From the co-creator of the landmark television series Twin Peaks comes a novel that deepens the mysteries of that iconic town in ways that not only enrich the original series but readies fans for the upcoming Showtime episodes.

    Regularly priced at $4.99. Read on your PC, Mac, smart phone, tablet or Kindle device. Who doesn't love a great ghost story? Haunted houses? Moving objects? You’re about to discover some of the most scariest and true ghost stories from around the globe. If you love a scary ghost story then this book is for you. Whether you're at home alone or sitting around a camp-fire, true ghost stories are sure to get your spine tingling. From weird objects that were bought and later started doing scary things, to houses that have been haunted since the 1800's, true ghost stories will take you on a trip that will keep you on the edge of your seat. If you love a good scare and want to know some some of the best true ghost stories of our history, then download this book now! Here Is A Preview Of What You'll Learn... True Ghost Stories – Most Harmful Poltergeist Cases True Ghost Stories – Dolls that Haunt True Ghost Stories – Horror Movies that were Based on Real Life Stories True Ghost Stories – Spookiest Places around the World True Ghost Stories – Most Unexplained Paranormal Activities True Ghost Stories – Worlds Most Haunted Items True Ghost Stories – Worlds Most Famous Ghosts Much, much more! Download your copy today! Take action today and download this book for a limited time discount of only $2.99! If you want to feel the chill down your spine when you read about amazing, 'true' ghost stories, then download now! Tags: true ghost stories, ghost stories, true ghost stories, paranormal activity, haunted houses, haunted houses books, true ghost stories books, haunted house stories, paranormal activities, camp fire ghost stories, scary stories, unsolved mysteries, hollywood murders, famous murders, murder mysteries, hollywood famous murders, true crime mysteries,

    She runs away, but is soon recaptured, to suffer once more under the tyrannical rule of Mrs Cotton, the housekeeper. The house, though, has a dark secret. Something ghostly inhabits the corridors, leading Abi to the very truth someone has tried so hard to bury.

    A pale, thin boy is haunting his every step but every time he tries to confront the boy he disappears. And what of the chilling scream and desperate sobbing only he can hear?His quest leads him eventually to the old lady of Kittiscar Hall, where he discovers something far more terrible at work than he could ever have imagined.

    He had been found guilty of conspiring with the devil to seduce an entire convent of nuns in what was the most sensational case of mass possession and sexual hysteria in history. Grandier maintained his innocence to the end and four years after his death the nuns were still being subjected to exorcisms to free them from their demonic bondage. Huxley's vivid account of this bizarre tale of religious and sexual obsession transforms our understanding of the medieval world.

    But the ghoulish nature of his art—as well as extensive evidence—points to another name, one that’s left its bloody mark on the pages of history: Jack the Ripper. Cornwell has collected never-before-seen archival material—including a rare mortuary photo, personal correspondence and a will with a mysterious autopsy clause—and applied cutting-edge forensic science to open an old crime to new scrutiny.Incorporating material from Portrait of a Killer: Jack the Ripper—Case Closed, this new edition has been revised and expanded to include eight new chapters, detailed maps and hundreds of images that bring the sinister case to life.

    Bringing to life stories like that of Eunice Cole, tried for attacking a teenage girl with a rock and buried with a stake through her heart; Jane Jacobs, a Bostonian so often accused of witchcraft that she took her tormentors to court on charges of slander; and Increase Mather, an exorcism-performing minister famed for his knowledge of witches, this volume provides a unique tour through the darkest history of English and North American witchcraft, never failing to horrify, intrigue, and delight.

    All argument is against it; but all belief is for it.” —Samuel Johnson   Ghosts are woven into the very fabric of life. In Britain, every town, village, and great house has a spectral resident, and their enduring popularity in literature, art, folklore, and film attests to their continuing power to fascinate, terrify, and inspire. Our conceptions of ghosts—the fears they provoke, the forms they take—are connected to the conventions and beliefs of each particular era, from the marauding undead of the Middle Ages to the psychologically charged presences of our own age. The ghost is no less than the mirror of the times.   Organized chronologically, this new cultural history features a dazzling range of artists and writers, including William Hogarth, William Blake, Henry Fuseli, Dante Gabriel Rossetti, John Everett Millais, Susan Hiller and Jeremy Deller; John Donne, William Shakespeare, Samuel Pepys, Daniel Defoe, Percy and Mary Shelley, Emily Bronte, Charles Dickens, Wilkie Collins, Henry James, Thomas Hardy, Muriel Spark, Hilary Mantel, and Sarah Waters.

    Li-lin, the daughter of a renowned Daoshi exorcist, is a young widow burdened with yin eyes—the unique ability to see the spirit world. Her spiritual visions and the death of her husband bring shame to Li-lin and her father—and shame is not something this immigrant family can afford.When a sorcerer cripples her father, terrible plans are set in motion, and only Li-lin can stop them. To aid her are her martial arts and a peachwood sword, her burning paper talismans, and a wisecracking spirit in the form of a human eyeball tucked away in her pocket. Navigating the dangerous alleys and backrooms of a male-dominated Chinatown, Li-lin must confront evil spirits, gangsters, and soulstealers before the sorcerer’s ritual summons an ancient evil that could burn Chinatown to the ground.With a rich and inventive historical setting, nonstop martial arts action, authentic Chinese magic, and bizarre monsters from Asian folklore, The Girl with Ghost Eyes is also the poignant story of a young immigrant searching to find her place beside the long shadow of a demanding father and the stigma of widowhood. In a Chinatown caught between tradition and modernity, one woman may be the key to holding everything together.

    The forms they take, and the means by which they appear in the physical world, are cataloged. How they correspond to actual phenomena, such as death and pestilence, is likewise noted. Conway draws upon various writings within the Biblical scriptures, together with later works published in the Middle Ages and subsequent centuries, to arrive at his own comprehensive treatment of the subject. The second volume of the work concerns devils. Various figures such as Ahriman and Viswámitra receive chapters, in which the writings about them are quoted to form a complete image of their behavior and meanings. Appearances of devils in later works, such as the diabolical Mephistopheles in Goethe's Faust, are also cataloged. The overarching aim of Conway's thesis is to draw parallels between the various demonic and devilish phenomena, while noting their overall influence across the history of Christianity. The text is informative in tone and does not stray to dogmatism; Conway instead provides sourced information in a factual, studied tone. For his part, Conway was not a believer in the lore of demons. Although he served variously as a Methodist, Unitarian and Freethought minister in life, he had little time for the supernatural elements of Christianity. It is thus that Demonology and Devil-lore is an effort toward debunking and discounting what Conway viewed as the fantastical elements of a faith he otherwise identified with spiritually and morally. Today, Demonology and Devil-lore is somewhat archaic in terms of tone owing to its age. However, it still counts among the most thorough, in-depth and wide-ranging treatments of a subject which has fascinated religious and non-religious persons alike for centuries.

    English authors such as J.R.R.Tolkien, C.S. Lewis, Terry Pratchett, and J.K.Rowling, dominate the world of magic in fiction, but from the earliest times, England has also acted as home to generations of eccentrics and scholars who have researched and explored every conceivable kind of occult art. Most people are torn between a fascination with magic and an almost instinctive fear of the occult, of a world redolent with superstition and illusion. And yet more people now practice magic in England than at any time in her history. The Book of English Magic explores this hidden story, from its first stirrings to our present-day fascination with all things magical. Along the way readers are offered a rich menu of magical things to do and places to visit.

    But even spending an entire day with Ozzy Osbourne wasn't as frightening as when he agreed to follow Philadelphia "demonologist" Lou Gentile on his appointed rounds. Will Storr never believed in ghosts—but his healthy skepticism couldn't explain the strange lights and sounds he witnessed, and the weird behavior of the occupants of several allegedly haunted houses.What resulted is a confirmed cynic's (and proud of it!) dedicated search for answers in a shadowy world of séances, mediums, devil worshippers—even the Vatican's chief exorcist. So get ready to confront the genuinely creepy along with the hilariously ridiculous in Will Storr vs. the Supernatural!

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    They distributed anti-Nazi leaflets, printed subversive newspapers, hid resisters, secreted Jews to safety, transported weapons, and conveyed clandestine messages. The youngest was a schoolgirl of fifteen who scrawled "V" for victory on the walls of her lycée; the eldest, a farmer's wife in her sixties who harbored escaped Allied airmen. Strangers to each other, hailing from villages and cities from across France, these brave women were united in hatred and defiance of their Nazi occupiers.Eventually, the Gestapo hunted down 230 of these women and imprisoned them in a fort outside Paris. Separated from home and loved ones, these disparate individuals turned to one another, their common experience conquering divisions of age, education, profession, and class, as they found solace and strength in their deep affection and camaraderie.In January 1943, they were sent to their final destination: Auschwitz. Only forty-nine would return to France.A Train in Winter draws on interviews with these women and their families; German, French, and Polish archives; and documents held by World War II resistance organizations to uncover a dark chapter of history that offers an inspiring portrait of ordinary people, of bravery and survival—and of the remarkable, enduring power of female friendship.

    Thompson and Errol Morris, Bruce Robinson offers a radical reinterpretation of Jack the Ripper, contending that he was not the madman of common legend, but the vile manifestation of the Victorian Age's moral bankruptcy.In exploring the case of Jack the Ripper, Robison goes beyond the who that has obsessed countless others and focuses on the why. He asserts that any "gentlemen" that walked above the fetid gutters of London, the nineteenth century's most depraved city, often harbored proclivities both violent and taboo—yearnings that went entirely unpunished, especially if he also bore royal connections. The story of Jack the Ripper hinges on accounts that were printed and distributed throughout history by the same murderous miscreants who frequented the East End of her Majesty's London, wiping the fetid muck from their boots when they once again reached the marble floors of society's finest homes.Supported by primary sources and illustrated with 75 to 100 black and white photographs, this breathtaking work of cultural history dismisses the theories of previous "Ripperologists." A Robinson persuasively makes clear with his unique brilliance, The Ripper was far from a poor resident of Whitechapel . . . he was a way of life.