In 2012, Gruff Rhys set out on an 'investigative concert tour' in the footsteps of John Evans, with concerts in New Orleans, Baltimore, Philadelphia, Pittsburgh, Cincinnati, St Louis, North Dakota and more. American Interior is the story of these journeys. It is also an exploration of how wild fantasies interact with hard history and how myth-making can inspire humans to partake in crazy, vain pursuits of glory, including exploration, war and the creative arts. Gruff Rhys is known around the world for his work as a solo artist as well as singer and songwriter with Super Furry Animals and Neon Neon, and for his collaborations with Gorillaz, Dangermouse, Sparklehorse, Mogwai and Simian Mobile Disco amongst others. The latest album by Neon Neon, Praxis Makes Perfect, based on the life of radical Italian publisher Giangiacomo Feltrinelli, was recently performed as an immersive live concert with National Theatre Wales.

    A lone woman searching for the lost, she exposes us to a world where truth is ephemeral, and where compassion, though frail, still bleeds through the grit and dust. In "Detour" she investigates the apparent suicide of a beloved coffee plantation owner in Kenya. In "Gorillas and Banana Beer," James ventures into the jungles of Rwanda to catch a glimpse of the nearly extinct mountain gorillas, only to struggle for survival against merciless poachers in a village of forgotten children. In "Beira," at the edge of Mozambique and anarchy's ground-zero, James searches for a lost woman and her daughter. "Witchdoctor" takes James deep into Turkanaland, otherwise known as "hell on earth," to find a woman doctor who has disappeared. James's sanity and life hang in the balance in a surreal and ferocious closing to this compelling debut work."Dancing with the Witchdoctor is a testimony to the strength of women, one that reveals how even in a land where flesh withers in the sun, there is no better proof of humanity than when it is on the brink.

    Still reeling from the wincing exit to Iceland in the 2016 Euros, expectations were at an all-time low. Qualification had been smooth if not spectacular, and pundits and fans alike were lukewarm about the team’s chances. Just avoiding embarrassment would have counted as some kind of success. As the tournament kicked off, a stunningly stage-managed occasion by Putin and his cronies at FIFA, we all took a deep inhale of breath and waited for the inevitable: technical ineptitude and crap penalties.How wrong we were. Over the next three weeks, as back home we dissolved in the heat, our football team gave us reason to believe. We squeaked a win against Tunisia, trounced Panama and had a great tactical defeat to Belgium to open up the draw to the final. We all bought waistcoats and eulogised Southgate’s calm, fatherly manner. We all fell in love with ‘Slabhead’, aka Harry Maguire. And we did it all to the tune of ‘It’s Coming Home’.Barney Ronay was there through the whole tournament, criss–crossing over Russia as he followed the England team, and the rest, on their quest for glory. Here, he captures the sights and sounds, the twists and turns, the bad food and the great football that contributed into making this World Cup one of the greatest of all time.

    government policy toward Indians in the early 1800s is that it persisted in removing to the West those who had most successfully adapted to European values. As whites encroached on Cherokee land, many Native leaders responded by educating their children, learning English, and developing plantations. Such a leader was Ridge, who had fought with Andrew Jackson against the British. As he and other Cherokee leaders grappled with the issue of moving, the land-hungry Georgia legislatiors, with the aid of Jackson, succeeded in ousting the Cherokee from their land, forcing them to make the arduous journey West on the infamous "Trail of Tears." (Library Journal)