But now that Martin is dead, Jasper can fully reflect on the crackpot who raised him in intellectual captivity, and what he realizes is that, for all its lunacy, theirs was a grand adventure.As he recollects the events that led to his father’s demise, Jasper recounts a boyhood of outrageous schemes and shocking discoveries—about his infamous outlaw uncle, Terry, his mysteriously absent European mother, and Martin’s constant losing battle to make a lasting mark on the world he so disdains. It’s a story that takes them from the Australian bush to the cafés of bohemian Paris, from the Thai jungle to strip clubs, asylums, labyrinths, and criminal lairs, and from the highs of first love to the lows of failed ambition. The result is a wild rollercoaster ride from obscurity to infamy, and the moving, memorable story of a father and son whose spiritual symmetry transcends all their many shortcomings.A Fraction of the Whole is an uproarious indictment of the modern world and its mores, and the epic debut of the blisteringly funny and talented Steve Toltz.

    As she unfolds the story of Undine Spragg, from New York to Europe, Wharton affords us a detailed glimpse of what might be called the interior décor of this America and its nouveau riche fringes. Through a heroine who is as vain, spoiled, and selfish as she is irresistibly fascinating, and through a most intricate and satisfying plot that follows Undine's marriages and affairs, she conveys a vision of social behavior that is both supremely informed and supremely disenchanted. - Anita Brookner

    His cravings take him to Paris at age eighteen to try his hand at art, then back to London to study medicine. But even so, nothing can sate his nagging hunger for experience. Then he falls obsessively in love, embarking on a disastrous relationship that will change his life forever.…Marked by countless similarities to Maugham’s own life, his masterpiece is “not an autobiography,” as the author himself once contended, “but an autobiographical novel; fact and fiction are inexorably mingled; the emotions are my own.”

    She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't love, after all, about sharing lives? Candy had a bit of money and in the beginning, everything was beautiful. Heady, heroin-hazed days, the world open and inviting. But when the money ran out, the craving remained, and the days ceased their luxurious stretch.But there was still love. Only now, it was a threesome. Heroin had its own demands, its own timetable, and thoughts of nabbing the next fix hurled them into each day. Then, when desperation sets in, Candy will stop at nothing to secure a blast, as she and her lover become hostage to the nightmarish world of addiction. Painful, sexy, tender, and charged with dark humor, Candy provocatively charts the daily rituals of two lovers maintaining a long-term junk habit. Told in stunningly vivid prose and set against the backdrop of suburban and urban Australia, Candy is both an electrifying and frightening glimpse of contemporary life and love.

    Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    From his own birth and childhood on the streets of Dublin to his role as soldier (and lover) in the Irish Rebellion, Henry recounts his early years of reckless heroism and adventure. At once an epic, a love story, and a portrait of Irish history, A Star Called Henry is a grand picaresque novel brimming with both poignant moments and comic ones, and told in a voice that is both quintessentially Irish and inimitably Roddy Doyle's.

    Lovingly, poignantly, satirically and with much humor, Pym conducts us through their small lives and the facade they erect to defend themselves against the outside world. There is nevertheless an obstinate optimism in her characters, allowing them in their different ways to win through to a kind of hope. Barbara Pym’s sensitive wit and artistry are at their most sparkling in Quartet in Autumn.

    But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

    Nancy Mitford's brilliantly witty, irreverent stories of the upper classes in pre-war London and Paris conjure up a world of glamour, gossip and decadence. In The Pursuit of Love, Love in a Cold Climate and The Blessing, her extraordinary heroines deal with armies of hilariously eccentric relatives, the excitement of love and passion, and the thrills of the social Season. But beneath the glittering surfaces and perfectly timed comic dialogue, Nancy Mitford's novels are also touching hymns to a lost era and to the brevity of life and love from one of the most individual, beguiling and creative users of the language.

    But even though this gutsy 14-year-old is seeking vengeance, she is smart enough to figure out she can't go alone after a desperado who's holed up in Indian territory. With some fast-talking, she convinces mean, one-eyed US Marshal "Rooster" Cogburn into going after the despicable outlaw with her.

    Herein lives the village idiot.Professor Frederick Lothian, a retired engineer, world expert on concrete and connoisseur of modernist design, has quarantined himself from life by moving to a retirement village. His wife, Martha, is dead and his two adult children are lost to him in their own ways. Surrounded and obstructed by the debris of his life - objects he has collected over many years and tells himself he is keeping for his daughter - he is determined to be miserable but is tired of his existence and of the life he has chosen.When a series of unfortunate incidents forces him and his neighbor, Jan, together, he begins to realise the damage done by the accumulation of a lifetime's secrets and lies and to comprehend his own shortcomings. Finally, Frederick Lothian has the opportunity to build something meaningful for the ones he loves.Humorous, poignant and galvanising by turns, Extinctions is a novel about all kinds of extinction - natural, racial, national and personal - and what we can do to prevent them.

    He was the go-between, going between the animal kingdom and this one. I watched the waves as they rolled and crashed towards us, one after another, never stopping, always changing. I knew what was making them come, I had been there and I would always know."Meet Jimmy Flick. He's not like other kids. He finds a lot of the adult world impossible to understand - especially why his Dad gets so angry with him. Jimmy's mother Paula is the only one who can manage him. She teaches him how to count sheep so that he can fall sleep. She holds him tight enough to stop his cells spinning. It is only Paula who can keep Jimmy out of his father's way. But when Jimmy's world falls apart, he has no one else to turn to. He alone has to navigate the unfathomable world and make things right.Sofie Laguna's first novel, One Foot Wrong received rave reviews, sold all over the world and was longlisted for both the Miles Franklin and Prime Minister's Awards. In The Eye of the Sheep, her great originality and talent will again amaze and move readers. In the tradition of Room and The Lovely Bones, here is a surprising and brilliant novel from one of our finest writers.

    Shuttled from one residence to another after the drowning of his father, he yearns for a place he can call home. He marries into the Tulsi family, on whom he becomes dependent, but rebels and takes on a succession of occupations in a struggle to weaken their hold over him.

    A searing portrayal of the Mafia underworld, The Godfather introduced readers to the first family of American crime fiction, the Corleones, and their powerful legacy of tradition, blood, and honor. The seduction of power, the pitfalls of greed, and the allegiance to family—these are the themes that have resonated with millions of readers around the world and made The Godfather the definitive novel of the violent subculture that, steeped in intrigue and controversy, remains indelibly etched in our collective consciousness.~penguin.com

    For the rest of his life he, too, will be trying to fly. With this brilliantly imagined novel, Toni Morrison transfigures the coming-of-age story as audaciously as Saul Bellow or Gabriel García Márquez. As she follows Milkman from his rustbelt city to the place of his family’s origins, Morrison introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized black world.