He also possesses raw magical talent and the ability to make objects in his vicinity light as a feather or as heavy as depleted uranium, all with a magical thought. It's no wonder the G-men turn to Jake when they need someone to go after a suspected killer who's been knocking off banks in a magic-enhanced crime spree. Problems arise when Jake discovers the bad girl behind the robberies is an old friend, and he happens to know her magic is just as powerful as his, and the Feds have plunged Jake into a secret battle between powerful cartels of magic-users--a cartel whose ruthless leaders have decided that Jake is far too dangerous to live. . . .

    It was 1st published as a hardcover in 1897 by Archibald Constable & Co. Dracula has been assigned to many literary genres including vampire literature, horror fiction, the gothic novel & invasion literature. Structurally it's an epistolary novel, told as a series of letters, diary entries, ships' logs, etc. Literary critics have examined many themes in the novel, such as the role of women in Victorian culture, conventional & conservative sexuality, immigration, colonialism, folklore & postcolonialism. Altho Stoker didn't invent the vampire, the novel's influence on the popularity of vampires has been singularly responsible for many theatrical, film & tv interpretations since its publication.FRANKENSTEIN or The Modern Prometheus is a novel about a failed artificial life experiment that's produced a monster, written by Mary Shelley. She started writing the story when she was 18. It was published when she was 21. The 1st edition was published anonymously in London in 1818. Shelley's name appears on the 2nd edition, published in France in 1823. She'd travelled the region in which the story takes place. The topics of galvanism & other similar occult ideas were themes of conversation among her companions, particularly her future husband Percy Bysshe Shelley. The storyline was taken from a dream. She was talking with three writer-colleagues, Percy Bysshe Shelley, Lord Byron & John Polidori. They decided they would have a competition to see who could write the best horror story. After thinking for weeks about what her storyline could be, she dreamt about a scientist who created life & was horrified by what he'd made. Then Frankenstein was written. Frankenstein is infused with some elements of the Gothic novel & the Romantic movement & is also considered to be an early example of sf. Brian Aldiss has argued it should be considered the 1st true sf story, because unlike in previous stories with fantastical elements resembling those of later sf, the central character "makes a deliberate decision" & "turns to modern experiments in the laboratory" to achieve fantastic results. The story is partially based on Giovanni Aldini's electrical experiments on dead & living animals & was also a warning against the expansion of modern man in the Industrial Revolution, alluded to in its subtitle, The Modern Prometheus. It's had a considerable influence across literature & popular culture & spawned a complete genre of horror stories & films.

    Since being stripped of his authority, he is lost. Landbound. Then he meets a kindred spirit, a man who has also lost something.In a small seaside town, both Ronald Henderson and the Doctor want to move forward, but one of them must first come to terms with his past...

    The world of Sepulchre IV stands on the brink of destruction.  From the stars the Red Rage descends, intent on murder and massacre.  Into the fray are thrust the Firedrakes, peerless champions of the Salamanders.  Their mission: retrieve the 'holy relic' of Spulchre and prevent it falling to the enemy.

    After he agrees to steal a mysterious Obsidian Heart, Locke is pursued by unearthly assassins known as the ‘Wolves of London’. Soon he discovers the heart can enable him to travel through time, and while it bestows him with his own dark powers, it also corrupts...

    Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    She dares to fall in love.And only then do they discover the true horror of the Vallarca curse.

    From class demands to being an outsider among her male cohorts, she'll have to go above and beyond to prove herself. So when she stumbles across what appears to be a faulty Bio-mechanical--one of the mechanized cadavers created to service the school--she jumps at the chance to fix it and get ahead in the program.Only this Bio-mechanical isn't like the others. Where they are usually empty-minded and perfectly obedient, this one seems to have thoughts, feelings... and self-awareness.Soon Lizzie realizes that it is Victor Frankenstein--a former student who died under mysterious circumstances. Victor, it seems, still has a spark of human intelligence inside him, along with memories of things he discovered before his untimely death.. .and a suspicion that he was murdered to keep that information from getting out. Suddenly Lizzie finds herself intertwined in dark secrets and sabotage that put her life, and the lives of Victor and their friends, in danger. But Lizzie's determined to succeed--even if that means fighting an enemy who threatens the entire British Empire.

    The grisly murders remind her all too much of her own father's death over 20 years ago. Now there is a killer in town who not only slays his victims, but also takes their skin. Undaunted, Randi prods the police as the murders continue, each more brutal than the last. When a close friend suddenly becomes a target, he is forced to reveal a startling secret about himself and Randi is quickly pulled into a dark world within her own town where monsters exist and prey on the living.Executive Producer: Laura WilsonProducer: Paul Ruben©1988 by George R.R. Martin(P) Random House, Inc.

    It is the beginning of a journey that will take them to the newly built Space Dock Nerva... where a long overdue homecoming is expected.A homecoming that could bring about the end of the human race.CHRONOLOGY: This story takes place immediately after The Talons of Weng-Chiang.

    But then a dame walks into his office and into his life. A dame who is drop dead gorgeous and drop dead deadly, offering him a case he just can't refuse. Well, he could refuse it. If he really wanted to. But he has to pay the rent. When their paths cross, Frobisher finds himself involved in a web of mayhem and intrigue. A web of gangland killings, corrupt cops, sentient bloodstains, and very rude hotel receptionists. A web of murder and deceit, treachery and fisticuffs. That sort of web. You know. The sticky kind.

    She has died many times . . . but her many deaths are not final: They are comas, a waking slumber indistinguishable from death, each lasting days.Only two people know of Carol’s eerie condition. One is her husband, Dwight, who married Carol for her fortune, and—when she lapses into another coma—plots to seize it by proclaiming her dead and quickly burying her . . . alive. The other is her lost love, the infamous outlaw James Moxie. When word of Carol’s dreadful fate reaches him, Moxie rides the Trail again to save his beloved from an early, unnatural grave.And all the while, awake and aware, Carol fights to free herself from the crippling darkness that binds her—summoning her own fierce will to survive. As the players in this drama of life and death fight to decide her fate, Carol must in the end battle to save herself.

    But one day they force him into the woods, and the bullying escalates into something more; something unforgivable; something unthinkable.Broken, both physically and emotionally, something dies in Waggoner, and something else is born in its place.In the hills of the West Country a chalk horse stands vigil over a site of ancient power, and there Waggoner finds in himself a reflection of rage and vengeance, a power and persona to topple those who would bring him low.Paul Cornell plumbs the depths of magic and despair in this brutal exploration of bullying in Margaret Thatcher's England.

    Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return--when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...

    A trio of investigators—Sergeant Jordan Stone, a military forensic expert; Father Rhun Korza, a Vatican priest; and Dr. Erin Granger, a brilliant but disillusioned archaeologist—are sent to explore the macabre discovery, a subterranean temple holding the crucified body of a mummified girl.But a brutal attack at the site sets the three on the run, thrusting them into a race to recover what was once preserved in the tomb’s sarcophagus: a book rumored to have been written by Christ’s own hand, a tome that is said to hold the secrets to His divinity. But the enemy who hounds them is like no other, a force of ancient evil directed by a leader of impossible ambitions and incalculable cunning.From crumbling tombs to splendorous churches, Erin and her two companions must confront a past that traces back thousands of years, to a time when ungodly beasts hunted the dark spaces of the world, to a moment in history when Christ made a miraculous offer, a pact of salvation for those who were damned for eternity.Here is a novel that is explosive in its revelation of a secret history. Why do Catholic priests wear pectoral crosses? Why are they sworn to celibacy? Why do the monks hide their countenances under hoods? And why does Catholicism insist that the consecration of wine during Mass results in its transformation to Christ’s own blood? The answers to all go back to a secret sect within the Vatican, one whispered as rumor but whose very existence was painted for all to see by Rembrandt himself, a shadowy order known simply as the Sanguines.In the end, be warned: some books should never be found, never opened—until now.