 1944 and the effect it has on a closely knit, family-oriented Newark community and its children. At the center of Nemesis is a vigorous, dutiful twenty-three-year-old playground director, Bucky Cantor, a javelin thrower and weightlifter, who is devoted to his charges and disappointed with himself because his weak eyes have excluded him from serving in the war alongside his contemporaries. Focusing on Cantor’s dilemmas as polio begins to ravage his playground—and on the everyday realities he faces—Roth leads us through every inch of emotion such a pestilence can breed: the fear, the panic, the anger, the bewilderment, the suffering, and the pain. Moving between the smoldering, malodorous streets of besieged Newark and Indian Hill, a pristine children’s summer camp high in the Poconos—whose “mountain air was purified of all contaminants”—Roth depicts a decent, energetic man with the best intentions struggling in his own private war against the epidemic. Roth is tenderly exact at every point about Cantor’s passage into personal disaster, and no less exact about the condition of childhood. Through this story runs the dark questions that haunt all four of Roth’s late short novels, Everyman, Indignation, The Humbling, and now Nemesis: What kind of accidental choices fatally shape a life? How does the individual withstand the onslaught of circumstance?

    As a young man in the early 1980s, he left his family’s upscale North Shore Chicago neighborhood for the West Bank city of Hebron, where he joined a group of settlers who were committed to reconstituting the Jewish state within its biblical borders. He carried a gun and, on one occasion, used it. He still doesn’t know if his bullets found their mark.Now, Hirschfield has renounced all such rigid delineations of people into categories of totally right and totally wrong, entirely good and entirely evil. He seeks to build bridges among people of different faiths—and those with no faith at all. He is devoted to teaching inclusiveness, celebrating diversity, and delivering a message of acceptance—not as feel-good pabulum but as forceful and indispensable antidotes to the blind passions and willful ignorance that threaten us all.Grounded in biblical scholarship and interwoven with personal stories, You Don’t Have to Be Wrong for Me to Be Right provides a pragmatic path to peace, understanding, and hope that appeals to the common wisdom of all religions. Pointing the way through the continuum of conflict, Hirschfield addresses:• the ways faith has many faces• how justice can coexist with forgiveness and mercy• how unity does not necessitate uniformity• the ways we can learn to disagree without disconnectingThough conflict is an inevitable part of life—a function of being connected to one another—Hirschfield is a voice of peace and reconciliation, showing us that conflict is also an opportunity to learn and grow and often to grow closer.

    She falls in love with the wrong boy – the German son of the camp commander.Hanna is a talented pianist, and the protected second daughter of middle class Hungarian Jews. Relatively late in World War II the Budapest Jews were rounded up and sent to Auschwitz. Hanna and her mother and sister are separated from her father. Her mother becomes increasingly mentally ill until she too is taken away somewhere. Her sister Erika is slowly starving to death. Hanna is quite a naïve 15-year-old but when presented with the opportunity to play piano for the camp commander, she is desperate to be chosen. She goes each day under guard to the commander’s house and stands waiting in case the commander should want some music. Also living in the house is the commander’s son, Karl. A handsome young man who seems completely disengaged from what is happening around him. Hanna hates him as he sits drawing in the music room. But the longer Hanna goes to the house, the more she realises there are other things going on. Secret things. Karl may not be the person she thinks he is. Before she knows it she has fallen in love with the wrong boy.

    Michelle Brafman’s astonishing compassion for all human frailty infuses this story about the need for truth and the promise of forgiveness.” —HELEN SIMONSON, author of Major Pettigrew’s Last Stand“Heartfelt and genuine, Washing the Dead never betrays the complicated truths of family and tradition.”— DAVID BEZMOZGIS, author of Natasha and Other Stories and The Betrayers“Like a Jewish Anne Lamott, Brafman reels you in with warmth, depth and heart.” —SUSAN COLL, author of The Stager and AcceptanceThree generations of women confront family secrets in this exquisitely wrought debut novel that examines the experience of religious community, the perilous emotional path to adulthood, and the power of sacred rituals to repair damaged bonds between mothers and daughters.Michelle Brafman’s award-winning short stories and essays have appeared in the Washington Post, Slate, Tablet, Lilith Magazine, Bethesda Magazine and elsewhere. She teaches fiction writing at the Johns Hopkins University MA in Writing Program and lives in Glen Echo, Maryland with her husband and two children.

    One little-known group settled in Kerala, in tropical southwestern India. Eventually numbering in the thousands, with eight synagogues, they prospered. Some came to possess vast estates and plantations, and many enjoyed economic privilege and political influence. Their comfortable lives, however, were haunted by a feud between the Black Jews of Ernakulam and the White Jews of Mattancherry. Separated by a narrow stretch of swamp and the color of their skin, they locked in a rancorous feud for centuries, divided by racism and claims and counterclaims over who arrived first in their adopted land. Today, this once-illustrious people is in its dying days. Centuries of interbreeding and a latter-day Exodus from Kerala after Israel's creation in 1948 have shrunk the population. The Black and White Jews combined now number less than fifty, and only one synagogue remains. On the threshold of extinction, the two remaining Jewish communities of Kerala have come to realize that their destiny, and their undoing, is the same.The Last Jews of Kerala narrates the rise and fall of the Black Jews and the White Jews over the centuries and within the context of the grand history of the Jewish people. It is the story of the twilight days of a people whose community will, within the next generation, cease to exist. Yet it is also a rich tale of weddings and funerals, of loyalty to family and fierce individualism, of desperation and hope.

    As he learns about science in his day school, Lev begins his own extracurricular study of the Bible’s Tree of Knowledge with neighbor Mr. Katz, who is building his own Tree out of trash. Meanwhile his sister Samara is secretly studying for her Bat Mitzvah with next-door neighbor and Holocaust survivor, Mr. Glassman. All the while his father, David, a professor of Jewish mysticism, is a non-believer.When, years later, David has a heart attack, he begins to believe God is speaking to him. While having an affair with one of his students, he delves into the complexities of Kabbalah. Months later Samara, too, grows obsessed with the Kabbalah’s Tree of Life—hiding her interest from those who love her most–and is overcome with reaching the Tree’s highest heights. The neighbors of Mile End have been there all along, but only one of them can catch her when she falls.

    In 2007, two Israeli news publications, Israel Today and News First Class reported that the most famous Rabbi in Israel's modern history, 108-year-old Yitzhak Kaduri, had left a cryptic death note revealing the name of the long-awaited Messiah. Within a year after the rabbi's death, the note was reported to have been verified as authentic by some of Kaduri's closest followers and then placed on Kaduri's own website (Kaduri.net). The purported Kaduri message proclaimed that Messiah's name was Yehoshua, or Jesus.  Its significance shocked the religious world. Shortly thereafter the furor began. The note immediately disappeared from Kaduri's website. The media refused to report further upon the matter. The Kaduri family, and several others close to the Kaduri ministry, began to claim that the note was a forgery or a mere fabrication - a cruel joke. Now, author, senior pastor, radio talk show host, and former law enforcement officer Carl Gallups, uses his biblical knowledge and journalistic and investigative skills to explore the matter inside and out. His thorough and balanced reporting of the documented facts of the case will astound you. Messianic Rabbi Jonathan Cahn, author of The Harbinger, several renowned biblical experts, as well as former students of Kaduri's rabbinical training school weigh in on the case. Gallup's exciting detailed reporting reaches startling conclusions that will amaze you. Mystical death-curses, visions of Messiah, an important world political figure under threat, religious leaders in shock, a cryptic death note, and more, this story is shocking, it is true and it is still unfolding. Did Rabbi Kaduri actually see and identify the real Messiah? From the publishers and the movie studio that brought you the best-selling documentary The Isaiah 9:10 Judgment comes the story of The Rabbi Who Found Messiah.