And we thought Sophie was the quiet one…When she finds herself the target of very public aristocratic scorn, Sophie Talbot does what she must to escape the city and its judgment—she flees on the back of a carriage, vowing never to return to London…or to society. But the carriage isn’t saving her from ruin. It’s filled with it.ROYAL ROGUE'S REIGN OF RAVISHMENT!The Marquess of Eversley was espied descending a rose trellis—escaping an irate Earl and his once-future countess. No lady is safe from Eversley’s Engagement Ending Escapades!Kingscote, the Marquess of Eversley, has never met a woman he couldn’t charm, a quality that results in a reputation far worse than the truth, a furious summons home, and a long, boring trip to the Scottish border. When King discovers stowaway Sophie, however, the trip becomes anything but boring.WAR? OR MORE?He thinks she’s trying to trick him into marriage. She wouldn’t have him if he were the last man on earth. But carriages bring close quarters, dark secrets, and unbearable temptation, and suddenly opposites are altogether too attractive…

    But Greyfriar's Abbey isn't the sort of refuge she imagined. And ex-army captain Justin Thornhill--though he may be tall, dark, and devastatingly handsome--is anything but a romantic hero. He Needed Redemption... Justin has spent the last two decades making his fortune, settling scores, and suffering a prolonged period of torture in an Indian prison. Now, he needs someone to smooth the way for him with the villagers. Someone to manage his household--and warm his bed on occasion. What he needs, in short, is a wife and a matrimonial advertisement seems the perfect way to acquire one.Their marriage was meant to be a business arrangement and nothing more. A dispassionate union free from the entanglements of love and affection. But when Helena's past threatens, will Justin's burgeoning feelings for his new bride compel him to come to her rescue? Or will dark secrets of his own force him to let her go?

    . . but what comes after?Darbury, England, 1814Amelia Barrett, heiress to an ancestral estate nestled in the English moors, defies family expectations and promises to raise her dying friend’s infant baby. She'll risk everything to keep her word—even to the point of proposing to the child’s father, Graham, a sea captain she’s never met.Tragedy strikes when the child vanishes with little more than a sketchy ransom note hinting to her whereabouts. Fear for the child’s safety drives Amelia and Graham to test the boundaries of their love for this infant.Amelia’s detailed plans would normally see her through any trial, but now, desperate and shaken, she examines her soul and must face her one weakness: pride.Graham’s strength and self-control have served him well and earned him much respect, but chasing perfection has kept him a prisoner of his own discipline.Both must learn to accept God’s sovereignty and relinquish control so they can grasp the future He has for planned for them.

    But Annique Villiers, elusive spy Fox Cub, is thrown in prison with British spymaster Robert Grey, ordered to enter France and bring her back. Their uneasy alliance holds, but passion builds as they flee.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.

    When he remarries, a new step-sister enters Molly's quiet life – loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford.Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes – the role of women, Darwinism and the concept of Englishness – and its literary and social context.

    When lovely Linda Martin first arrives at Château Valmy as an English governess to the nine-year-old Count Philippe de Valmy, the opulence and history surrounding her seems like a wondrous, ecstatic dream. But a palpable terror is crouching in the shadows. Philippe's uncle, Léon de Valmy, is the epitome of charm, yet dynamic and arrogant, his paralysis little hindrance as he moves noiselessly in his wheelchair from room to room. Only his son Raoul, a handsome, sardonic man who drives himself and his car with equally reckless abandon, seems able to stand up to him. To Linda, Raoul is an enigma, though irresistibly attracted to him, she senses some dark twist in his nature. When an accident deep in the woods nearly kills Linda's innocent charge, she begins to wonder if someone has deadly plans for the young count.

    He is just a boy when his father is slain by the Doones, a lawless clan inhabiting wild Exmoor on the border of Somerset and Devon. Seized by curiosity and a sense of adventure, he makes his way to the valley of the Doones, where he is discovered by the beautiful Lorna. In time their childish fantasies blossom into mature love—a bond that will inspire John to rescue his beloved from the ravages of a stormy winter, rekindling a conflict with his archrival, Carver Doone, that climaxes in heartrending violence. Beloved for its portrait of star-crossed lovers and its surpassing descriptions of the English countryside, Lorna Doone is R. D. Blackmore’s enduring masterpiece.

    He’s a rake and an atheist, and the rumours about his hellfire club, the Murder, can only be spoken in whispers. (Orgies. It’s orgies.)Guy Frisby and his sister Amanda live in rural seclusion after a family scandal. But when Amanda breaks her leg in a riding accident, she’s forced to recuperate at Rookwood Hall, where Sir Philip is hosting the Murder. Guy rushes to protect her, but the Murder aren’t what he expects. They’re educated, fascinating people, and the notorious Sir Philip turns out to be charming, kind—and dangerously attractive. In this private space where anything goes, the longings Guy has stifled all his life are impossible to resist...and so is Philip. But all too soon the rural rumour mill threatens both Guy and Amanda. The innocent country gentleman has lost his heart to the bastard baronet—but does he dare lose his reputation too?

    The next, he's declared the long-lost heir to a dukedom. Quinn has fought his way up from the vilest slums, and now he's ready to use every dirty trick he knows to find the enemy who schemed against him.There was just one tiny problem...Jane Winston, the widowed, pregnant daughter of a meddlesome prison preacher, crosses paths with Quinn in jail. Believing his days are numbered, Quinn offers Jane marriage as a way to guarantee her independence and provide for her child. Neither thinks they'll actually have a future together.They were wrong.He's a wealthy gutter rat out for vengeance. She's a minister's daughter who must turn a marriage of desperation into a proper ducal union. Are they doomed from the start or destined for a happily-ever-after?

    That is, until she is left a vast fortune payable only upon her marriage to the very respectable Mr. Barkworth—a match that offers little chance of discovering exactly what her aunt means by "untoward attentions."But the same can't be said when the Duke of Preston happens along Tabitha's path. He spies a rebellious streak in her that matches his own and he makes it his mission to save her from such a passionless match, interfering in her life at every turn. All too soon, Preston—whose very name spells ruin—has Tabitha caught between the good fortune that guarantees her security, and his kiss, which promises an entirely different kind of happily-ever-after.

    Duncan loves Annie, but then, all of a sudden, he doesn’t. Duncan really loves Tucker Crowe, a reclusive Dylanish singer-songwriter who stopped making music ten years ago. Annie stops loving Duncan, and starts getting her own life.In doing so, she initiates an e-mail correspondence with Tucker, and a connection is forged between two lonely people who are looking for more out of what they’ve got. Tucker’s been languishing (and he’s unnervingly aware of it), living in rural Pennsylvania with what he sees as his one hope for redemption amid a life of emotional and artistic ruin—his young son, Jackson. But then there’s also the new material he’s about to release to the world: an acoustic, stripped-down version of his greatest album, Juliet—entitled, Juliet, Naked.What happens when a washed-up musician looks for another chance? And miles away, a restless, childless woman looks for a change? Juliet, Naked is a powerfully engrossing, humblingly humorous novel about music, love, loneliness, and the struggle to live up to one’s promise.

    Always desperate for money, she's unscrupulous about how she gets it. Noel's mourning his godmother, Mattie, a former suffragette. Brought up to share her disdain for authority and eclectic approach to education, he has little in common with other children and even less with Vee, who hurtles impulsively from one self-made crisis to the next. The war's thrown up new opportunities for making money but what Vee needs (and what she's never had) is a cool head and the ability to make a plan. On her own, she's a disaster. With Noel, she's a team. Together they cook up an idea. Criss-crossing the bombed suburbs of London, Vee starts to make a profit and Noel begins to regain his interest in life. But there are plenty of other people making money out of the war and some of them are dangerous. Noel may have been moved to safety, but he isn't actually safe at all…

    Instead, he finds that inheriting his grandfather's wealth and title—and securing the welfare of his sister and mother—means joining the ranks of high society and living with the aristocracy. Luckily, Ivy Carlisle, the granddaughter of a dear friend of Jack's late grandmother, is willing to teach him etiquette and properly introduce him into society. Jack soon learns that his challenge isn't surviving his new lifestyle but surviving the conspiracies against him—as well as keeping himself from falling madly in love with his new tutor.