It features a comprehensive section covering the skills necessary to create a well-fitted garment, removing the guesswork from customising patterns.

    Beginning with basic instructions and progressing to sophisticated projects, this guide shows how domino knitting allows for easy designing by allowing knitters to build squares on one another horizontally and vertically at will. Precise step-by-step instruction show how squares can be worked in a variety of stitches for multicolored effects. Included is a key to selecting the proper yarn for any project as well as care instructions for any creation.

    Featuring 25 beautiful and timeless sock patterns for every occasion in a range of techniques, traditions, and designs, many of these patterns have become unavailable as original issues of Interweave Knits went out of print, but are available once again in this inspired collection. Highlights include a tutorial for knitting socks on two circular needles, instructions for making resoleable socks, and six completely new designs for those avid knitters who may have every issue of Interweave Knits magazine.

    Each section features dramatically different types of yarns, colors, and stitch patterns combined with timeless, figure flattering silhouettes that are suitable for knitters of all skill levels. Using innovative seamless construction methods, the need for sewing seams has been nearly eliminated by fashioning patterns in one piece from start to finish, easily allowing for adjustments for a custom fit. A handy design workshop features in-depth tutorials that teach seamless construction methods and provide valuable technical information for both beginning and seasoned knitters. Perfect for all body types, the designs are figure flattering with curve friendly waist shaping, empire waist detailing, and stitch details such as lacing, openwork, lace edgings, and bell sleeves that highlight the silhouette.

    Exquisite drape married with figure-hugging silhouettes show off a woman’s curves in a most ladylike manner, creating flirtatious and flattering fits to please any knitter. Loosely based on ultra-feminine styles from fashion history, the designs in Romantic Hand Knits have an undeniably modern appeal. • A lace camisole is lengthened and reinvented as a lovely summer slip dress • A late-eighteenth-century corset cover inspires the design for a lacy fitted top with elbow-length sleeves• Silk stockings favored by Elizabethan ladies of the royal court return in a sexy and fresh incarnationWith the new fibers available today, knitting guru Annie Modesitt knits up fabrics that cling delicately to a woman’s body, creating an elegant hand-tailored look. Now every woman will be able to create fitted garments that make her look as pretty, desirable, and sexy as she feels.For knitters who want to heat things up in a whole new way, the alluring designs in Romantic Hand Knits will help them light the fires. An interview with Annie ModesittWhat’s your philosophy on the “romantic look”?There is a certain cultural shorthand that implies that “romantic” means lots of lace, billowy skirts, low-cut bodices, and a little more leg than usual–sexy with an extra layer. But I think that, like everything deeply personal, romance has its own specific look for each person. Romance is not so much about being desirable to another as it is about reveling in and celebrating our own hearts’ desires.In the introduction to Romantic Hand Knits, you say that romance is about dreams and hope, and how in knitting, as in romance, much of the joy is in the dream. How has knitting brought romance into your life?Knitting allows me to enjoy my time, my imagination and my mind more than I might without needles and yarn. When my mind is free–and powerful–the way it feels when I knit, then my soul soars a little and all of this adds a layer of joy to my life. Not to put too fine a point on it, this makes me love life, and love love, in a much deeper way, which in turn makes me more lovable. Nothing is more attractive than a quiet self confidence, which is what I get from knitting.You say in Romantic Hand Knits that the garment that dresses the top of the body sets the tone for the rest of your ensemble–and that this is perfectly demonstrated in the piece you’ve named Ninotchka. Can you elaborate?It’s hard to get away from the fact that the bust area–being the most important fit point on most women’s bodies and also being so near to the face–can send very strong signals. Usually we want these to be good signals: “this is a woman in control of her life and her wardrobe,” “I can trust what this woman tells me,” or “I feel this person is sympathetic and kind.”In Ninotchka, the well-supported bust area adds strength and stability to the design, allowing feminine details like the lace below the bust line and the thin twisted-cord shoulder straps to relax and soften, not weaken, the message this piece sends. “Here’s a woman confident in her femininity, but with a strong foundation.”Any stories to share from the development of Romantic Hand Knits?One of my favorite pieces, Streetcar Named Desire, was briefly a disaster! It was worked up quite beautifully by my knitter, who then attempted to block the piece. I generally like to block and finish most of the garments, and I hardly ever wet block, but in the blocking of this piece an interesting thing occurred. The fitted, springy little cardigan that I designed began to drape and hang in unexpected ways. The piece went from Sandra Dee to Blanche DuBois, and I couldn’t have been happier! It altered the way that I recommended caring for the piece (machine wash instead of dry clean), which, quite honestly, is how most folks want to deal with their clothing.With the addition of a waist tie, which can be moved to different eyelet rows to create a high, low, or natural waistline, the cardigan had an entirely different aspect–a sexier, “floatier,” more intriguing look.Is there a particular type of yarn that works best for this look? Why?I tried very hard to use a variety of fibers that represent a wide variety of price points. I do understand that not every knitter will be able to afford the silk to make Cleopatra, but I felt it was an important, inspiring piece and had to be included in a collection of romantic silhouettes. A firm, machine-washable Egyptian cotton might be a good substitute. One of the most useful skills to develop as a knitter is the ability to substitute yarn–this skill can only be honed with experience. This is why I suggest to new knitters that when they see a ball of yarn they like, they should get it and swatch it right away. Don’t wait for the right project to come along. If you swatch a yarn you love, you may just see that the right project’s been in front of you all along–perhaps in this book–just waiting for you to see the true beauty in the fabric knit from your new skein.Whenever possible I tried to use machine-washable yarns–especially for the skirts! I know that the idea of a hand knit skirt can be daunting–we’re all worried about the stretchy butt-pouch–but knit fabric is resilient and generally bounces back to its original drape. Machine washing a skirt ensures that it will return to its original silhouette.  Is there a philosophy or attitude that each book shares? How is this book different from your other books?If there’s one philosophy that all of my books share, it’s that we all have a bit of genius–of brilliance–in each of us, and if we choose to show it through our knitting, so much the better! We’re all individuals, so we may do things in unusual or nonstandard ways, but that doesn’t make us any less legitimate when we’re knitting (or cooking or sailing).This book is different in that it focuses specifically on clothes for women, and clothes that are intended to be flattering and a little body-conscious at that. My heart is most definitely in this book, which has been in me for a long time. I’m so happy to see it out and looking so beautiful!Do you have a favorite pattern in Romantic Hand Knits, or one that has a special meaning to you?I would have to say the cover skirt is very special to me. I’ve shown that photo to many knitters, and I’ve heard some women say, “I’d make that skirt, if I had that butt!” I really want folks to understand that it’s not so much about having a tiny butt, or the “perfect” butt, as much as it’s about liking the butt you have. There are a lot of ways to get to this Zen place, but if you have the greatest looking figure in the world and you’re not liking it, you may as well wear a sack. Likewise, if you have a less than perfect shape, but you love all the amazing things your body can do and have a fondness for your shape, you’ll look good in an amazing number of things. Confidence is a terrific butt-lift. Plus, the skirt is designed to help trick the eye into seeing the derriere in the most flattering light . . .

    Step-by-step instructions illustrate every technique.

    Designs by Kathryn Alexander, Debbie Bliss, Nancy Bush, Lily Chin, Nicky Epstein, Sasha Kagan, Sally Melville, and Kristin Nicholas are included, representing a varied exploration of techniques that provide innovative ways to think about knitting and crochet. Sections on knitting and crochet basics, making a scarf without a pattern, and a designer's notebook with templates for basic scarves and suggestions for design variations are provided.

    With 18 original designs, each a knitted interpretation of a traditional kimono style, this handbook makes knitting homemade kimonos deceptively easy. Projects are based on rectangular forms that require very little shaping, and are ideal first-garment projects for knitters wanting to venture beyond scarves. Clever details in stitch patterns and edgings, such as the use of silk, linen, and bamboo yarns, add sophistication and elegance to even the simplest designs. The flattering drape and luxurious style of the kimono will appeal to veteran and beginning knitters alike.

    Once kept demurely concealed, lingerie now pervades every fashion category, inspiring designs for day looks, loungewear, evening clothes, and accessories. Slips have become dresses unto themselves. Bra straps are meant to peek out from under tank tops. Camisoles are worn on their own or as layers over or under other clothes. Now, with "Knitting Lingerie" Style, designer Joan McGowan-Michael interprets this undeniable fashion trend for the knitter and, along the way, shares fascinating stories about lingerie history. Did you know that it was airplane magnate Howard Hughes who masterminded the underwire bra? McGowan-Michaels 30-plus designs, stunningly photographed by Thayer Allyson Gowdy, range from the truly functionalknitted bras, slips, corsets, camisoles, and stockingsto the purely fun. The brassiere inspires a curvature-enhancing twinset. The baby doll negligee is the basis for a lacy little gown and a matching thong set thats both luxurious and (slightly) notorious. And a ribbed, laced-front sweater is an updatedand much more comfortable!take on the classic corset. The only book of its kind on the market, "Knitting Lingerie Style" includes projects that are bold and sexy, daring us all to bare a little skin, as well as more understated and demure, with sizes ranging from petite to plus.

    In this compilation by Judith Durant, knitwear designers from across the United States offer their favorite little projects — each designed to use just one ball of yarn. Hats, scarves, bags, shawls, mittens, pillows, and other One-Skein Wonders® make fun and portable weekend projects. All 101 designs are pictured in a full-color project gallery, while clear instructions make it easy for knitters of every skill level to tie up some loose ends.

     In Knitting Without Tears, you'll find elegant designs for: Color-pattern Norwegian ski sweaters Seamless patterned-yoke sweaters Hooded garter-stitch jackets for babies Watch caps, socks, slippers, mittens, and more! This classic and influential book is poised to inspire a whole new generation of knitters who have yet to discover the joys and comforts of knitting. As the lady herself once put it, "properly practiced, knitting soothes the troubled spirit, and it doesn't hurt the untroubled spirit either."

    This book features 70 sock patterns from Knitter's Magazine sock contest.

    Part pattern collection, part resource book Ysolda shares all of her tips for successful sweaters that perfectly fit your body. Each of the seven inspiring designs is modelled by Ysolda herself and by her friend Amanda Allen, showing the garment in two different sizes and helping you envision how each design will look on your own shape. 15-17 sizes are included in each pattern, ranging from a 28-60 finished bust. With so many sizes to pick from, and guidance within each pattern on how to customise the fit, it should be easy to get a great result. The extensive reference section will equip you with all of the tools you need to achieve a perfect one.

    this book is the second title of this new edition of the series. whether you are a designer or a knitting enthusiast the harmony guides will keep you in stitches for years to come. design consultant erika knight brings her considerable market expertise to inform the choice of classic stitches and to create twenty five new stitches in each book. this book features 250 stitches in all to knit. author erika knight. softcover 272 pages. made in usa.

    Some knitters are discouraged by the thought of baggy hemp sweaters and droopy cotton socks when they consider vegetable fibers, but this authoritative, fun, and light-hearted guide promises that, while wool has no equal when it comes to elasticity and warmth, the right tricks and techniques produce non-wool fashions that fit well, wear well, and hang beautifully. Knitters are taught to knit swatches to study the behavior of a yarn, to choose an appropriate pattern, and to master techniques for reinforcing stitches and inserting knit-ins of springier yarn to keep cotton, silk, and other fibers from sagging. Key information about durability, weight, pilling, and special handling is provided for acrylic, bamboo, cotton, hemp, Ingeo, linen, lycra, nylon, polyester, rayon, silk, soy, Tencel, and viscose yarns, and a chapter of helpful tips advises on needles to use (and avoid), how to start new balls and weave in ends, how to work intarsia and Fair Isle patterns, smart ways to control the cost of materials, and the right methods for washing, drying, and blocking the finished pieces.