This book is about the girls whose lives were ruined by me. I want to write about my story, for it’s the only way to be immortal. I want you to feel the pleasure of falling in love. The lust, the passion, the desire, and the craving that turns into an unhealthy addiction. And I want you also to feel the pain of losing someone, the ache, the agony, the bitterness, and the grief that cripples your soul forever. This is for everyone. The forgotten souls buried under the melancholy of the past. Yes, I will show you how much you hurt me, I will write. This is what my heart holds for you; half pleasure, half pain.

    "Wherever you are, whatever you are doing, I swear I will find you again," he promised, and Yoko never stopped believing he would return. Her ten-year-old daughter Soko, born out of this brief passionate affair that marked her mother for ever, has had her life shaped by Yoko's constant yearning, as the desperate search for the elusive man of her dreams means moving house more times than either of them can remember. The two travel through life on what Yoko calls "God's boat," moving from town to town, and for Soko from school to school, just as the narrative too shifts between the perspectives of the daughter and her mother, tracing them through the years as little by little the story of Yoko's past emerges, and Soko tries to somehow build herself a future.This haunting and sensitive novel combines the everyday patterns of the lives of mother and daughter, their rituals, their conversations, while always beyond these ordinary daily events lies what is hidden by Yoko's seemingly unshakeable certainty: the spectre of madness and the indescribable pain of loss, so inextricably linked to the dazzling joy that only love can bring.

    In this collection, Diane Ackerman, with astonishing candor, lays bare her desires, anger, jealousy, fears, and anxiety, as she probes not only her present emotional landscape but also her past. And what gradually rises to the surface is an understanding of how the poet uses verse to purge her demons, express her delight, or confess secret longing, and through this process come to a better understanding of the self.

    

    Each was a defence and elaboration of his short satirical poem The Angry Hive, 1705. The version of the Fable of 1723 and 1732 are the fullest defences of his early paradox that social benefit is the unintended consequence of personal vice. It is an argument that is generally held to lie behind Adam Smith's doctrine of the 'hidden hand' of economic development.

    Jejuri is a site of pilgramage in author Arun Kolatkar's native state of Maharashtra, and Jejuri the poem is the record of a visit to the town -- a place that is as crassly commercial as it is holy, as modern and ruinous as it is ancient and enduring. Evoking the town's crowded streets, many shrines, and mythic history of sages and gods, Kolatkar's poem offers a rich description of India while at the same time performing a complex act of devotion. For the essence of the poem is a spiritual quest, the effort to find the divine trace in a degenerate world. Spare, comic, sorrowful, singing, Jejuri is the work of a writer with a unique and visionary voice.

    As the new president, Kanji attempts to shake the sluggish members of Genshiken out of their apathy by proposing they create a fanzine to sell at the next Comic-Fest. When Genshiken is accepted as an official vendor at the summer Comic-Fest, they find themselves with a deadly short deadline to create a real doujinshi. Can President Sasahara get his slacker constituents to level up their productivity?

    each poem is incredibly impactful and beautifully written. stories of love, heartbreak, suffering, and healing come alive on the page in an incredible way. let this book of poetry touch your soul and help you feel free. join trevor capiro on this journey towards healing.

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    Collects the best of Anne Sexton's memoirs and prose reflections on her development as a poet

    Playing games with the basic units of both life and fiction—the solid certainties of the self, the world around us, and the words we use to describe these things to one another—Mieko Kanai creates a reality where nothing is certain, and where a little boy going out to run errands for his mother might find that he’s an adult, and his mother long dead, at the end of a single train ride. Using precise language to describe dreamlike plots owing as much to Kafka and Barthelme as to Kenzaburō Ōe and the long tradition of the Japanese folktale of the macabre, The Word Book is an unforgettable voyage to absurd, hilarious, and terrifying locales, and is the English-language debut for one of the greatest and most interesting Japanese writers working today.

    1008 at the height of the Heian period, Lady Sarashina (as she is known) probably wrote most of her work towards the end of her life, long after the events described. Thwarted and saddened by the real world with all its deaths and partings and frustrations, Lady Sarashina protected herself by a barrier of fantasy and so escaped from harsh reality into a rosier more congenial realm. She presents her vision of the world in beautiful prose, the sentences flowing along smoothly so that we feel we are watching a magnificent scroll being slowly unrolled.'It is like seeing a garden at night in which certain parts are lit up so brightly that we can distinguish each blade of grass, each minute insect, each nuance of colour, while the rest of the garden and the tidal wave that threatens it remain in darkness'--Ivan Morris

    Featuring the original Chinese as well as english translations and historical introductions by Burton Watson, J.P. Seaton, Paul Hansen, James Sanford, and the editors, this book provides an appreciation and understanding of this elegant and traditional expression of spirituality."So take a walk with...these cranky, melancholy, lonely, mischievous poet-ancestors. Their songs are stout as a pilgrim's stave or a pair of good shoes, and were meant to be taken on the great journey."--Andrew Schelling, from his Introduction

    This new book takes place in Lockdown Three. This time Key can make Government-sanctioned expeditions out onto the streets of London (remember?). And it is there that the inaction takes place. Phone calls to his mother, promenades with his loyal friend, bubble-negotiations, sitting his fat arse down on benches, drinking mocha. Another three months of mind-freezing inertia. This time on the move. Conversations interspersed with poetry.

    An intricate fusion of music, dance, mask, costume and language, the dramas address many subjects, but the idea of form is more central than meaning and their structure is always ritualized. Selected for their literary merit, the twenty-four plays in this volume dramatize such ideas as the relationship between men and the gods, brother and sister, parent and child, lover and beloved, and the power of greed and desire. Revered in Japan as a cultural treasure, the spiritual and sensuous beauty of these works has been a profound influence for English-speaking artists including W. B. Yeats, Ezra Pound and Benjamin Britten.