And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    Henry Lawson is too often regarded as a legend rather than a writer to be enjoyed.In this selection John Barnes reveals Lawson not only as a writer who has delighted past generations.His short stories, some humourous, some wry, some moving are, above all, enjoyable.Stories includeThe Drover's WifeThe Bush UndertakerIn a Dry SeasonThe Union Buries its DeadHungerford'Rats'An Old Mate of Your Father'sMitchell: A Character SketchOn the Edge of a Plain'Some Day'Shooting the MoonOur PipesBill, the Ventriloqual RoosterThe Geological SpielerThe Iron-Bark ChipThe Loaded DogBrighten's Sister in LawA Double Buggy at Lahey's Creek'Water them Geraniums'Joe Wilson's CourtshipTelling Mrs BakerA Child in the Dark, and A Foreign Father

    With compassionate wit and insight, Campbell McGrath transports us on a journey through contemporary society, transforming the commonplace into scenes of profound revelation. From late-night bars to early-morning diners, suburban malls to the Mojave Desert, McGrath's meticulously detailed vision defines singular moments of joy and melancholy.

    ‘Hiraeth - A home that never was’ by Mansi Narula Kashyap is a collection of poetry and prose about a home that the author believes does not exist in the real world but still cast a shadow or instil a sense of belongingness towards the same. Each poem will enhance the reader’s imagination, coaxing them to understand the depth of a home that never was.“For just a moment, my heart believes.The home that never was,Still makes me homesick.I do not even remember when we started building it brick by brick?The thieves have come and robbed us of all that we had,Trust, loyalty and love are now just in twisted weaves.”

    However, nothing was as it seemed and Annabet and Anders were both exposed to harsh, often irrational and frequently violent discipline from their parents, which left them emotionally unbalanced and starved of affection. In a time where domestic violent was never discussed within the family let alone outside of it, Annabet and Anders struggled to keep their spirits and souls afloat. But at least they had each other.As they endeavoured to find their paths in life - Annabet as a children's clothing designer and Anders as an internationally recognised chef, restaurateur and talented potter - neither could escape the legacy of their violent and disturbing upbringing. Anders never overcame a secret he kept tragically to himself and Annabet was perpetually wracked with self-doubt due to her mother's continual criticism.This beautifully written story not only traces the history of growing up on the north shore but the gradual evolution of the food and fashion scene in Sydney in the 70s and 80s. It encompasses many areas of day to day struggles within families that were not discussed then and which are, sadly, still occurring today.

    Written as a catharsis in the months following the loss of her father in late 2016, Jessica has taken pen to page to say things he and others will never read, either because they can't, or just won't. Containing entirely new works, this is a can't miss release.

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    Something that's very hard to learn on your own. This is something about putting yourself first because it's okay to love yourself before anyone else. This is something about doing what's best for you, no matter what people say, because only you know what you deserve. This is something about being real, being real to who you are and accepting things as they come and change. This is something about your mistakes, about your flaws, and about how beautiful it is to get up and try again. This is something about being you, about using your voice when you're afraid. About building enough courage when you feel like standing up to something you don't believe in, something that's wrong. This is about you, and every day should be about you, and that's something you should always consider.

    You paint with words and that is beautiful." "Your words capture a truth some may feel but be unable to word." "Definitely a skilled tongue." Join over 10,000 people who follow and enjoy Andrea Michelle's poetry. Download now for free!

    In the months that followed, the "Black Dog" (as he calls it) ruled his life. He raged at his wife and children. He ducked a parking ticket on grounds of insanity, and begged a police officer to shoot him rather than arrest him. For days on end he lay in despair, a state in which, as he puts it precisely, "you feel beneath help."Killing the Black Dog is Murray's recollection of those awful days: brief, pointed, wise, and full of beauty in the way of his poetry. The prose text—delicately balanced between personal and informative—gives a glimpse of the imprint that depression can leave on a life. The accompanying poems show their roots in his crisis—a crisis from which, he reports toward the close of this poignant book, he has fully recovered. "My thinking is no longer jammed and sooty with resentment," he recalls. "I no longer wear only stretch-knit clothes and drawstring pants. I no longer come down with bouts of weeping or reasonless exhaustion. And I no longer seek rejection in a belief that only bitterly conceded praise is reliable."Killing the Black Dog is a crucial chapter in the life of an outstanding poet.

    Here is a story that resonates long after reading.’ — Andrea Goldsmith‘I was captivated by this honest, beautiful story that fuses love and art with the most profound challenges of motherhood. Written with extraordinary emotional wisdom and intelligence.’ — Liz ByrskiCamille is a nurse specialising in supporting families through the difficult decision to donate the organs of their dying loved ones. Camille’s mother is a gifted but uncompromising transplant surgeon determined to make it in a man’s world until her own life falls apart. And Camille herself is a mother to Addie – five years old, critically ill and in desperate need of the very organs her mother and grandmother work with.

    Dropbear interrogates the complexities of colonial and personal history with an alternately playful, tender and mournful intertextual voice, deftly navigating the responsibilities that gather from sovereign country, the spectres of memory and the debris of settler-coloniality. This innovative mix of poetry and essay offers an eloquent witness to the entangled present, an uncompromising provocation of history, and an embattled but redemptive hope for a decolonial future.

    It goes down into the guts of the world. But a child’s love for a parent is different. It goes up. It’s more ethereal. It’s not quite present on the earth.’In present-day Melbourne, a man attempts to piece together the mystery of his father’s apparent suicide, as his young family slowly implodes. At the ashram of Bhagwan Shree Rajneesh, in 1976, a man searching for salvation must confront his capacity for violence and darkness. And in a not-too-distant future, a woman with a life-altering decision to make travels through a climate-ravaged landscape to visit her estranged father.In Moonland is a portrait of three generations, each grappling with their own mortality. Spanning the wild idealism of the 70s through to the fragile hope of the future, it is a novel about the struggle for transcendence and the reverberating effects of family bonds. This long-awaited second outing from Miles Allinson, the multi-award-winning author of Fever of Animals, will affirm his reputation as one of Australia’s most interesting contemporary fiction writers, and urge us to see our own political and environmental reality in a new light.