Merrily Watkins had never wanted a picture-perfect parish — or a huge and haunted vicarage. Nor had she wanted to walk straight into a local dispute over a controversial play about a strange 17th-century clergyman accused of witchcraft. But this is Ledwardine, steeped in cider and secrets. And, as Merrily and her daughter Jane discover, it is a village where horrific murder is an age-old tradition.

    The couple is spending the summer of 1969 in the rooms below hers while Frances is researching the architecture in the surrounding gardens. But she's distracted. Beneath a floorboard in her bathroom, she finds a peephole that gives her access to her neighbors’ private lives.To Frances' surprise, Cara and Peter are keen to get to know her. It is the first occasion she has had anybody to call a friend, and before long they are spending every day together: eating lavish dinners, drinking bottle after bottle of wine, and smoking cigarettes until the ash piles up on the crumbling furniture. Frances is dazzled.But as the hot summer rolls lazily on, it becomes clear that not everything is right between Cara and Peter. The stories that Cara tells don’t quite add up, and as Frances becomes increasingly entangled in the lives of the glamorous, hedonistic couple, the boundaries between truth and lies, right and wrong, begin to blur. Amid the decadence, a small crime brings on a bigger one: a crime so terrible that it will brand their lives forever.

    After working with the bestselling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

    Fogbound streets become a battleground between a literary star and a brilliant murderer, whose lives are linked by secrets long buried but never forgotten.

    A young wife and mother has gone missing from her home, leaving behind two small children and a large pool of blood. Just a few miles away, a humble parson's daughters--the Brontë sisters--learn of the crime. Charlotte, Emily, and Anne Brontë are horrified and intrigued by the mysterious disappearance.These three creative, energetic, and resourceful women quickly realize that they have all the skills required to make for excellent "lady detectors." Not yet published novelists, they have well-honed imaginations and are expert readers. And, as Charlotte remarks, "detecting is reading between the lines--it's seeing what is not there."As they investigate, Charlotte, Emily, and Anne are confronted with a society that believes a woman's place is in the home, not scouring the countryside looking for clues. But nothing will stop the sisters from discovering what happened to the vanished bride, even as they find their own lives are in great peril...

    Shortly afterwards, in the middle of a storm on Christmas Eve, Edwin disappears, leaving nothing behind but some personal belongings and the suspicion that his jealous uncle John Jasper, madly in love with Rosa, is the killer. And beyond this presumed crime there are further intrigues: the dark opium dens of the sleepy cathedral town of Cloisterham, and the sinister double life of Choirmaster Jasper, whose drug-fuelled fantasy life belies his respectable appearance. Dickens died before completing The Mystery of Edwin Drood, leaving its tantalising mystery unsolved and encouraging successive generations of readers to turn detective.This edition contains an introduction by David Paroissien, discussing the novel's ending, with a chronology, notes, original illustrations by Samuel Luke Fildes, appendices on opium use in the nineteenth century, the 'Sapsea Fragment' and Dickens's plans for the story's conclusion.Charles Dickens is one of the best-loved novelists in the English language, whose 200th anniversary was celebrated in 2012. His most famous books, including Oliver Twist, Great Expectations, A Tale of Two Cities, David Copperfield and The Pickwick Papers, have been adapted for stage and screen and read by millions.If you enjoyed The Mystery of Edwin Drood, you might like Dickens's Little Dorrit, also available in Penguin Classics.

    Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    But the preparations are interrupted when a guest is found dead in one of the Castle bedrooms. The scene suggests the young Russian pianist strangled himself, but a badly tied knot leads MI5 to suspect foul play was involved. The Queen leaves the investigation to the professionals—until their suspicions point them in the wrong direction.Unhappy at the mishandling of the case and concerned for her staff’s morale, the monarch decides to discreetly take matters into her own hands. With help from her Assistant Private Secretary, Rozie Oshodi, a British Nigerian and recent officer in the Royal Horse Artillery, the Queen secretly begins making inquiries. As she carries out her royal duties with her usual aplomb, no one in the Royal Household, the government, or the public knows that the resolute Elizabeth will use her keen eye, quick mind, and steady nerve to bring a murderer to justice.SJ Bennett captures Queen Elizabeth’s voice with skill, nuance, wit, and genuine charm in this imaginative and engaging mystery that portrays Her Majesty as she’s rarely seen: kind yet worldly, decisive, shrewd, and most importantly a great judge of character.

    They're grieving a terrible tragedy of their own and the beautiful baby fills them with hope, lighting up the house's dark, dusty corners. Desperate not to lose her to the authorities, they keep her secret, suspended in a blissful summer world where normal rules of behaviour - and the law - don't seem to apply.But within days a body will lie dead in the grounds. And their dreams of a perfect family will shatter like glass.Years later, the truth will need to be put back together again, piece by piece . . .From the author of Black Rabbit Hall, The Glass House is a emotional, thrilling book about family secrets and belonging - and how we find ourselves when we are most lost.

    Following the death of her husband, Lady Darby has taken refuge at her sister's estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes. Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn't about to let her guard down as accusations and rumors swirl. When Kiera and Gage's search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim...

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they’ve just moved from London to the country, hoping for a quiet life.But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There’s a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation…As Lady Hardcastle and Flo delve deeper into rural rivalries and resentment, they uncover a web of intrigue that extends far beyond the village. With almost no one free from suspicion, they can be certain of only one fact: there is no such thing as a quiet life in the country.

    Created after the Metropolitan Police’s spectacular failure to capture Jack the Ripper, The Murder Squad suffers rampant public contempt. They have failed their citizens. But no one can anticipate the brutal murder of one of their own . . . one of the twelve . . .When Walter Day, the squad’s newest hire, is assigned the case of the murdered detective, he finds a strange ally in the Yard’s first forensic pathologist, Dr. Bernard Kingsley. Together they track the killer, who clearly is not finished with The Murder Squad . . . but why?Filled with fascinating period detail, and real historical figures, this spectacular debut in a new series showcases the depravity of late Victorian London, the advent of criminology, and introduces a stunning new cast of characters sure to appeal to fans of The Sherlockian and The Alienist.

    Scotland Yard refuses to take him seriously and his friends deride him for attempting a profession at all. But when an anonymous writer sends a letter to the paper claiming to have committed the perfect crime--and promising to kill again--Lenox is convinced that this is his chance to prove himself.The writer's first victim is a young woman whose body is found in a naval trunk, caught up in the rushes of a small islets in the middle of the Thames. With few clues to go on, Lenox endeavors to solve the crime before another innocent life is lost. When the killer's sights are turned toward those whom Lenox holds most dear, the stakes are raised and Lenox is trapped in a desperate game of cat and mouse.In the tradition of Sherlock Holmes, this newest mystery in the Charles Lenox series pits the young detective against a maniacal murderer who would give Professor Moriarty a run for his money.

    After burying her spinster aunt, orphaned Veronica Speedwell is free to resume her world travels in pursuit of scientific inquiry—and the occasional romantic dalliance. As familiar with hunting butterflies as with fending off admirers, Veronica intends to embark upon the journey of a lifetime.But fate has other plans when Veronica thwarts her own attempted abduction with the help of an enigmatic German baron, who offers her sanctuary in the care of his friend Stoker, a reclusive and bad-tempered natural historian. But before the baron can reveal what he knows of the plot against her, he is found murdered—leaving Veronica and Stoker on the run from an elusive assailant as wary partners in search of the villainous truth.