The other has ideas: about rhythm and time, about black bodies and black music, about what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either.Dazzlingly energetic and deeply human, Swing Time is a story about friendship and music and stubborn roots, about how we are shaped by these things and how we can survive them. Moving from northwest London to West Africa, it is an exuberant dance to the music of time.

    It begins with a secret."All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.

    Afaf Rahman, the daughter of Palestinian immigrants, is the principal of Nurrideen School for Girls, a Muslim school in the Chicago suburbs. One morning, a shooter—radicalized by the online alt-right—attacks the school.As Afaf listens to his terrifying progress, we are swept back through her memories: the bigotry she faced as a child, her mother’s dreams of returning to Palestine, and the devastating disappearance of her older sister that tore her family apart. Still, there is the sweetness of the music from her father’s oud, and the hope and community Afaf finally finds in Islam.The Beauty of Your Face is a profound and poignant exploration of one woman’s life in a nation at odds with its ideals.

    While Jamila stays to become a midwife, Pembe follows her Turkish husband, Adem, to London, where they hope to make new lives for themselves and their children.In London, they face a choice: stay loyal to the old traditions or try their best to fit in. After Adem abandons his family, Iskender, the eldest son, must step in and become the one who will not let any shame come to the family name. And when Pembe begins a chaste affair with a man named Elias, Iskender will discover that you could love someone with all your heart and yet be ready to hurt them.Just published to great acclaim in England, Honor is a powerful, gripping exploration of guilt and innocence, loyalty and betrayal, and the trials of the immigrant, as well as the love and heartbreak that too often tear families apart.

    Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

    Set in the fictional African village of Kosawa, it tells the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations to the villagers are made—and ignored. The country’s government, led by a brazen dictator, exists to serve its own interest. Left with few choices, the people of Kosawa decide to fight back. Their struggle would last for decades and come at a steep price. Told through the perspective of a generation of children and the family of a girl named Thula who grows up to become a revolutionary, How Beautiful We Were is a masterful exploration of what happens when the reckless drive for profit, coupled with the ghost of colonialism, comes up against one community’s determination to hold onto its ancestral land and a young woman’s willingness to sacrifice everything for the sake of her people’s freedom."The unforgettable story of a community on the wrong end of Western greed, How Beautiful We Were will enthrall you, appall you, and show you what is possible when a few people stand up and say this is not right. A masterful novel by a spellbinding writer engaged with the most urgent questions of our day.”—David Ebershoff, bestselling author of The Danish Girl

    A diary is Nao’s only solace—and will touch lives in a ways she can scarcely imagine.Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future. Full of Ozeki’s signature humour and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

    William is a biologist and seed merchant who sets out to build a new type of beehive, one that will give both him and his children honor and fame.United States, 2007. George is a beekeeper fighting an uphill battle against modern farming, but he hopes that his son can be their salvation.China, 2098. Tao hand paints pollen onto the fruit trees now that the bees have long since disappeared. When Tao's young son is taken away by the authorities after a tragic accident, she sets out on a grueling journey to find out what happened to him.Haunting, illuminating, and deftly written, The History of Bees joins these three very different narratives into one gripping and thought-provoking story that is just as much about the powerful bond between children and parents as it is about our very relationship to nature and humanity.

    She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and Jean Genet, Amina Cain's Indelicacy is at once a ghost story without a ghost, a fable without a moral, and a down-to-earth investigation of the barriers faced by women in both life and literature. It is a novel about seeing, class, desire, anxiety, pleasure, friendship, and the battle to find one’s true calling."Indelicacy isn't merely a book, it's a world; a world I wanted to live in, forever . . . Arch, yet warm; aspiring and impervious; confiding and enigmatic; reposing and intrepid; Cain has conjured a protagonist who purged my mind and filled my heart." —Claire-Louise Bennett, author of Pond A ghostly feminist fable, Amina Cain’s Indelicacy is the story of a woman navigating between gender and class roles to empower herself and fulfill her dreams.

    But this gives her a vantage point from which to practice her other calling: she is a fake shrink. For years, she has tended to her God-haunted mother and her recovering addict brother. They have both stabilized for the moment, but Lizzie has little chance to spend her new free time with husband and son before her old mentor, Sylvia Liller, makes a proposal. She's become famous for her prescient podcast, Hell and High Water, and wants to hire Lizzie to answer the mail she receives: from left-wingers worried about climate change and right wingers worried about the decline of western civilization.As Lizzie dives into this polarized world, she begins to wonder what it means to keep tending your own garden once you've seen the flames beyond its walls. When her brother becomes a father and Sylvia a recluse, Lizzie is forced to address the limits of her own experience—but still she tries to save everyone, using everything she's learned about empathy and despair, conscience and collusion, from her years of wandering the library stacks... And all the while the voices of the city keep floating in—funny, disturbing, and increasingly mad.

    Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.

    Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

    But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice. Barely escaping a vengeful mob, Zeba is arrested and jailed.Awaiting trial, she meets a group of women whose own misfortunes have led them to these bleak cells: eighteen-year-old Nafisa, imprisoned to protect her from an “honor killing”; twenty-five-year-old Latifa, a teen runaway who stays because it is safe shelter; twenty-year-old Mezghan, pregnant and unmarried, waiting for a court order to force her lover’s hand. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, like them, for breaking some social rule? For these women, the prison is both a haven and a punishment; removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood.Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer whose commitment to human rights and desire to help his homeland have brought him back. With the fate this seemingly ordinary housewife in his hands, Yusuf discovers that, like the Afghanistan itself, his client may not be at all what he imagines.A moving look at the lives of modern Afghan women, The House with No Windows is astonishing, frightening, and triumphant.

    As time passes, Janie hears more stories, while facts remain unspoken. Her father tells tales about numbers, and in his stories everything works out. In her mother's stories, deer explode in fields, frogs bury their loved ones in the ocean, and girls jump from cliffs and fall like flowers into the sea. Within all these stories are warnings. Years later, when Hannah inexplicably cuts all ties and disappears, Janie embarks on a mission to find her sister and finally uncover the truth beneath her family's silence. To do so, she must confront their history, the reason for her parents' sudden move to America twenty years earlier, and ultimately her conflicted feelings toward her sister and her own role in the betrayal behind their estrangement. Weaving Korean folklore within a modern narrative of immigration and identity, Forgotten Country is a fierce exploration of the inevitability of loss, the conflict between obligation and freedom, and a family struggling to find its way out of silence and back to one another.

    Its neighborhoods include Little Italy, Swedetown, and Polish Hill. For its tight-knit citizens -- and the five children of the Novak family -- the 1940s will be a decade of excitement, tragedy, and stunning change. Baker Towers is a family saga and a love story, a hymn to a time and place long gone, to America's industrial past, and to the men and women we now call the Greatest Generation. It is a feat of imagination from an extraordinary voice in American fiction, a writer of enormous power and skill.