Married and the father of a young daughter, John Bevan had finally found the traditional family he lacked as an orphaned child. But all that disappears when a fatal car accident steals away his wife-and the unborn child she carried. Filled with sorrow, John withdraws from life and love. He erects a small cross at the scene of his wife's accident and visits daily, grieving. Then one morning he encounters a young man kneeling before the cross, touching it up with white paint. John's conversations and travels with this mysterious man-known to him only as the Cross Gardener-will forever change his world. From Jason F. Wright comes a timeless tale that explores the questions we ask when our lives are touched by loss: How do we carry on? And who will show us the way? The answers John Bevan finds illuminate the hope that even in our darkest hours we are not alone.

    Their bodies were never found and those familiar with the case have always been tortured by these questions: How do you kidnap two girls? Who—or what—could have lured the two sisters away from a busy mall on a Saturday afternoon without leaving behind a single clue or witness? Now a clearly disoriented woman involved in a rush-hour hit-and-run claims to be the younger of the long-gone Bethany sisters. But her involuntary admission and subsequent attempt to stonewall investigators only deepens the mystery. Where has she been? Why has she waited so long to come forward? Could her abductor truly be a beloved Baltimore cop? There isn't a shred of evidence to support her story, and every lead she gives the police seems to be another dead end—a dying, incoherent man, a razed house, a missing grave, and a family that disintegrated long ago, torn apart not only by the crime but by the fissures the tragedy revealed in what appeared to be the perfect household. In a story that moves back and forth across the decades, there is only one person who dares to be skeptical of a woman who wants to claim the identity of one Bethany sister without revealing the fate of the other. Will he be able to discover the truth?

    Now Cameron is a twenty-nine-year-old research assistant with no meaningful ties to anyone except her aging boss, noted historian Oliver Doucet.Nearly a decade after the incident that ended their friendship, Cameron receives an unexpected letter from her old friend. Despite Oliver’s urging, she doesn’t reply. But when he passes away, Cameron discovers that he has left her with one final task: to track down Sonia and hand-deliver a mysterious package to her. The Myth of You and Me captures the intensity of a friendship as well as the real sense of loss that lingers after the end of one. Searingly honest and beautiful, it is a celebration and portrait of a friendship that will appeal to anyone who still feels the absence of that first true friend.A People Magazine “10 Great Reads,” 2005A BookSense Pick

    She emerged a woman transformed, with an exquisite beauty found only in fairy tales. Nell Calder deserved a happy ending. Instead, her descent into terror has just begun.Her attacker is still on the hunt, determined to finish what he's started. And Nell, protected by a new face, is just as determined to fight back and take her revenge. But to catch her prey, she will have to expose herself—even if it makes her a killer's prime target.

    Implicitly.You think your children are safe.But are they really?Midsummer night: a thirteen-year-old girl is found unconscious in a dark corner of the garden square. What really happened to her? And who is responsible?

    Her disappearance destroys her mother, who spends the rest of her life at the lake house, hoping in vain that her favorite daughter will walk out of the woods. Emily’s two older sisters stay, too, each keeping her own private, decades-long vigil for the lost child. Sixty years later Lucy, the quiet and watchful middle sister, lives in the lake house alone. Before she dies, she writes the story of that devastating summer in a notebook that she leaves, along with the house, to the only person to whom it might matter: her grandniece, Justine. For Justine, the lake house offers a chance to escape her manipulative boyfriend and give her daughters the stable home she never had. But it’s not the sanctuary she hoped for. The long Minnesota winter has begun. The house is cold and dilapidated, the frozen lake is silent and forbidding, and her only neighbor is a strange old man who seems to know more than he’s telling about the summer of 1935.Soon Justine’s troubled oldest daughter becomes obsessed with Emily’s disappearance, her mother arrives with designs on her inheritance, and the man she left behind launches a dangerous plan to get her back. In a house steeped in the sorrows of the women who came before her, Justine must overcome their tragic legacy if she hopes to save herself and her children.

    During his time in prison, he found forgiveness and faith and earned his law degree. Now he longs for an opportunity to prove his loyalty and worth. "Be careful what you ask for." Harry McNaughton is one of the founding partners of McNaughton & Clay--and the only lawyer willing to take a chance employing an ex-con-turned-lawyer. Though Landon initially questions Harry's ethics and methods, it's clear the crusty old lawyer has one of the most brilliant legal minds Landon has ever encountered. The two dive into preparing a defense for one of the highest-profile murder trials Virginia Beach has seen in decades when Harry is gunned down in what appears to be a random mugging. Then two more lawyers are killed when the firm's private jet crashes. Authorities suspect someone has a vendetta against McNaughton & Clay, leaving Landon and the remaining partner as the final targets. As Landon struggles to keep the firm together, he can't help but wonder, is the plot related to a shady case from McNaughton & Clay's past, or to the murder trial he's neck-deep in now? And will he survive long enough to find out?

    Lives are lost, lives are shattered, but some rise from the ashes forever changed. Sophie Whalen is a young Irish immigrant so desperate to get out of a New York tenement that she answers a mail-order bride ad and agrees to marry a man she knows nothing about. San Francisco widower Martin Hocking proves to be as aloof as he is mesmerizingly handsome. Sophie quickly develops deep affection for Kat, Martin's silent five-year-old daughter, but Martin's odd behavior leaves her with the uneasy feeling that something about her newfound situation isn't right.Then one early-spring evening, a stranger at the door sets in motion a transforming chain of events. Sophie discovers hidden ties to two other women. The first, pretty and pregnant, is standing on her doorstep. The second is hundreds of miles away in the American Southwest, grieving the loss of everything she once loved.The fates of these three women intertwine on the eve of the devastating earthquake, thrusting them onto a perilous journey that will test their resiliency and resolve and, ultimately, their belief that love can overcome fear.From the acclaimed author of The Last Year of the War and As Bright as Heaven comes a gripping novel about the bonds of friendship and mother love, and the power of female solidarity.

    She calls herself Julie, says she’s from California, and slips back to a rented room at night. Regularly, furtively, she checks the hometown paper on the Internet. Home is Garland, Tennessee, and there, two young men have just been paroled. One, she married; the other, she’s in love with. Both were jailed for a crime that Grace herself planned in exacting detail. The heist went bad—but not before she was on a plane to Prague with a stolen canvas rolled in her bag. And so, in Paris, begins a cat-and-mouse waiting game as Grace’s web of deception and lies unravels—and she becomes another young woman entirely.Unbecoming is an intricately plotted and psychologically nuanced heist novel that turns on suspense and slippery identity. With echoes of Alfred Hitchcock and Patricia Highsmith, Rebecca Scherm’s mesmerizing debut is sure to entrance fans of Gillian Flynn, Marisha Pessl, and Donna Tartt.

    Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own. Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place. As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation. Here Maggie O'Farrell brings us a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed The Vanishing Act of Esme Lennox, it is a "breathtaking, heart-breaking creation." (The Washington Post Book World) and it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

    Deep in the wilderness, Peggy and James make a life for themselves. They repair the hut, bathe in water from the river, hunt and gather food in the summers and almost starve in the harsh winters. They mark their days only by the sun and the seasons.When Peggy finds a pair of boots in the forest and begins a search for their owner, she unwittingly begins to unravel the series of events that brought her to the woods and, in doing so, discovers the strength she needs to go back to the home and mother she thought she’d lost.After Peggy's return to civilization, her mother learns the truth of her escape, of what happened to James on the last night out in the woods, and of the secret that Peggy has carried with her ever since.

    Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten.Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four.The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time.Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.Source: john-irving.com

    It survived a sacking in the French Revolution, was brought back to life and fashioned into a storybook chateau in the Gilded Age, and was eventually felled and deserted after a disastrous fire in the 1930s.As Ellie Carver sits by her grandmother's bedside, she hears stories of a castle . . . of lost love and a hidden chapel that played host to a secret fight in the World War II French resistance. But her grandmother is quickly slipping into the locked-down world of Alzheimer's, and Ellie must act fast if she wants to uncover the truth of her family's history.Sparked by the discovery of a long forgotten family heirloom, Ellie embarks on a journey to French wine country to uncover the mystery surrounding The Sleeping Beauty--the castle so named for Charles Perrault's beloved fairy tale--and unearth its secrets before they're finally silenced by time.Set in three different time periods--the French Revolution, World War II, and present day--The Lost Castle is a story of loves won and lost, of battles waged, and an enchanted castle that inspired the epic fairy tales time left behind.

    Griffin and Luke Gallagher would join the Baltimore PD. Declan Gray would head to the FBI and Parker Mitchell would go on to graduate school as a crime scene analyst. But then Luke vanished before graduation and their world—and friendships—crumbled.Now Griffin is a park ranger at Gettysburg, having left life as a SWAT-team sniper when a case went bad. The job is mostly quiet—until the day he captures two relic hunters uncovering skeletal remains near Little Round Top. Griffin just wants the case to go away, but charming forensic anthropologist Finley Scott determines that the body is modern—a young social justice lawyer missing since spring—and all evidence points to the work of an expert sniper. When FBI agent Declan Gray takes over the case, past and present collide. Griffin soon realizes he'll need to confront some of the darkest days of his life if he—and those he cares about—are going to escape a downward spiral of murder that crosses continents.

    Both highly suspenseful and deeply moving, The Deep End of the Ocean imagines every mother's worst nightmare—the disappearance of a child—as it explores a family's struggle to endure, even against extraordinary odds. Filled with compassion, humor, and brilliant observations about the texture of real life, here is a story of rare power, one that will touch readers' hearts and make them celebrate the emotions that make us all one.