“I have a gift that allows me to see truth where others see the illusion--and there are many illusions. All the world’s a stage, as they say, and I seem to have the only seat in the house with a view behind the curtain.”Newly arrived in New Fiddleham, New England, 1892, and in need of a job, Abigail Rook meets R. F. Jackaby, an investigator of the unexplained with a keen eye for the extraordinary--including the ability to see supernatural beings. Abigail has a gift for noticing ordinary but important details, which makes her perfect for the position of Jackaby’s assistant. On her first day, Abigail finds herself in the midst of a thrilling case: A serial killer is on the loose. The police are convinced it’s an ordinary villain, but Jackaby is certain it’s a nonhuman creature, whose existence the police--with the exception of a handsome young detective named Charlie Cane--deny.Doctor Who meets Sherlock in William Ritter’s debut novel, which features a detective of the paranormal as seen through the eyes of his adventurous and intelligent assistant in a tale brimming with cheeky humor and a dose of the macabre.

    As a gift for her husband, Alyssa Bradford approaches Eric Shaw to make a documentary about her father-in-law, Campbell Bradford, a 95-year-old billionaire whose past is wrapped in mystery. Eric grabs the job even though there are few clues to the man's past -- just the name of his hometown and an antique water bottle he's kept his entire life. In Bradford's hometown, Eric discovers an extraordinary history -- a glorious domed hotel where movie stars, presidents, athletes, and mobsters once mingled, and hot springs whose miraculous mineral water cured everything from insomnia to malaria. Neglected for years, the resort has been restored to its former grandeur just in time for Eric's stay. Just hours after his arrival, Eric experiences a frighteningly vivid vision. As the days pass, the frequency and intensity of his hallucinations increase and draw Eric deeper into the town's dark history. He discovers that something besides the hotel has been restored -- a long-forgotten evil that will stop at nothing to regain its lost glory. Brilliantly imagined and terrifyingly real, So Cold the River is a tale of irresistible suspense with a racing, unstoppable current.

    Victoria is Queen. Charles Darwin’s son is Prime Minister. And steam is the power that runs the world. At 17, Claire Trevelyan, daughter of Viscount St. Ives, was expected to do nothing more than pour an elegant cup of tea, sew a fine seam, and catch a rich husband. Unfortunately, Claire’s talents lie not in the ballroom, but in the chemistry lab, where things have a regrettable habit of blowing up. When her father gambles the estate on the combustion engine and loses, Claire finds herself down and out on the mean streets of London. But being a young woman of resources and intellect, she turns fortune on its head. It’s not long before a new leader rises in the underworld, known only as the Lady of Devices . . . When she meets Andrew Malvern, a member of the Royal Society of Engineers, she realizes her talents may encompass more than the invention of explosive devices. They may help her realize her dreams and his . . . if they can both stay alive long enough to see that sometimes the closest friendships can trigger the greatest betrayals . . .

    Armed only with crucifixes, holy water, and a rifle, he prays to survive a single night, the longest of his life. Desperate to record what he has witnessed, Bram scribbles down the events that led him here...A sickly child, Bram spent his early days bedridden in his parents' Dublin home, tended to by his caretaker, a young woman named Ellen Crone. When a string of strange deaths occur in a nearby town, Bram and his sister Matilda detect a pattern of bizarre behavior by Ellen--a mystery that deepens chillingly until Ellen vanishes suddenly from their lives. Years later, Matilda returns from studying in Paris to tell Bram the news that she has seen Ellen--and that the nightmare they've thought long ended is only beginning.

    Clandestine Ministry of Peculiar Occurrences is forbidden to investigate. But Eliza Braun, with bulletproof corset, fondness for dynamite, remarkable devices, drags along timorous new partner Wellington Books, of encyclopedic brain, against Phoenix intent on enslaving Britons.

    His job? To track down the foulest of murderers and bring them to The Malykt's Justice. No mercy. No quarter. The Rostikov Legacy: When Konrad discovers the body of a wealthy society hostess lying in the cold, mist-shrouded reaches of the Bone Forest, the pressure is on to find her killer. Can he catch the killer without revealing himself as the Malykant? The Ivanov Diamond: When three people turn up dead, their immortal souls missing, Konrad’s got a strange case on his hands. And it’s clear that it’s got something to do with the theft of a great and valuable diamond from one of Ekamet’s wealthiest citizens… Myrrolen's Ghost Circus: When a corpse turns up in the middle of Myrrolena’s famed circus, Konrad must uncover the weird truth behind the mysterious travelling show—and without falling foul of its enigmatic Ringmistress, Myrrolena herself. Ghostspeaker: When a wealthy young woman takes her own life, Konrad is sent to investigate. Was it suicide, or murder? Or... both? To discover the truth, Konrad must navigate the combined perils of society gossip, an unregistered Ghostspeaker and a host of unquiet spirits.

    Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal.After hearing damning testimony, magistrate Woodward sentences the accused witch to death by burning. Desperate to exonerate the woman he has come to love, Matthew begins his own investigation among the townspeople. Piecing together the truth, he has no choice but to vanquish a force more malevolent than witchcraft in order to save his beloved Rachel and free Fount Royal from the menace claiming innocent lives.

    New and revised edition. Anna Kronberg lives in Victorian London’s worst rookery, offering medical treatment to prostitutes, vagrants, and criminals. To her, plugging holes and mopping up blood is normal. Stitching the slashed face of a young prostitute is not. Witnesses refuse to talk. The police can’t be bothered with yet another injured whore. But whispers are spreading about a man who pays well for a few harmless knife marks. No one dares reveal the man’s identity. Only Garret O’Hare - a thief Anna barely knows - reluctantly agrees to help her investigate the assault. But when the injured girl disappears, a veil of silence descends upon the slum. And Anna learns that she is no longer the hunter, but the hunted. Warning: medical procedures, poverty, and prostitution are depicted without apology. For fans of Caleb Carr, Louise Penny, and Anne Perry.

    Her job is to summarize each day's new arrivals, a task she finds both fascinating and routine. That is, until the day she has a vision of the newest body, a young woman, being murdered--from the perspective of the murderer himself.When the body of another woman is retrieved from the Seine days later, Paris begins to buzz with rumors that this victim may not be the last. Nathalie's search for answers sends her down a long, twisty road involving her mentally ill aunt, a brilliant but deluded scientist, and eventually into the Parisian Catacombs. As the killer continues to haunt the streets of Paris, it becomes clear that Nathalie's strange new ability may make her the only one who can discover the killer's identity--and she'll have to do it before she becomes a target herself.

    their doctors."It was the dog who found me."Such is the stark confession launching the harrowing scene that begins The Asylum for Wayward Victorian Girls as Emilie Autumn, a young musician on the verge of a bright career, attempts suicide by overdosing on the antipsychotics prescribed to treat her bipolar disorder. Upon being discovered, Emilie is revived and immediately incarcerated in a maximum-security psych ward, despite her protestations that she is not crazy, and can provide valid reasons for her actions if someone would only listen.Treated as a criminal, heavily medicated, and stripped of all freedoms, Emilie is denied communication with the outside world, and falls prey to the unwelcome attentions of Dr. Sharp, head of the hospital's psychiatry department. As Dr. Sharp grows more predatory by the day, Emilie begins a secret diary to document her terrifying experience, and to maintain her sanity in this environment that could surely drive anyone mad. But when Emilie opens her notebook to find a desperate letter from a young woman imprisoned within an insane asylum in Victorian England, and bearing her own name and description, a portal to another world is blasted wide open.As these letters from the past continue to appear, Emilie escapes further into this mysterious alternate reality where sisterhoods are formed, romance between female inmates blossoms, striped wallpaper writhes with ghosts, and highly intellectual rats speak the Queen's English.But is it real? Or is Emilie truly as mad as she is constantly told she is?The Asylum for Wayward Victorian Girls blurs harsh reality and magical historical fantasy whilst issuing a scathing critique of society's treatment of women and the mental health care industry's treatment of its patients, showing in the process that little has changed throughout the ages.Welcome to the Asylum. Are you committed?

    Yet. No one believes six-year-old Billie Mae knows how she died. Archivist Andrea Kelley's best friend, police detective William Taka, doesn't believe Andrea is actually conversing with a ghost. And Andrea can’t believe Taka has been doubting her sanity, that she’s scared for the safety of a little girl’s ghost, and that she’s really discovered the trail of a serial killer. Until... She’s relying on strangers to help her investigate, being followed by both the local crime boss and the state cops, fielding phone calls from the dead, and skulking around in the dark, unsure of anyone who crosses her path. Did Billie Mae’s mom kill her? Has Andrea’s bestie run away when she needs him most? How many more kids and cops will die before everyone believes it’s murder?

    As a way of coping with her grief, she keeps him 'alive' in her imagination - talking to him every day, laughing with him, remembering the good times they had together. She thinks she will 'hear' him better if she goes somewhere quieter, away from the hustle and bustle of her hometown, Brighton. Her destination is Glenelk in the Highlands of Scotland, a region her grandfather hailed from and the subject of a much-loved painting from her childhood. Arriving in the village late at night, it is a bleak and forbidding place. However, the house she is renting - Skye Croft - is warm and welcoming. Quickly she meets the locals. Her landlord, Fionnlagh Maccaillin, is an ex-army man with obvious and not so obvious injuries. Maggie, who runs the village shop, is also an enigma, startling her with her strange 'insights'. But it is Stan she instantly connects with. Maccaillin's grandfather and a frail, old man, he is grief-stricken from the recent loss of his beloved Beth. All four are caught in the past. All four are unable to let go. Their lives entwining in mysterious ways, can they help each other to move on or will they always belong to the ghosts that haunt them? From the author of the bestselling The Haunting of Highdown Hall.

    A pack of ravenous wolves is loose in the city, feasting on human flesh. Lorenzo Boccaccio is summoned by a Dominican inquisitor who claims that Lorenzo's business agent is tied to the sorcery behind the wolf attacks. He demands that Lorenzo and his brother Marco help him root out the evil.Rivals in business and love, the brothers make for a reluctant partnership. Even so, they are confident the wolves are a natural phenomenon, not men or demons traveling in wolf form.But events soon prove that the monks and peasants are right. These are no ordinary wolves. And if they are not defeated, the city's filthy alleys will be awash in blood.

    The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    In his possession is a notebook once belonging to Isaac Newton. This is just the latest in a series of shocking crimes connected to objects once belonging to the famous scientist. The police are stumped and the pressure for an arrest is mounting. Enter Vincent Blake, London's leading stolen-art investigator. As Blake sets out to solve the case, a series of devastating events threaten to destroy everything he holds dear. Broken but undeterred, he comes upon a shocking discovery: within the coded pages of a mysterious crimson book, annotated in Newton’s own handwriting, is an explosive revelation. Possessing this secret knowledge turns Blake into a marked man. Caught in the crosshairs of two sadistic hitmen, Blake is propelled into a breathtaking race through London and its dark historical secrets. With time running out, will Blake solve Newton’s deadly puzzle before the world is plunged into a catastrophe of biblical proportions?