For Cal, some choices are devastatingly simple: he can work in an abattoir that nauseates him or join the dole queue; he can brood on his past or plan a future with Marcella.Springing out of the fear and violence of Ulster, Cal is a haunting love story that unfolds in a land where tenderness and innocence can only flicker briefly in the dark.

    THIS 6 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Master Thoughts of Master Minds in Poem, Prose and Pencil, by Thomas Gray.

    His subjects include the permeable boundaries of Belfast neighborhoods, of memory, of public and private fear, and, indeed, of the forms of language and art. Carson finds unexpected uses—constructive and destructive—of the building rubble of Belfast history. Rich in lore of place, these innovative and vividly fresh poems draw deeply on traditions—oral, local, and literary.

    Lorca (1898-1937) is admired all over the world for the lyricism, immediacy and clarity of his poetry, as well as for his ability to encompass techniques of the symbolist movement with deeper psychological shadings. But Lorca's poems are, most of all, admired for their beauty. Undercurrents of his major influences--Spanish folk traditions from his native Andalusia and Granada, gypsy ballads, and his friends the surrealists Salvador Dali and Luis Bunuel--stream throughout Lorca's work. Poets represented here as translators are as diverse as Stephen Spender, Langston Hughes, Ben Belitt, William Jay Smith, and W.S. Merwin.

    Published posthumously in 1869, Paris Spleen was a landmark publication in the development of the genre of prose poetry—a format which Baudelaire saw as particularly suited for expressing the feelings of uncertainty, flux, and freedom of his age—and one of the founding texts of literary modernism.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    A wind-blasted rock of fishing boats and sheep’s wool, where the only book was the Bible and girls stayed in their homes until mothers themselves, the island was a gift for some, a prison for others. Oona was barely more than a girl, but promised herself she would leave the tall tales behind and never return.The Island Child tells two stories: of the child who grew up watching births and betrayals, storms and secrets, and of the adult Oona, desperate to find a second chance, only to discover she can never completely escape. As the strands of Oona’s life come together, in blood and marriage and motherhood, she must accept the price we pay when we love what is never truly ours . . . Rich, haunting and rooted in Irish folklore, The Island Child is spellbinding debut novel about identity and motherhood, freedom and fate and the healing power of stories.

    M. Synge achieved both notoriety and lasting fame with The Playboy of the Western World. The Aran Islands, published in the same year, records his visits to the islands in 1898-1901, when he was gathering the folklore and anecdotes out of which he forged The Playboy and his other major dramas.Yet this book is much more than a stage in the evolution of Synge the dramatist. As Tim Robinson explains in his introduction, "If Ireland is intriguing as being an island off the west of Europe, then Aran, as an island off the west of Ireland, is still more so; it is Ireland raised to the power of two." Towards the end of the last century Irish nationalists came to identify the area as the country's uncorrupted heart, the repository of its ancient language, culture and spiritual values. It was for these reasons that Yeats suggested Synge visit the islands to record their way of life. The result is a passionate exploration of a triangle of contradictory relationships – between an island community still embedded in its ancestral ways but solicited by modernism, a physical environment of ascetic loveliness and savagely unpredictable moods, and Synge himself, formed by modern European thought but in love with the primitive.

    based on the First ed. of 1918 and enl. to incorporate all known Poems and Fragments. Ed. with additional notes, a Foreword on the Revised Text, and a new biographical and critical introd. by W.H. Gardner and N.H. MacKenzie.

    Warren is a madam, proprietress of a string of successful brothels. Her daughter, Vivie, is a modern young woman, but not so modern that she's not shocked to discover the source of her mother's wealth. The clash of these two strong-willed, but culturally constrained Victorian women, is the spark that ignites the ironic wit of one of George Bernard Shaw's greatest plays, in a withering critique of male domination, sexual hypocrisy, and societal convention. Initially banned after its 1893 publication due to its startling frankness, Mrs. Warren's Profession remains a powerful work of progressive theater.

    Aniara is the story of a luxurious space ship, loaded with 8,000 evacuees, fleeing an Earth made uninhabitable by Man's technological arrogance. A malfunction knocks the craft off course, taking these would-be Mars colonists on an irreversible journey into deep space. Aniara is a book of prophecy, a panoramic view of humanity's possible fate. It has been translated into seven languages and adapted into a popular avant-garde opera. This volume is the first complete English language version and received the prestigious American Scandinavian Foundation Award.

    Nobody remembers when it started; rain on the western seaboard is a condition of living. But now – just as Father Coffey proclaims the coming of the electricity – the rain clouds are lifting. Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world. Harking back to a simpler time, This Is Happiness is a tender portrait of a community – its idiosyncrasies and traditions, its paradoxes and kindnesses, its failures and triumphs – and a coming-of-age tale like no other. Luminous and lyrical, yet anchored by roots running deep into the earthy and everyday, it is about the power of stories: their invisible currents that run through all we do, writing and rewriting us, and the transforming light that they throw onto our world.

    The Gault family leads a life of privilege in early 1920s Ireland, but the threat of violence leads the parents of nine-year-old Lucy to decide to leave for England, her mother's home. Lucy cannot bear the thought of leaving Lahardane, their country house with its beautiful land and nearby beach, and a dog she has befriended. On the day before they are to leave, Lucy runs away, hoping to convince her parents to stay. Instead, she sets off a series of tragic misunderstandings that affect all of Lahardane's inhabitants for the rest of their lives.

    Leaving home is a way to escape her sorrow and despair following the death of her boyfriend and a testy relationship with her mother, Verity. In Scotland she encounters love and excitement but when a series of unexpected events turn her new found life on its head, she is forced to make a life-changing decision, one that will stay with her for her whole life. The Closet of Savage Mementos is drawn directly from the author's own experiences and explores heartbreak, loss, motherhood and adoption in a gripping narrative and the same expressive, emotive and exciting prose we have come to expect of Nuala Ní Chonchúir. Reviews: 'Her finest novel yet.' - The Sunday Times Ní Chonchúir manages to strike a delicate balance between passion and poetry…The Closet of Savage Mementos is a book that will appeal to, and deserves, a wide audience.’ -- Sunday Business Post 'It is raw, beautiful and compelling, a 'must read'.' - Sunday Independent mpelling and deeply accomplished, The Closet of Savage Mementos is the product of a powerful literary talent. - Cork Evening Echo About the Author: Nuala Ní Chonchúir was born in Dublin in 1970; she lives in East Galway with her husband and three children. Her fourth short story collection Mother America was published by New Island in 2012; The Irish Times said of it: ‘Ní Chonchúir’s precisely made but deliciously sensual stories mark her as a carrier of Edna O’Brien’s flame.’ Her début novel You (New Island, 2010) was called ‘a gem’ by the Irish Examiner and ‘a heart-warmer’ by The Irish Times. A chapbook of flash fiction, Of Dublin and Other Fictions, is just out from Tower Press in the US. Nuala has won many writing awards including RTÉ radio’s Francis MacManus Award, the Cúirt New Writing Prize, the Jane Geske Award (USA), the inaugural Jonathan Swift Award, the Dublin Review of Books flash fiction prize and the Cecil Day Lewis Award. She was shortlisted for the European Prize for Literature and most recently won the Gladstone’s Library Flash Fiction Prize (UK).www.nualanichonchuir.com

    This bilingual edition of the 15th-century poet's work incorporates recent scholarship.