They know everything about each other apart from one small thing. Noah is hopelessly in love with Sage and doesn't ever intend to tell him. However, fate has other plans. A dating website with a glitch in its system leads Sage to challenge Noah. Two days in which they will show each other their best dates. What could possibly go wrong? At the end of these two days will the men discover that the best love comes with someone who really knows you, or will they fall back into being just good friends? This short story from bestselling author, Lily Morton, was originally featured in the Heart2Heart Anthology. It has had a new scene and epilogue added to it.

    Each landing on the packed dirt is a jarring reminder of reality. Rodeo camp is a tough way to spend a summer, but John is having the time of his life. No clingy girlfriends, no nagging moms, no annoying sisters. Just him and the guys and the biggest bulls he's ever seen. All he has to do is stay on a bull for eight seconds. It may feel like an eternity to his aching body, but for once John feels in control of his own fate. Then he learns his new rodeo buddy Kit is gay. Shaken by the news, he tries to deal with the other guys' reactions and his own self-doubts.Suddenly, riding a bull seems easy. . . .

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.