Everyone says guys and girls can’t be just friends, but these two are. They hang out after school, share tons of inside jokes, their families are super close, and Levi even starts dating one of Macallan’s friends. They are platonic and happy that way.Eventually they realize they’re best friends—which wouldn’t be so bad if they didn’t keep getting in each other’s way. Guys won’t ask Macallan out because they think she’s with Levi, and Levi spends too much time joking around with Macallan, and maybe not enough time with his date. They can’t help but wonder . . . are they more than friends or are they better off without making it even more complicated?

    She finds refuge and stability in her relationship with her boyfriend, Peter—until he abandons her at a Planned Parenthood clinic during their appointment to terminate an unwanted pregnancy. The betrayal causes Gen to question everything.As Gen pushes herself forward to find her new identity without Peter, she must also confront her most painful memories. Through the lens of an ongoing four act play within the novel, the fantasy of their undying love unravels line by line, scene by scene. Digging deeper into her past while exploring the underground theater world of New York City, she rediscovers a long-forgotten dream. But it’s when Gen lets go of her history, the one she thinks she knows, that she’s finally able to embrace the complicated, chaotic true story of her life, and take center stage.This powerfully immersive and format-crushing debut follows Gen from dorm rooms to diners to house parties to auditions—and ultimately, right into readers’ hearts.

    Dragged to New Hampshire for the summer, Marcie soon realizes that her mom has no plans for them to return to Marcie's father in Idaho. As Marcie starts at a new school, without her ragtag group of friends called the Leftovers, a new romance heats up, but she struggles to understand what love really means.Perfect for fans of romances like Anna and the French Kiss and those by Sarah Dessen as well as readers of poetry, Love and Leftovers is a beautiful and fresh take on love.

    A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn't matter. The damage is done the minute it goes up.This is the story of eight girls, freshman to senior, "pretty" and "ugly." And it's also the story of how we see ourselves, and how other people see us, and the tangled connection of the two.

    After they’re rescued, they spend a single night together, wandering the darkened streets and marveling at the rare appearance of stars above Manhattan. But once the power is restored, so is reality. Lucy soon moves to Edinburgh with her parents, while Owen heads out west with his father.Lucy and Owen’s relationship plays out across the globe as they stay in touch through postcards, occasional e-mails, and—finally—a reunion in the city where they first met.A carefully charted map of a long-distance relationship, Jennifer E. Smith’s new novel shows that the center of the world isn't necessarily a place. It can be a person, too.

    Starting high school didn’t change who she was. But the night her brother’s best friend rapes her, Eden’s world capsizes.What was once simple, is now complex. What Eden once loved—who she once loved—she now hates. What she thought she knew to be true, is now lies. Nothing makes sense anymore, and she knows she’s supposed to tell someone what happened but she can’t. So she buries it instead. And she buries the way she used to be.Told in four parts—freshman, sophomore, junior, and senior year—this provocative debut reveals the deep cuts of trauma. But it also demonstrates one young woman’s strength as she navigates the disappointment and unbearable pains of adolescence, of first love and first heartbreak, of friendships broken and rebuilt, and while learning to embrace a power of survival she never knew she had hidden within her heart.

    He and Emaline have been together all through high school in Colby, the beach town where they both grew up. But now, in the summer before college, Emaline wonders if perfect is good enough.Enter Theo, a super-ambitious outsider, a New Yorker assisting on a documentary film about a reclusive local artist. Theo's sophisticated, exciting, and, best of all, he thinks Emaline is much too smart for Colby.Emaline's mostly-absentee father, too, thinks Emaline should have a bigger life, and he's convinced that an Ivy League education is the only route to realizing her potential. Emaline is attracted to the bright future that Theo and her father promise. But she also clings to the deep roots of her loving mother, stepfather, and sisters. Can she ignore the pull of the happily familiar world of Colby?Emaline wants the moon and more, but how can she balance where she comes from with where she's going?Sarah Dessen's devoted fans will welcome this story of romance, yearning, and, finally, empowerment. It could only happen in the summer.

    Ella has spent her high school years living in popular Maddy's shadows, but she has never been envious of Maddy. In fact, she's chosen the quiet, safe confines of her sketchbook over the constant battle for attention that has defined Maddy's world.When—after a heated argument—Maddy and Ella get into a tragic accident that leaves her sister dead, Ella wakes up in the hospital surrounded by loved ones who believe she is Maddy. Feeling responsible for Maddy's death and everyone's grief, Ella makes a split-second decision to pretend to be Maddy. Soon, Ella realizes that Maddy's life was full of secrets. Caught in a web of lies, Ella is faced with two options—confess her deception or live her sister's life.

    Mercedes lets the boys get their awkward, fumbling first times over with, and all she asks in return is that they give their girlfriends the perfect first time- the kind Mercedes never had herself.Keeping what goes on in her bedroom a secret has been easy- so far. Her absentee mother isn’t home nearly enough to know about Mercedes’ extracurricular activities, and her uber-religious best friend, Angela, won’t even say the word “sex” until she gets married. But Mercedes doesn’t bank on Angela’s boyfriend finding out about her services and wanting a turn- or on Zach, who likes her for who she is instead of what she can do in bed.When Mercedes’ perfect system falls apart, she has to find a way to salvage her reputation and figure out where her heart really belongs in the process. Funny, smart, and true-to-life, FIRSTS is a one-of-a-kind young adult novel about growing up.

    A guitar. Punk rock. The chords of a rock 'n' roll road trip in a coming-of-age novel that is a must-read story about finding your place in the world...even if you carry scars inside and out. In attempting to describe himself in his college application essay--help us to become acquainted with you beyond your courses, grades, and test scores--Harbinger (Harry) Jones goes way beyond the 250-word limit and gives a full account of his life. The first defining moment: the day the neighborhood goons tied him to a tree during a lightning storm when he was 8 years old, and the tree was struck and caught fire. Harry was badly burned and has had to live with the physical and emotional scars, reactions from strangers, bullying, and loneliness that instantly became his everyday reality. The second defining moment: the day in 8th grade when the handsome, charismatic Johnny rescued him from the bullies and then made the startling suggestion that they start a band together. Harry discovered that playing music transported him out of his nightmare of a world, and he finally had something that compelled people to look beyond his physical appearance. Harry's description of his life in his essay is both humorous and heart-wrenching. He had a steeper road to climb than the average kid, but he ends up learning something about personal power, friendship, first love, and how to fit in the world. While he's looking back at the moments that have shaped his life, most of this story takes place while Harry is in high school and the summer after he graduates.

    The problem with that: she’s not. She’s smart and creative and a little bit funky. She’s also an unwilling player in her parents’ modern-hippy, let’s-live-on-a-goat-farm experiment (regretfully, instigated by a younger, much more enthusiastic Janie). This, to put it simply, is not helping Janie reach that “normal target.” She has to milk goats every day…and endure her mother’s pseudo celebrity in the homemade-life, crunchy mom blogosphere. Goodbye the days of frozen lasagna and suburban living, hello crazy long bus ride to high school and total isolation--and hovering embarrassments of all kinds. The fresh baked bread is good…the threat of homemade jeans, not so much. It would be nice to go back to that old suburban life…or some grown up, high school version of it, complete with nice, normal boyfriends who wear crew neck sweaters and like social studies. So, what’s wrong with normal? Well, kind of everything. She knows that, of course, why else would she learn bass and join Jam Band, how else would she know to idolize infamous wild-child and high school senior Emma (her best friend Sarah’s older sister), why else would she get arrested while doing a school project on a local freedom school (jail was not part of the assignment). And, why else would she kind of be falling in "like" with a boy named Monster—yes, that is his real name. Janie was going for normal, but she missed her mark by about ten miles…and we mean that as a compliment. Frances O’Roark Dowell’s fierce humor and keen eye make her YA debut literary and wise. In the spirit of John Green and E. Lockhart, Dowell’s relatable, quirky characters and clever, fluid writing prove that growing up gets complicated…and normal is WAY overrated.

    Now they are back in the town where he grew up so Hayley can attend school. Perhaps, for the first time, Hayley can have a normal life, put aside her own painful memories, even have a relationship with Finn, the hot guy who obviously likes her but is hiding secrets of his own. Will being back home help Andy’s PTSD, or will his terrible memories drag him to the edge of hell, and drugs push him over? The Impossible Knife of Memory is Laurie Halse Anderson at her finest: compelling, surprising, and impossible to put down.

    She promised her parents she would at least try to pretend that she could act like a functioning human this time, not a girl who can’t get out of bed for days on end, who only feels awake when she’s with Sebby.Jeremy is the painfully shy art nerd at Saint Francis who’s been in self-imposed isolation after an incident that ruined his last year of school. When he sees Sebby for the first time across the school lawn, it’s as if he’s been expecting this blond, lanky boy with mischief glinting in his eye.Sebby, Mira’s gay best friend, is a boy who seems to carry sunlight around with him. Even as life in his foster home starts to take its toll, Sebby and Mira together craft a world of magic rituals and impromptu road trips, designed to fix the broken parts of their lives.As Jeremy finds himself drawn into Sebby and Mira’s world, he begins to understand the secrets that they hide in order to protect themselves, to keep each other safe from those who don’t understand their quest to live for the impossible.

    Countless adventures. One epic way to get lost. Four teens across the country have only one thing in common: a girl named Leila. She crashes into their lives in her absurdly red car at the moment they need someone the most. Hudson, Bree, Elliot and Sonia find a friend in Leila. And when Leila leaves them, their lives are forever changed. But it is during Leila's own 4,268-mile journey that she discovers the most important truth—sometimes, what you need most is right where you started. And maybe the only way to find what you're looking for is to get lost along the way.

    Worse, Priya’s social media has turned into a stream of ungrammatical posts chronicling a sunny, vapid new life that doesn’t sound like her at all.Everyone tells Zan not to be an idiot: Let Priya do her reinvention thing and move on. But until Zan hears Priya say it, she won’t be able to admit that their friendship is finished.It’s only when she meets Logan, the compelling new guy in Spanish class, that Zan begins to open up about her sadness, her insecurity, her sense of total betrayal. And he’s just as willing as she is to throw himself into the investigation when everyone else thinks her suspicions are crazy.Then a clue hidden in Priya’s latest selfie introduces a new, deeply disturbing possibility:Maybe Priya isn’t just not answering Zan’s emails.Maybe she can’t.