We opened for business at 5 p.m. and already there was a queue of hungry customers on the cobbled street of London's East End. In 1950s and 60s Bermondsey, the fish-and-chip shop was at the centre of the community. And at the heart of the chippy itself was 'Hooray' Hilda Kemp, a spirited matriarch who dispensed fish suppers and an abundance of sympathy to a now-vanished world of East Enders. For 'Hooray' Hilda knew all to well what it was like to feel real, aching hunger. Growing up in the slums of 1920s south-east London, the daughter of a violent alcoholic who drank away his wages rather than put food on the table, she could spot when a customer was in need and would sneak them an extra big portion of chips, on the house. As Hilda works in the chippy six days a week - cutting the potatoes and frying the fish, yesterday's rag becoming today's dinner plate - she hears all the gossip from the close-knit community. There are rumours that the gang wars are hotting up: the Richardsons and the Krays are playing out their fights across south-east London. And the industrial strike is carrying on for a painfully long time for the mothers with many mouths to feed. At home, Hilda's children are latchkey kids, letting themselves in from school and helping themselves to whatever is in the larder until she gets in from her long, hard day at work. Despite tragedy striking her family, Hilda never complained of the loss of her daughter at a tragically young age, nor the tough upbringing she narrowly escaped. With a cast of colourful characters - dirty ragamuffins, struggling housewives, rough-diamond gang members - 'Hooray' Hilda's story is one of grit, romance, nostalgia and British endurance. Told to her granddaughter Cathryn, this memoir is the uplifting sequel to 'WE AIN'T GOT NO DRINK, PA' and is a testament to a woman who lived life to the full, who enjoyed laughter and loved fiercely - even though her heart was broken many times over.

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    Rather inexperienced in using her magic, she's prone to mistakes. It is one such mistake that lands her in debt to the Chief Royal Inventor who blackmails her into retrieving an Oriental and his machine. But to find the Oriental she needs to intercept an airship and the best way to do that is through piracy.Tilda turns to the notorious Black Jack Knight, a sky pirate known for his cruelty and cleverness who dislikes passengers, particularly of the female variety. Fortunately for Tilda he accepts a currency she can provide—the location of a man who witnessed his brother's murder, a murder which Jack was falsely accused of committing. Together they fight corsairs, a mad inventor and their growing attraction to each other in order to retrieve the man Tilda has been forced to find, only to learn his machine could destroy her and everyone like her.

    Deserted by a selfish man, and driven to the workhouse, young Annabel and her midwife mother face a harsh and hopeless future.A critical situation for the workhouse governor then opens a door of deliverance for them both, but it seems that revenge and bitterness hound their every step.A harrowing story of stolen love, rich and poor, faith, family, and fearful odds, Born A Workhouse Child, will keep your heart pounding and your hopes soaring to the end.Join Dolly Price for her most heart-warming Victorian romance yet, and follow Annabel’s courageous quest to discover the real meaning of love, faith, and family.

    There are those who will kill her to get it back. Ever since the German occupation, Evangeline Pfeiffer has worked at the bakery in the small French town of Turckheim. Each morning, with Alain her brother, she helps make the bread and pastries for Joseph, the baker. It is a life of routine and order. But when Alain is arrested by the Gestapo, her life is turned upside down. Unwittingly, she becomes an accomplice in the murder of Nazi agent Ludwig Kraus. Thrown together with the killer, a Polish spy, Kasha, her only hope is to escape to Spain. Taking the baker’s van she and Kasha drive south. She has burnt her bridges – there is no going back. She is on the run – but the spy running with her is not all he seems. Behind them as they twist and turn across Occupied France, their pursuers are closing in: the Gestapo, the German spy catchers (Sicherheitsdienst) and, most terrifying of all, the ruthless French secret police, La Carlingue. If they catch her she knows she will be violated then executed. In the city of Dijon Kasha is captured. On her own, her chances of escape fading she flees south, the net tightening around her. Then in Lyon she meets Grainger, a British SOE agent – he could be the game changer. If she can persuade him to help her, this could be her ticket out. Grainger is reluctant, he has his own mission, he can’t afford passengers – but she’s sticking to him. She’s not about to let go…

    He soon learns that every aspect of his life so far, including the staged deaths of his parents, has been arranged by the Senate Tribunal in an attempt to mold him into the perfect leader. Now there are only thirty candidates, including Caius, left competing to be the Emperor's heir. Success in a series of Trials will reunite him with his family and make him the most powerful man in the world, but failure will lead to a life of isolation and imprisonment hidden in the eaves of the palace. As Caius enters the trials, it becomes apparent that the tests themselves are not the problem: it is the twenty nine other candidates willing to do whatever it takes to win, including maim or kill their top competitors. Can Caius navigate the pitfalls of imperial politics and cutthroat competition, all while performing well enough to succeed in the trials fair and square?

    She gains a respectable post as housekeeper to an elderly man, but when he dies his waspish sister throws her out onto the streets where she faces destitution. At the entrance to the notorious Paradise Park Hotel she encounters Sal, a young street girl whom she tries to rescue. Her attempt ends in failure and Sal returns to her old life on the streets, leaving Rhiannon is even more determined to become respectable. She obtains a job as maid to unhappy Janey Buchan, who takes a liking to Rhiannon and teaches her ladylike ways. Her rascally husband Dafydd, once the lover of Llinos Mainwaring, causes Janey great unhappiness, and eventually she runs away, leaving Rhiannon once more without a job or a home. In desperation, knowing that little stands between her and a return to her old life, she finds herself back at the Paradise Park Hotel. Once scarcely more than a bawdy house, it has now changed hands and Rhiannon starts working there, helping gradually to transform it from a place of ill-repute into one of the finest hotels in Swansea. The only thing lacking in her life is love, and with Bull Beynon married to sweet, gentle Katie, she fears that she may have to live out her life alone . . . Paradise Park is the triumphant finale to Iris Gower's Firebird sequence, set amongst the romantic clay potteries of South Wales.

    And most do. But few of his conquests know that Lucifer is also His Majesty's most daring secret agent, at home in both London's Imperial grandeur and in its underworld of despicable vice. So when Britain's most prominent scientists begin turning up dead, there is only one man his country can turn to for help. Following a dinnertime assassination, Lucifer is dispatched to uncover the whereabouts of missing agent Jocelyn Poop. Along the way he will give art lessons, be attacked by a poisonous centipede, bed a few choice specimens, and travel to Italy on business and pleasure. Aided by his henchwoman Delilah; the beautiful, mysterious, and Dutch Miss Bella Pok; his boss, a dwarf who takes meetings in a lavatory; grizzled vulcanologist Emmanuel Quibble; and the impertinent, delicious, right-hand-boy Charlie Jackpot, Lucifer Box deduces and seduces his way from his elegant townhouse at Number 9 Downing Street (somebody has to live there) to the ruined city of Pompeii, to infiltrate a highly dangerous secret society that may hold the fate of the world in its clawlike grip.