One HELLO can save a life.Tricia: A girl struggling to find her way after her beloved grandma's death.Emerson: A guy who lives his life to fulfill promises, real and hypothetical.Angie: A girl with secrets she can only express through poetry.Brenda: An actress and screenplay writer afraid to confront her past.Brian: A potter who sets aside his life for Tricia, to the detriment of both.Linked and transformed by one phone call, Hello? weaves together these five Wisconsin teens' stories into a compelling narrative of friendship and family, loss and love, heartbreak and healing, serendipity, and ultimately hope.Told from all five viewpoints: narration (Tricia), narration (Emerson), free verse poetry (Angie), screenplay format (Brenda), narration and drawings (Brian).

    AP classes, the school paper, community service, it never ends. If Alison could avoid Ethan until graduation, she would. Except, naturally, for two over-achieving seniors with their sights on valedictorian and Harvard, they share all the same classes and extracurriculars. So when their school’s principal assigns them the task of co-planning a previous class’s ten-year reunion, with the promise of a recommendation for Harvard if they do, Ethan and Alison are willing to endure one more activity together if it means beating the other out of the lead. But with all this extra time spent in each other’s company, their rivalry begins to feel closer to friendship. And as tension between them builds, Alison fights the growing realization that the only thing she wants more than winning…is Ethan.

    At 15, she is barely surviving the chaos of her large Catholic family. When one sister becomes pregnant and another is thrown out, her unemployed dad hides his depression, and her mom hides a secret. Sadie, the peacekeeper and rule-follower, has had enough. The empty refrigerator, years of hand-me-downs, and all the secrets have to stop. She longs for something more and plans her escape.However, getting arrested was not her plan. Falling in love was not her plan. With the help of three mysterious strangers—a cop, a teacher, and a cute boy—maybe Sadie will find the strength to defy the rules and do the unexpected.Told in verse, Sarah J. Donovan’s debut Alone Together has secrets, romance, struggle, sin, and redemption, all before Sadie blows out her 16 candles. It’s a courageously honest look at growing up in a big family.

    But that's before she realizes that Dax Miller is locked in with her.Autumn doesn't know much about Dax except that he's trouble. Between the rumors about the fight he was in (and that brief stint in juvie that followed it) and his reputation as a loner, he's not exactly the ideal person to be stuck with. Still, she just keeps reminding herself that it is only a matter of time before Jeff, her almost-boyfriend, realizes he left her in the library and comes to rescue her.Only he doesn't come. No one does.Instead it becomes clear that Autumn is going to have to spend the next couple of days living off vending-machine food and making conversation with a boy who clearly wants nothing to do with her. Except there is more to Dax than meets the eye.As he and Autumn at first grudgingly, and then not so grudgingly, open up to each other, Autumn is struck by their surprising connection. But can their feelings for each other survive once the weekend is over and Autumn's old life, and old love interest, threaten to pull her from Dax's side?

    Last year’s Best Young Poet and gifted guitarist is now Taft High School’s resident tortured artist, when he bothers to show up. He's on track to repeat eleventh grade, but his English teacher, his principal, and his crew of Thicks (who refuse to be seniors without him) won’t sit back and let him fail.

    And Jeremy is hands-down the wrong guy for her to fall for. He is infuriating, arrogant, and the only person who can stand in the way of Carmen getting the one thing she wants most: to win the prestigious Guarneri competition. Carmen's whole life is violin, and until she met Jeremy, her whole focus was winning. But what if Jeremy isn't just hot...what if Jeremy is better? Carmen knows that kissing Jeremy can't end well, but she just can't stay away. Nobody else understands her--and riles her up--like he does. Still, she can't trust him with her biggest secret: She is so desperate to win she takes anti-anxiety drugs to perform, and what started as an easy fix has become a hungry addiction. Carmen is sick of not feeling anything on stage and even more sick of always doing what she’s told, doing what's expected. Sometimes, being on top just means you have a long way to fall....

    It’s not that he means to screw things up all the time, it just happens. A lot. Case in point: his attempt to ask out the girl he likes literally goes up in flames when he spells “Prom” in sparklers on her lawn…and nearly burns down her house. As if that wasn’t bad enough, Peyton Breedlove, a brooding loner and budding pyromaniac, witnesses the whole thing. Much to Hank’s dismay, Peyton takes an interest in him—and his “work.” The two are thrust into an unusual friendship, but their boundaries are tested when Hank learns that Peyton is hiding some dark secrets, secrets that may change everything he thought he knew about Peyton.

    Now with Grey living in Lane’s house, there’s only a thin wall separating their rooms, making it harder and harder to deny their growing mutual attraction—an attraction made all the more forbidden by Grey’s long-term girlfriend Sadie Hall, who also happens to be Lane’s friend.Torn between her feelings for Grey and her friendship with Sadie—not to mention her desire to keep the peace at home—Lane befriends Sadie’s older brother, Connor, the black sheep of the strict, evangelical Hall family. Connor, a metal working artist who is all sharp edges, challenges Lane in ways no one else ever has. As the two become closer and start to open up about the traumas in their respective pasts, Lane begins to question her conviction that Connor is just a distraction.Tensions come to a head after a tragic incident at a party, forcing Lane to untangle her feelings for both boys and face the truth of what—and who—she wants, in this gripping and stunningly romantic debut novel.

    Another sultry Georgia summer is about to get a lot hotter. Dee Wilkie is still licking her wounds after getting rejected by the precollege fine arts program of her dreams. But if she'd gone away, she wouldn't have been around to say yes to an unbelievable opportunity: working on the set of a movie filming in her small Southern town that just happens to be starring Milo Ritter, the famous pop star Dee (along with the rest of the world) has had a crush since eighth grade. It's not like Dee will be sharing any screen time with Milo—she's just a lowly PA. And Milo is so disappointingly rude that Dee is eager to stay far away from him. Except after a few chance meetings, she begins to wonder if just maybe there's a reason for his offensive attitude, and if there's more to Milo than his good looks and above-it-all Hollywood pedigree. Can a relationship with a guy like Milo ever work out for a girl like Dee? Never say never. . .

    You were wild when I met you, and I was mad for you. But then something happened. And now you’re gone. But don’t worry. I’ll find you. I just need to sift through the story of us to get to where you might be. I’ve got places to look, and a list of names. The police have a list of names, too. See now? There’s another lie. There is only one person they’re really looking at, Molly. And that’s yours truly.

    He remembers her untroubled happiness, something he feels all rich kids must possess. That, and her long dancer legs. Over the course of multiple subway encounters spanning the next three years, Isabelle learns of Alex’s struggle with his father, who is hell-bent on Alex being a contender for the major leagues, despite Alex’s desire to go to college and become a poet. Alex learns about Isabelle’s unstable mother, a woman with a prejudice against Latino men. But fate—and the 1 train—throw them together when Isabelle needs Alex most. Heartfelt and evocative, this romantic drama will appeal to readers of Jenny Han and Sarah Dessen.

      Witty, sarcastic Ethan and his three best friends are students at Selwyn Arts Academy, which has been hijacked by For Art’s Sake, a sleazy reality-television show. In the tradition of Ezra Pound, the foursome secretly writes and distributes a long poem to protest the show. They’re thrilled to have started a budding rebellion.   But the forces behind the show are craftier than they seem. The web of betrayal stretches farther than Ethan could have ever imagined, and it’s up to him, his friends, and a heroic gerbil named Baconnaise to save Selwyn.

    But not to her. He attacks her brother and sister, but she’s just an invisible witness in a house of horrors, on the brink of disappearing altogether. Until she makes the volleyball team at school. At first just being exhausted after practice feels good, but as Anke becomes part of the team, her confidence builds. When she learns to yell “Mine!” to call a ball, she finds a voice she didn’t know existed. For the first time, Anke is seen and heard. Soon, she’s imagining a day that her voice will be loud enough to rescue everyone at home—including herself.

    Regan Flay is on the cusp of achieving her control-freak mother's "plan" for high school success―cheerleading, student council, the Honor Society—until her life gets turned horribly, horribly upside down. Every bitchy text. Every bitchy email. Every lie, manipulation, and insult she's ever said have been printed out and taped to all the lockers in school.Now Regan has gone from popular princess to total pariah.The only person who even speaks to her is her former best friend's hot but socially miscreant brother, Nolan Letner. Nolan thinks he knows what Regan's going through, but what nobody knows is that Regan isn't really Little Miss Perfect. In fact, she's barely holding it together under her mom's pressure. But the consequences of Regan's fall from grace are only just beginning. Once the chain reaction starts, no one will remain untouched...Especially Regan Flay.

    She hasn't spoken in months.Pushing away the people she cares about is just a small price to pay. Because there are things locked inside Megan's head - things that are screaming to be heard - that she cannot, must not, let out.Then Jasmine starts at school: bubbly, beautiful, talkative Jasmine. And for reasons Megan can't quite understand, life starts to look a bit brighter.Megan would love to speak again, and it seems like Jasmine might be the answer. But if she finds her voice, will she lose everything else?