The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing – behaviours inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.

    Not all the dead agree.One night, Silas Umber’s father Amos doesn’t come home from work. Devastated, Silas learns that his father was no mere mortician but an Undertaker, charged with bringing The Peace to the dead trapped in the Shadowlands, the states of limbo binding spirits to earth. With Amos gone, Silas and his mother have no choice but to return to Lichport, the crumbling seaside town where Silas was born, and move in with Amos’s brother, Charles.Even as Silas eagerly explores his father’s town and its many abandoned streets and overgrown cemeteries, he grows increasingly wary of his uncle. There is something not quite right going on in Charles Umber’s ornate, museum-like house—something, Silas is sure, that is connected to his father’s disappearance. When Silas’s search leads him to his father’s old office, he comes across a powerful artifact: the Death Watch, a four hundred year old Hadean clock that allows the owner to see the dead.Death Watch in hand, Silas begins to unearth Lichport’s secret history—and discovers that he has taken on his father’s mantle as Lichport’s Undertaker. Now, Silas must embark on a dangerous path into the Shadowlands to embrace his destiny and discover the truth about his father—no matter the cost.

    Liv isn’t sure what to make of the school’s weird traditions and rituals, but she couldn’t be happier. For the first time ever, she has her own studio, her own supply of paints. Everything she could want. Then she meets Malcolm Astor, a legacy student, a fellow artist, and the one person who’s ever been able to melt her defenses. Liv’s only friend at Wickham, fellow scholarship kid Gabe Nichols, warns her not to get involved, but life is finally going Liv’s way, and all she wants to do is enjoy the ride. But Liv’s bliss is doomed. Weeks after arriving, she is viciously murdered and, in death, she discovers that she’s the latest victim of a dark conspiracy that has claimed many lives. Cursed with the ability to see the many ghosts on Wickham’s campus, Gabe is now Liv’s only link to the world of the living. To Malcolm. Together, Liv, Gabe, and Malcolm fight to expose the terrible truth that haunts the halls of Wickham. But Liv must fight alone to come to grips with the ultimate star-crossed love.

    She's struggling with her identity, and with life in the small Australian town where everyone was touched by the tragedy. Just as Alice thinks things can't get much worse, she encounters her sister on a deserted highway. But all is not what it seems, and Alice soon discovers that she has stepped into a different reality, a dream world, where she's trapped with the nightmares of everyone in the community. Here Alice is forced to confront the true impact of everything that happened the day her twin sister took a gun to school ... and to reveal her own secret to the boy who hates her most.

    Banned by the governments of Europe upon its publication, burned by the zealots of religion and sanity, its very name only whispered in the shadows by decadent artists: THE KING IN YELLOW, a play for the damned and the lost.

    But one particular string of bad news stories – and a terrifying brush with her own mortality – sent her looking for answers about how vulnerable each of us is to a life-changing event. What are our chances of actually experiencing one? What do we fear most and why? And when the worst does happen, what comes next?In this wise and layered book, Leigh talks intimately with people who’ve faced the unimaginable, from terrorism to natural disaster to simply being in the wrong place at the wrong time. Expecting broken lives, she instead finds strength, hope, even humour. Leigh brilliantly condenses the cutting-edge research on the way the human brain processes fear and grief, and poses the questions we too often ignore out of awkwardness. Along the way, she offers an unguarded account of her own challenges and what she’s learned about coping with life’s unexpected blows.Warm, candid and empathetic, this book is about what happens when ordinary people, on ordinary days, are forced to suddenly find the resilience most of us don’t know we have.

    She dares to fall in love.And only then do they discover the true horror of the Vallarca curse.

               When we first meet Pearl—young in years but advanced in her drinking—she’s on the lam, sitting at a hotel bar in Florida, throwing back gin and tonics with her infant son cradled in the crook of her arm. But her escape is brief, and the relief she feels at having fled her abusive husband, and the Northeastern island his family calls home, doesn’t last for long. Soon she’s being shepherded back. The island, for Pearl, is a place of madness and pain, and her round-the-clock drinking spurs on the former even if it dulls the latter. And through this lens—Pearl’s fragile consciousness—readers encounter the horror and triumph of both childhood and motherhood in a new light.            With language that flits between exuberance and elegy, the plainspoken and the poetic, Joy Williams has blended, as Rick Moody writes, “the arresting improbabilities of magic realism, with the surrealism of the folkloric revival . . . and with the modernist foreboding of Under the Volcano,” and created something entirely original and entirely consuming.

    Like him, they are diminutive but graceful, unique, and with surprising depths. Perhaps that's why he answers the enigmatic personal ad in his collector's magazine.Letter by letter, Bramber Winters reveals more of her strange, sheltered life in an institution on Bodmin Moor, and the terrible events that put her there as a child. Andrew knows what it is to be trapped, and as they knit closer together, he weaves a curious plan to rescue her.On his journey through the old towns of England, he reads the fairy tales of Ewa Chaplin--potent, eldritch stories which, like her lifelike dolls, pluck at the edges of reality and thread their way into his mind. When Andrew and Bramber meet at last, they will have a choice--to break free and, unlike their dolls, come to life.A love story of two very real, unusual people, The Dollmaker is also a novel rich with wonders: Andrew's quest and Bramber's letters unspool around the dark fables that give our familiar world an uncanny edge. It is this touch of magic that, like the blink of a doll's eyes, tricks our own.

    Outside any city still standing, the Mechanical Circus Tresaulti sets up its tents. Crowds pack the benches to gawk at the brass-and-copper troupe and their impossible feats: Ayar the Strong Man, the acrobatic Grimaldi Brothers, fearless Elena and her aerialists who perform on living trapezes. War is everywhere, but while the Circus is performing, the world is magic.That magic is no accident: Boss builds her circus from the bones out, molding a mechanical company that will survive the unforgiving landscape.But even a careful ringmaster can make mistakes.Two of Tresaulti's performers are entangled in a secret standoff that threatens to tear the circus apart just as the war lands on their doorstep. Now the Circus must fight a war on two fronts: one from the outside, and a more dangerous one from within.

    Craig Russell and illustrated by an extraordinary team of renowned artists.Inventive, chilling, and filled with wonder, Neil Gaiman's The Graveyard Book reaches new heights in this stunning adaptation. Artists Kevin Nowlan, P. Craig Russell, Tony Harris, Scott Hampton, Galen Showman, Jill Thompson, and Stephen B. Scott lend their own signature styles to create an imaginatively diverse and yet cohesive interpretation of Neil Gaiman's luminous novel.Volume One contains Chapter One through the Interlude, while Volume Two will include Chapter Six to the end.

    Or, if you’re James Stark, you spend eleven years in Hell as a hitman before finally escaping, only to land back in the hell-on-earth that is Los Angeles.Now Stark’s back, and ready for revenge. And absolution, and maybe even love. But when his first stop saddles him with an abusive talking head, Stark discovers that the road to absolution and revenge is much longer than you’d expect, and both Heaven and Hell have their own ideas for his future.Resurrection sucks. Saving the world is worse.Darkly twisted, irreverent, and completely hilarious, Sandman Slim is the breakthrough novel by an acclaimed author.

    While shooting a séance at a psychic’s in the East Village, he meets a mysterious, intoxicatingly beautiful girl named Annie.As they start spending time together, Wes finds himself falling for her, drawn to her rose-petal lips and her entrancing glow. There’s just something about her that he can’t put his finger on, something faraway and otherworldly that compels him to fall even deeper. Annie’s from the city, and yet she seems just as out of place as Wes feels. Lost in the chaos of the busy city streets, she’s been searching for something—a missing ring. And now Annie is running out of time and needs Wes’s help. As they search together, Annie and Wes uncover secrets lurking around every corner, secrets that will reveal the truth of Annie’s dark past.

    THE MAN FROM SNOWY RIVER is a box office hit and Paul Hogan is on the TV. In a seaside suburb, housewife Theresa takes up swimming. She wants to get fit; she also wants a few precious minutes to herself. So at sunrise each day she strikes out past the waves.From the same beach, the widowed Marie swims. With her husband gone, bathing is the one constant in her new life.After finding herself in a desperate situation, 25-year-old Leanne only has herself to rely on. She became a nurse to help others, even as she resists help herself.Elaine has recently moved from England. Far from home and without her adult sons, her closest friend is a gin bottle.In the waters of Shelly Bay, these four women find each other. They will survive bluebottle stings and heartbreak; they will laugh so hard they swallow water, and they will plunge their tears into the ocean's salt. They will find solace and companionship, and learn that love takes many forms. Most of all, they will cherish their friendship, each and every day. 'Reading this book was like snuggling beneath a warm beach towel after a bracing dip in the ocean.' - JOANNA NELLPraise for Sophie Green's THE INAUGURAL MEETING OF THE FAIRVALE LADIES BOOK CLUB'Tender, intimate, heartwarming, fulfilling and Australian as a lamb roast and full-bodied shiraz' The Australian Women's Weekly'An absolute gem of a novel, with the most evocative sense of place . . . A treat for any book club' BETTER READING

    Inverting and queering the gothic and romantic traditions, each story represents a different take on the concept of a haunting or the haunted. Though it ranges across themes and locations - from small-town Australia to Hokkaido to rural England - Permafrost is united by the power of the narratorial voice, with its auto-fictional resonances, dark wit and swagger.Whether recounting the confusion of a child trying to decipher their father and stepmother's new relationship, the surrealness of an after-hours tour of Auschwitz, or a journey to wintry Japan to reconnect with a former lover, Permafrost unsettles, transports and impresses in equal measure.