Set at the end of the 19th century, it follows the fortunes of Brodie Moncur, a young Scottish musician, about to embark on the story of his life. When Brodie is offered a job in Paris, he seizes the chance to flee Edinburgh and his tyrannical clergyman father, and begin a wildly different new chapter in his life. In Paris, a fateful encounter with a famous pianist irrevocably changes his future - and sparks an obsessive love affair with a beautiful Russian soprano, Lika Blum. Moving from Paris to St Petersburg to Edinburgh and back again, Brodie's love for Lika and its dangerous consequences pursue him around Europe and beyond, during an era of overwhelming change as the nineteenth century becomes the twentieth.Love is Blind is a tale of dizzying passion and brutal revenge; of artistic endeavour and the illusions it creates; of all the possibilities that life can offer, and how cruelly they can be snatched away. At once an intimate portrait of one man's life and an expansive exploration of the beginning of the twentieth century, Love is Blind is a masterly new novel from one of Britain's best loved storytellers.

    Amongst the evacuees is Dinesh, whose world has contracted to a makeshift camp where time is measured by the shells that fall around him like clockwork. Alienated from family, home, language, and body, he exists in a state of mute acceptance, numb to the violence around him, till he is approached one morning by an old man who makes an unexpected proposal: that Dinesh marry his daughter, Ganga. Marriage, in this world, is an attempt at safety, like the beached fishing boat under which Dinesh huddles during the bombings. As a couple, they would be less likely to be conscripted to fight for the rebels, and less likely to be abused in the case of an army victory. Thrust into this situation of strange intimacy and dependence, Dinesh and Ganga try to come to terms with everything that has happened, hesitantly attempting to awaken to themselves and to one another before the war closes over them once more.Anuk Arudpragasam’s The Story of a Brief Marriage is a feat of extraordinary sensitivity and imagination, a meditation on the fundamental elements of human existence—eating, sleeping, washing, touching, speaking—that give us direction and purpose, even as the world around us collapses. Set over the course of a single day and night, this unflinching debut confronts marriage and war, life and death, bestowing on its subjects the highest dignity, however briefly.

    In an attempt to escape this legacy that binds her, Mukta is transported to a foster family in Bombay. There she discovers a friend in the high spirited eight-year-old Tara, the tomboyish daughter of the family, who helps her recover from the wounds of her past. Tara introduces Mukta to a different world—ice cream and sweets, poems and stories, and a friendship the likes of which she has never experienced before. As time goes by, their bond grows to be as strong as that between sisters. In 1993, Mukta is kidnapped from Tara’s room. Eleven years later, Tara who blames herself for what happened, embarks on an emotional journey to search for the kidnapped Mukta only to uncover long buried secrets in her own family.Moving from a remote village in India to the bustling metropolis of Bombay, to Los Angeles and back again, amidst the brutal world of human trafficking, this is a heartbreaking and beautiful portrait of an unlikely friendship—a story of love, betrayal, and redemption—which ultimately withstands the true test of time.

    Babo grew up here, but he and Sian, his cream-skinned Welsh love, met in London. Babo's parents disapproved. And then they disapproved unless the couple moved back to Madras. So here they are. And as the twentieth century creaks and croaks its way along, Babo, Sian, and the children navigate their way through the uncharted territory of a "hybrid" family: the hustle and bustle of Babo's relatives; the faraway phone-line crackle of Sian's; the eternal wisdom and soft bosom of Great-Grandmother Ba; the perils of first love, lost innocence, and old age; and the big question: What do you do with the space your loved ones leave behind?Tishani Doshi, a prizewinning poet, plunges into fiction for the first time with this tender and uplifting debut. With rich feeling and dazzling language, Doshi evokes both Zadie Smith and Rohinton Mistry as she captures the quirks and calamities of one unusual clan in a story of identity, family, belonging, and all-transcending love.

    She adjusts to her new family well, looking after her husband, father-in-law and mother-in-law Gouramma, not taking to heart her mother-in-law's constant picking. But when Girish's elder brother Chandru, who is in the US, decides to get married, Vinuta has to listen to the constant comparisons made between her and Chandru's wife, the 'Dollar Bahu', whose husband earns the valuable dollars that has brought the family its recent affluence. Vinuta slowly loses her peace of mind and health. Then Gouramma decides to visit her US-based son and daughter-in-law. Once there, she sees how liberating life can be, away from the strict norms that govern Indian middle-class life. But she also begins to understand that mere dollars cannot buy the love and respect that she gets as her due back in India. Does Gouramma forge a new relationship with Vinuta and can Vinuta forgive and forget the past?

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.

    “A potpourri of beggars and billionaires and determinedly laid-back ways,” Bangalore, India’s own Silicon Valley, is a crucible for prosperity, and at the chaotic crossroads between past and present. Here, American-trained professionals like Tara return to their old-fashioned families with heads full of Quentin Tarantino dialogue; a successful entrepreneur is shaken when his partner suddenly reneges on their plan to return to America; a traditional Indian mother slyly circumvents her Western-educated daughter’s resistance to marriage; a neighborhood gossip is determined to discover what goes on behind the closed curtains of the hip young couple across the street; a chauffeur must reconcile his more orthodox credos with his employer’s miniskirt lifestyle.Witty, affectionate, and wonderfully wise, Lavanya Sankaran’s first collection attests to her remarkable literary talent.

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    M. Forster once described The Longest Journey as the book "I am most glad to have written." An introspective novel of manners at once comic and tragic, it tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer, but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments.

    . . To Soorya Giri, arranged marriages have always seemed absurd. But while her career as an environmental lawyer has flourished, Soorya is still a virgin, living with her parents in suburban New Jersey. She wants to be married. And she is finally ready to do the unthinkable. . . Soorya's first bridal viewings are as awkward as she anticipated. But then she's introduced to Roger Vadepalli. Self-possessed, intelligent, and charming, Roger is clearly interested in marriage and seems eager to clinch the deal. Attracted to him in spite of her mistrust, Soorya is also drawn into a flirtation with Lou, a widowed colleague who is far from her family's idea of an acceptable husband. In choosing between two very different men, Soorya must reconcile her burgeoning independence and her conservative background. And she must decide what matters most to her-not just in a husband, but in a family, a culture, and a life. . . "One of the best [novels] I've read this year. I couldn't put it down. . .this book is a gem!" --Mary Monroe, "New York Times" bestselling author on "The Unexpected Son" "Compelling and memorable." -Mary Jo Putney, "New York Times" bestselling author on "The Forbidden Daughter" "Vivid, rich. . .expertly portrays a young woman caught between love and duty, hope and despair." -Anjali Banerjee on "The Dowry Bride" "Dazzles you with a taste of Desi culture in America." -Caridad Pineiro

    Eleven stories by Joshua Ferris, many of which were first published in The New Yorker, on topics such as the modern tribulations of marriage, ambition, and the fear of missing out.The dinner party --The valetudinarian --The pilot --A night out --The breeze --Ghost town choir --More abandon (or whatever happened to Joe Pope?) --Fragments --The stepchild --Life in the heart of the dead --A fair price

    Ruth, saved by safety nets, leaves the city. Kari, saved by a sewer, crawls back into the fray of the living. She writes ad copy for hair products and ill-fitting lingerie, falls for cats and roadside urchins, and the occasional adventuress in a restaurant. As Danger Chhori, her PVC-suit-clad alter ego, she unclogs sewers and observes the secret lives of people and fruit. And with Angel, Lazarus, and the girls of Crystal Palace forming the chorus to her song, she explores the dark heart of Smog City – loneliness, sewers, sleeper success, death – and the memory of her absentee Other. Sensuously illustrated and livened by wry commentaries on life and love, Kari gives a new voice to graphic fiction in India.

    William and Mary was later adapted for Roald's American television series 'Way Out and several of the stories appeared in British television adaptations for the series Tales of the Unexpected in the 1980s. Also included here is The Champion of the World - the first time Roald wrote about the man who would go on to become Danny's dad in Danny the Champion of the World.The stories featured in Kiss Kiss are: The LandladyWilliam and MaryThe Way up to HeavenParson's PleasureMrs Bixby and the Colonel's CoatRoyal JellyGeorgy PorgyGenesis and CatastropheEdward the ConquerorPigThe Champion of the World--roalddahl.com

    Seventeen-year-old Naoko Nakamura’s prearranged marriage to the son of her father’s business associate would secure her family’s status in their traditional Japanese community, but Naoko has fallen for another man—an American sailor, a gaijin—and to marry him would bring great shame upon her entire family. When it’s learned Naoko carries the sailor’s child, she’s cast out in disgrace and forced to make unimaginable choices with consequences that will ripple across generations.America, present day. Tori Kovač, caring for her dying father, finds a letter containing a shocking revelation—one that calls into question everything she understood about him, her family and herself. Setting out to learn the truth behind the letter, Tori’s journey leads her halfway around the world to a remote seaside village in Japan, where she must confront the demons of the past to pave a way for redemption.In breathtaking prose and inspired by true stories from a devastating and little-known era in Japanese and American history, The Woman in the White Kimono illuminates a searing portrait of one woman torn between her culture and her heart, and another woman on a journey to discover the true meaning of home.

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.