But soon it’s discovered that Warwick killed dozens of people as he strove to perfect another improved Ticker for Penny, and he’s put on trial for mass murder. On the last day of Warwick’s trial, the Farthings’ factory is bombed, Penny’s parents disappear, and Penny and her brother, Nic, receive a ransom note demanding all of their Augmentation research if they want to see their parents again. Is someone trying to destroy the Farthings...or is the motive more sinister?Desperate to reunite their family and rescue their research, Penny and her brother recruit fiery baker Violet Nesselrode, gentleman-about-town Sebastian Stirling, and Marcus Kingsley, a young army general who has his own reasons for wanting to lift the veil between this world and the next. Wagers are placed, friends are lost, romance stages an ambush, and time is running out for the girl with the clockwork heart.

    Victoria is Queen. Charles Darwin’s son is Prime Minister. And steam is the power that runs the world. At 17, Claire Trevelyan, daughter of Viscount St. Ives, was expected to do nothing more than pour an elegant cup of tea, sew a fine seam, and catch a rich husband. Unfortunately, Claire’s talents lie not in the ballroom, but in the chemistry lab, where things have a regrettable habit of blowing up. When her father gambles the estate on the combustion engine and loses, Claire finds herself down and out on the mean streets of London. But being a young woman of resources and intellect, she turns fortune on its head. It’s not long before a new leader rises in the underworld, known only as the Lady of Devices . . . When she meets Andrew Malvern, a member of the Royal Society of Engineers, she realizes her talents may encompass more than the invention of explosive devices. They may help her realize her dreams and his . . . if they can both stay alive long enough to see that sometimes the closest friendships can trigger the greatest betrayals . . .

    but where did he come from? Who was Merlin? What part did the Druids play in bringing Arthur to his round table? This is the story that came before, when Britain was just a Shadowland. On the night of Midwinter's Eve, a storyteller takes his listeners back to the Dark Ages and a tale from his youth. `I have lived more years than I can remember, probably more than the sum of all your years combined. Kings have called me friend and brigands have sworn to burn the flesh from my bones, even if they have to search all seven halls of the shadowland to find me.' Deserted by its Roman masters, Britain has been invaded by the Saxons at the invitation of Vortigern, traitorous leader of the Britons. Now, as the tribes unite to reclaim their land, one man must rise to lead them and become their only true king. Shadowland is a young adult story of historical fantasy set in the Dark Ages of Britain; however, it is gathering fans of all ages. .................. Magical and moving, I couldn't put it down - Jacqueline Rodriguez "Shadowland" is a tensely written story about the dark days before the rise of King Arthur. Flawlessly weaving history, legend and imagination - Vered E for Readers' Favorite. Gray has a real gem starting with his subject and carries it through with an excellent delivery - Tom Clementson, Kindle Book Review

    a mother who mysteriously disappears, a stranger who stalks her around London, and even the noble English Grandmother who kicked Saira and her mother out of the family. But when an old graffiti tag in a tube station transports Saira to the 19th Century and she comes face-to-face with Jack the Ripper, she realizes she needs help after all. Saira meets Archer, a charming student who helps her blend in as much as a tall, modern American teen can in Victorian England. He reveals the existence of the Immortals: Time, Nature, Fate, War and Death, and explains to Saira that it is possible to move between centuries – if you are a Descendant of Time. Saira finds unexpected friendships at a boarding school for Immortal Descendants and a complicated love with a young man from the past. But time is running out for her mother, and Saira must embrace her new identity as she hides from Archer a devastating secret about his future that may cost him his life.

    Among his possessions: women, imprisoned and fated to serve. The strong-minded Althea Lambros controls her own fate and lives to honor her dying mother’s plea to protect her two sisters at all costs. Althea’s journey toward crushing the tyranny has begun. It is a destiny foretold by the Fates. And she is following their visions.On the southern isle of Crete, hidden among mortal women who have fled the Titans, is the Boy God, son of Cronus and believed dead. He shares Althea’s destiny to vanquish the Almighty—fate willing. Because Cronus has caught wind of the plot. He’s amassing his own forces against Althea’s righteous rebellion and all those who will no longer surrender or run. There will be war. If she’s to survive to write their history, the indomitable Althea must soar higher than any god.

    Her father is dead, her fiancé took her inheritance, and no one will employ her, despite years working for her watchmaker father. Indeed, the other London watchmakers seem frightened of her. Alone, poor, and at the end of her tether, India takes employment with the only person who'll accept her - an enigmatic and mysterious man from America. A man who possesses a strange watch that rejuvenates him when he's ill. Matthew Glass must find a particular watchmaker, but he won't tell India why any old one won't do. Nor will he tell her what he does back home, and how he can afford to stay in a house in one of London's best streets. So when she reads about an American outlaw known as the Dark Rider arriving in England, she suspects Mr. Glass is the fugitive. When danger comes to their door, she's certain of it. But if she notifies the authorities, she'll find herself unemployed and homeless again - and she will have betrayed the man who saved her life. With a cast of quirky characters, an intriguing mystery, and a dash of romance, THE WATCHMAKER'S DAUGHTER is the start of a thrilling new historical fantasy series from the author of the bestselling Ministry of Curiosities, Freak House, and Emily Chambers Spirit Medium books.

    But as an unlicensed magic user, her gift is a crime. Commissioned by an underground group known as the Cowls, Elsie uses her spellbreaking to push back against the aristocrats and help the common man. She always did love the tale of Robin Hood.Elite magic user Bacchus Kelsey is one elusive spell away from his mastership when he catches Elsie breaking an enchantment. To protect her secret, Elsie strikes a bargain. She’ll help Bacchus fix unruly spells around his estate if he doesn’t turn her in. Working together, Elsie’s trust in—and fondness for—the handsome stranger grows. So does her trepidation about the rise in the murders of wizards and the theft of the spellbooks their bodies leave behind.For a rogue spellbreaker like Elsie, there’s so much to learn about her powers, her family, the intriguing Bacchus, and the untold dangers shadowing every step of a journey she’s destined to complete. But will she uncover the mystery before it’s too late to save everything she loves?

    But the carnival’s newest act, a peculiar young woman with latent magical powers, may hold the key to defeating it. Her time has come.Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It’s a gift for communicating with animals. To some, she’s a magical tender. To others, a she-devil. To a talent prospector, she’s a crowd-drawing oddity. And the Bacchanal Carnival is Eliza’s ticket out of the swamp trap of Baton Rouge.Among fortune-tellers, carnies, barkers, and folks even stranger than herself, Eliza finds a new home. But the Bacchanal is no ordinary carnival. An ancient demon has a home there too. She hides behind an iridescent disguise. She feeds on innocent souls. And she’s met her match in Eliza, who’s only beginning to understand the purpose of her own burgeoning powers.Only then can Eliza save her friends, find her family, and fight the sway of a primordial demon preying upon the human world. Rolling across a consuming dust bowl landscape, Eliza may have found her destiny.

    Then the skill of divining harvests fell into ruin when sorcière Elena Boureanu was blindsided by a curse. Now, after breaking the spell that confined her to the shallows of a marshland and weakened her magic, Elena is struggling to return to her former life. And the vineyard she was destined to inherit is now in the possession of a handsome stranger.Vigneron Jean-Paul Martel naively favors science over superstition, and he certainly doesn’t endorse the locals’ belief in witches. But Elena knows a hex when she sees one, and the vineyard is covered in them. To stay on and help the vines recover, she’ll have to hide her true identity, along with her plans for revenge against whoever stole seven winters of her life. And she won’t rest until she can defy the evil powers that are still a threat to herself, Jean-Paul, and the ancient vine-witch legacy in the rolling hills of the Chanceaux Valley.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    How do you break time? Can something so bad happen that you fracture the world?" Benjamin Travers has been electrocuted. What's worse, he and his friends have woken up in the past. As the friends search for a way home, they realize they're not alone. There are other time travelers, and some of them are turning up dead. When Ben meets an enigmatic scientist and his charming, time-traveling daughter, salvation seems at hand, but escaping the dangers of the past may lead to a deadly future. If he hopes to save his friends, Ben must learn to master space and time, and survive a journey where past and future violently collide.

    Starting in 1764, an unidentified wolf-like animal ferociously mauled dozens of peasants in the Gévaudan region of France. Whispered rumors of unnatural creatures blended with age-old superstition to cause mass hysteria. Alarmed, King Louis XV sent his best huntsmen to rid the province of the beastly scourge, but this legendary massacre had only just begun. Scarlette, a 19-year-old seamstress who is laboring to make ends meet, lives under this dark threat. Although fearful of the nightmarish monster lurking in the surrounding forest, she remains naive and skeptical of the supernatural gossip. Until her grandmother is attacked.Scarlette learns her grandmother has been infected by the animal's bite. Desperate to save her, Scarlette begins to uncover the dark secrets of her village and finds there are those who wish to keep their pasts hidden. As time grows short, Scarlette is befriended by a local nobleman and a woodcutter who both share an eerie history with the wolf. Scarlette must unravel the men's connection and solve a long-forgotten crime before her grandmother's infection spreads. Based on both the traditional Grimm fairy-tale and older known French versions of "Little Red Riding Hood", this Gothic novel is set against the historic 18th century Beast of Gévaudan attacks in a modern, accessible prose style. Unique to the genre, the novel revives the fable of the girl-in-the-red-cloak with a new historical angle.

    Not a dream job. But it does come with perks. There’s John Roberts, a devastatingly attractive neighbor who is almost too wonderful to be real.And there’s the new computer program Beautiful Houses—also too amazing to be real. No one knows how it works, but with it she can rewind and fast-forward the lives of all the people who ever lived in the house, including Charlotte Miles.In 1858, the house is a train stop on the Alton & Chicago Line. And Charlotte is stuck there serving meals to the passengers, wondering if she’ll ever get to have any fun. And then she meets two travelers who change her life forever. There’s James McGuire with whom she falls in love. And there’s his boss, a young Springfield lawyer named Abraham Lincoln. His debate with political opponent Stephen Douglas catapults him onto the national stage. And it inspires Charlotte to take up the cause of abolition.The HouseA stop on the Alton & Chicago Line. A stop on the Underground Railroad. Watching the house’s history unfold, Abby and Merrideth gain a new perspective on their own lives as time and again they see God’s loving hand in the lives of its inhabitants.

    Permanently.1861. Cara has a simple mission in London - finalise her father's estate and sell off his damned collection of priceless artifacts. Her plan goes awry when a killer stalks the nobility, searching for an ancient Egyptian relic rumoured to hold the key to immortality.Nathaniel Trent, known as the villainous viscount, is relentless in his desire to lay his hands on both Cara and the priceless artifacts. His icy exterior and fiery touch stirs Cara's demons, or could he lay them to rest?Self-preservation fuels Cara's search for the gem known as Nefertiti's Heart. In a society where everyone wears a mask to hide their true intent, she needs to figure out who to trust, before she sacrifices her own heart and life.

    With the country in the grip of the Black Death, brothers John and William fear that they will shortly die and go to Hell. But as the end draws near, they are given an unexpected choice: either to go home and spend their last six days in their familiar world, or to search for salvation across the forthcoming centuries – living each one of their remaining days ninety-nine years after the last.   John and William choose the future and find themselves in 1447, ignorant of almost everything going on around them. The year 1546 brings no more comfort, and 1645 challenges them still further. It is not just that technology is changing: things they have taken for granted all their lives prove to be short-lived.   As they find themselves in stranger and stranger times, the reader travels with them, seeing the world through their eyes as it shifts through disease, progress, enlightenment and war. But their time is running out – can they do something to redeem themselves before the six days are up?