Anxious that she will remain encased in her solitary life as a school secretary, Camilla steps into an unlikely liaison with Richard Elton, a handsome, assured - and dangerous - liar.

    The English village of Wealding is no longer troubled by distant sirens, yet the rustling coils of barbed wire are a reminder that something, some quality of life, has evaporated. Together again after years of separation, Laura and Stephen Marshall and their daughter Victoria are forced to manage without "those anonymous caps and aprons who lived out of sight and pulled the strings." Their rambling garden refuses to be tamed, the house seems perceptibly to crumble. But alone on a hillside, as evening falls, Laura comes to see what it would have meant if the war had been lost, and looks to the future with a new hope and optimism. First published in 1947, this subtle, finely wrought novel presents a memorable portrait of the aftermath of war, its effect upon a marriage, and the gradual but significant change in the nature of English middle-class life.

    Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.

    She anticipates her first dance, the greatest yet most terrifying event of her restricted social life, with tremulous uncertainty and excitement. For her pretty, charming elder sister Kate, the dance is certain to be a triumph, but what will it be for shy, awkward Olivia?Exploring the daydreams and miseries attendant upon even the most innocent of social events, Rosamond Lehmann perfectly captures the emotions of a girl standing poised on the threshold of womanhood.

    Here Mary has spent thirty-five years, devoting herself to her sister, now dead, and to her father, Canon Jocelyn. Although she is pitied by her neighbours for this muted existence, Mary is content. But when she meets Robert Herbert, Mary's ease is destroyed and years of suppressed emotion surface through her desire for him. First published in 1924 this novel is an impressive exploration of Mary's relationship with her father, of her need for Robert and the way in which, through each, she comes to a clearer understanding of love.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    The tennis party exists for other reasons - and charmingly mannered infidelity is now the most popular pastime in the small but exclusive Devonshire hamlet of Wyvern's Cross. Which is why, in his own garden, the host, Dr Edmund Bickleigh, is desperately fighting to conceal the two things on his mind: a mounting passion for Gwynfryd Rattery - and the certain conviction that he is going to kill his wife ...

     They knew too much.  As free as unmarried women, they were fully armed; this was an unfair advantage, and when it was combined with beauty, an air of well-being, a gaiety which, in a woman over forty had an unsuitable hit of mischief in it, he felt that . . . all manhood was insulted . . . But he knew how to protect himself." Fastidious Mr. Blackett rules his home in Upper Radstowe with a gloomy and niggardly spirit, and his wife Bertha and their three daughters succumb to his dictates unquestioningly -- until the arrival next door of the Fraser family 'with no apparent male chieftain at the head of it'. The delightful, unconventional Rosamund presides over this unruly household with shocking tolerance and good humour, and Herbert Blackett is both fascinated and repelled by his sensuous and 'unprincipled' neighbour. But whilst he struts in the background, allegiances form between Rosamund and Bertha and their children, bringing changes to Chatterton Square which, in the months leading up to the Second World War, are intensified by the certainty that nothing can be taken for granted.

    Sarah Burton, the fiery young headmistress of the local girls' school; Mrs Beddows, the district's first alderwoman—based on Holtby's own mother; and Robert Carne, the conservative gentleman-farmer locked in a disastrous marriage—with whom the radical Sarah Burton falls in love. Showing how public decisions can mold the individual, this story offers a panoramic and unforgettable view of Yorkshire life.

    We are shown the two Marwood girls, who are nearly grown-up, their father, the widower Major Marwood, and their aunt; then, as soon as their lives have been described, the Major proposes marriage to a woman much younger than himself - and many changes begin.

    Seventy years later, released by widowhood, and to the dismay of her pompous children, she abandons the family home for a tiny house in Hampstead. Here she recollects the dreams of youth, and revels in her newfound freedom with her odd assortment of companions: Genoux, her French maid; Mr. Bucktrout, her house agent; and a coffin maker who pictures people dead in order to reveal their true characters. And then there's Mr. FitzGeorge, an eccentric millionaire who met and loved her in India when she was young and very lovely. It is here in this world of her own that she finds a passion that comes only with the freedom to choose, and it is this, her greatest gift, that she passes on to the only one who can understand its value. First published in 1931, Vita Sackville-West's masterpiece is the fictional companion to her great friend Virginia Woolf's A Room of One's Own.

    She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall.Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.

    Mamma, the archetype of all women who rule through weakness and suffering, dominates her Victorian household, idolizing her sons, rejecting the independent love of her only daughter. Mary, in response, both adores and hates her mother.

    She also introduces us to specific characters as well as 'types' who will appear and reappear in changing relationships as the years go by. There is the middle-aged woman centrally involved in the events and activities around her; here, Laura Morland, a happily widowed author of very successful 'good bad books' (Thirkell herself?). A disappointed suitor and/or a brief, ill-conceived infatuation of younger man with older woman. At least two romances to work out—an older couple and a younger one—with mild crises along the way. A closing of ranks among the women vs the intruder nicknamed 'the Incubus' resolves both affairs to the satisfaction of all. Especially delightful are the children, servants and other retainers; well defined characters in their own right; from motor-mouthed young Tony Morland and his model railways to housekeeper Stoker and her grapevine among the servants of the neighbourhood.