Her over-the-top drama was one of the most popular novels of the mid-1800s and provides an interesting portrayal of both class- and gender issues as they intersect within the domestic sphere.

    . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.

    What David Hewson did with this script is so exciting to me. I really love the fact that he followed avenues that Shakespeare suggested but didn't necessarily detail in depth. If you want to immerse yourself in a warm bath of Garganega and the heat of Verona and hear a brilliant story about a young woman who is challenging the restraints of her time, listen to this audiobook, which has romance, poetry, politics, and humor to spare." (Narrator Richard Armitage)It's a story you think you know: the age-old tale of "star-cross'd lovers"; two families at war; a romance, so pure and absolute, fated for a tragic end. It's a story so thoroughly embedded in our culture, and so frequently retold. Yet, nothing captures the spark, the possibility, and the surprise of Shakespeare's work quite like this....In Romeo and Juliet: A Novel, author David Hewson reworks and expands on the classic story so that it becomes something richer, something new and entirely its own. Much more than a simple love story, it is a brilliant examination of young versus old, hope against despair, and, for Juliet, the search for individual identity at a time when women were regarded as little more than chattel.An original production commissioned by Audible, Romeo and Juliet: A Novel marks the second pairing of David Hewson and actor Richard Armitage, whose previous partnership resulted in Audible's 2014 Audiobook of the Year, Hamlet, Prince of Denmark: A Novel. Hewson's talent for writing for audio is undeniable, and he finds his perfect vocal foil in Armitage, an actor of immense range and absorbing intensity. Together, they bring you a familiar story told in a surprising way - with an ending you might not expect.Bonus: Audiobook includes an afterword written and narrated by David Hewson.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it ..."Lucy has her rigid, middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George.Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse. Will she ever learn to follow her own heart?

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    His friends and foes know him only as the Scarlet Pimpernel. But the ruthless French agent Chauvelin is sworn to discover his identity and to hunt him down.

    Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those "excellent women," the smart, supportive, repressed women who men take for granted. As Mildred gets embroiled in the lives of her new neighbors--anthropologist Helena Napier and her handsome, dashing husband, Rocky, and Julian Malory, the vicar next door--the novel presents a series of snapshots of human life as actually, and pluckily, lived in a vanishing world of manners and repressed desires.

    In Can You Forgive Her? Trollope inextricably binds together the issues of parliamentary election and marriage, of politics and privacy. The values and aspirations of the governing stratum of Victorian society are ruthlessly examined and none remain unscathed. Above all Trollope focuses on the predicament of women. 'What should a woman do with her life?' asks Alice Vavasor of herself, and this theme is echoed by every other woman in the novel, from the uncomfortably married Lady Glencora to the coquettish Mrs Greenow and Alice's clear-headed cousin, Kate.

    When a meeting with the now grown-up Artful Dodger leads Oliver into a scheme to regain his money, he begins to wonder just how accidental the meeting was, as friends and foes from his past begin to mount up in a plan to steal the fabled Koh-I-Noor diamond from the 1851 Great Exhibition.As the heist progresses, Oliver is pulled back into a world he hoped to escape from a decade earlier, a world of deception and betrayal, where every ally is a potential enemy and where his so called 'friend' Dodger is speaking to the ghost of the long dead Fagin - and planning his revenge on Oliver.Oliver finds himself in a maze of lies and half truths while escaping the police, the East End underworld and Dodger's own violent plans - visiting his once home town and workhouse, Fagin's Saffron Hill den, Sowerberry's Undertakers, the British Museum and Newgate Prison in the process, as he faces his own demons, including the now destitute Mister Bumble, his one time bully Noah Claypole, and his guilt over the death of Nancy, a decade earlier...In a situation that can only end with a noose around his neck, Oliver must find a way out of this nightmare - or forever stay a pawn in a game far bigger than that of the people around him, a game he must win at all costs...DODGE & TWIST is a rollercoaster ride through Victorian London, involving characters from OLIVER TWIST in a brand new, thrilling adventure.TONY LEE is an award winning writer of audio dramas and comics, the ongoing writer of IDW's DOCTOR WHO series for both Tenth and Eleventh Doctors and the writer of OUTLAW: THE LEGEND OF ROBIN HOOD and EXCALIBUR: THE LEGEND OF KING ARTHUR, both American Library Association 'Books for Teens' finalists. His graphic novel adaptation of PRIDE & PREJUDICE & ZOMBIES topped the New York Times Bestselling Graphic Novel list in 2010."Tony Lee is one of the best story-tellers working in comics today" - Michael Moorcock"Tony Lee is a supremely talented writer" - MTV Network"One of the fastest rising stars among the new generation of British comic writers" - Comics International

    England is facing attacks from the Welsh in the west and the Vikings in the east. Those in power bend justice according to their will, regardless of ordinary people and often in conflict with the king. Without a clear rule of law, chaos reigns.In these turbulent times, three characters find their lives intertwined. A young boatbuilder's life is turned upside down when the only home he's ever known is raided by Vikings, forcing him and his family to move and start their lives anew in a small hamlet where he does not fit in. . . . A Norman noblewoman marries for love, following her husband across the sea to a new land, but the customs of her husband's homeland are shockingly different, and as she begins to realize that everyone around her is engaged in a constant, brutal battle for power, it becomes clear that a single misstep could be catastrophic. . . . A monk dreams of transforming his humble abbey into a center of learning that will be admired throughout Europe. And each in turn comes into dangerous conflict with a clever and ruthless bishop who will do anything to increase his wealth and power.

    Written later, and probably abandoned after her father's death, The Watsons is a tantalizing and highly delightful story whose vitality and optimism centre on the marital prospects of the Watson sisters in a small provincial town. Sanditon, Jane Austen's last fiction, is set in a seaside town and its themes concern the new speculative consumer society and foreshadow the great social upheavals of the Industrial Revolution.

    Perfect for fans of "Downton Abbey," it's the story of an aristocratic family, a house, a mysterious death, and a way of life that vanished forever, told in flashback by a woman who witnessed it all.The novel is full of secrets - some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It's also a meditation on memory and the devastation of war and a beautifully rendered window into a fascinating time in history.

    Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.

    She soon escapes her fate for the loving arms of a wealthy young man, but misadventure and fate conspire to keep her from domestic bliss. Instead, Fanny discovers that sex need not be just for love; that it can be had for pleasure. She then sets out to explore those pleasures in as wide a variety as she can. With old men and young, and women as well; in positions of power, and situations where she has none; either watching or participating, Fanny's journey through the realms of sexual pleasure is a literary tour-de-force.