Nothing more has been heard of him. Gerry Kells, the antihero of his shocking, brutal novel, is equally mysterious. A loner with a reputation but without a visible past, Kells simply appears, arranges the lives of the Los Angeles underworld, and then is heard no more.Only the strong prosper in the world of the depression. Seemingly amoral, Kells does prosper. He strikes to survive, kills without conscience, with­out time for conscience. But he never becomes a mere killing machine. His integrity, his humanity, abides in a code demanding that he pay for all services: those rendered for him, those rendered against him.Fast paced and very readable, the novel limns a true character who should take his place in our national literature, if only for his representation of the individual will to survive in one of the toughest times in American life.

    On the boat, a coffee pot is still warm. Clearly, the boat has not been abandoned for long. But what has happened to its occupants? The answer lies in a log book in which our protagonist, Bill Manning, has written his story.

    His inertia is broken when he becomes the chief suspect in the murders of his soon-to-be ex-wife and her new lover. Set in the town of Modesto, deep in California’s Central Valley, Tussinland is about sex, drugs, addiction, smart phones, Facebook and the internet, digital cable, anti-government militias, reality TV, fundamentalist homophobic Christians, families, 12-step groups, pornography, marriage, death, disease, and love.

    But when Mike got a load of the set-up at the Brighton mansion, two things changed his mind: a slimy private secretary named Montrose, and a phony doctor whose theories began where Freud's left off. Both of them were just a little too anxious to convince the stubborn redhead that Phyllis was "a very sick girl." And Mike Shayne was a man who liked to make up his own mind.

    McCauleySPILL SITE by Matthew C. FunkA CLEAN WHITE SUN by Mike WilkersonLUCK by Johnny ShawPLUS: an exclusive first look at Tyrus Books upcoming novel from Todd Robinson, THE HARD BOUNCE

    When two young girls disappear with a trunk-load of pot, unaware that their payload has been packed with an extra five kilos of cocaine, a lovable loser persuades a sociopathic killer to pursue them across Northern California in a violent, twisted goose-chase that ends in a horrific place none of them could have forseen.

    This collection includes thirteen lean and mean stories from the fingertips of Garnett Elliott, Glenn Gray, John Hornor Jacobs, Patricia Abbott, Thomas Pluck, Brad Green, Ron Earl Phillips, Kent Gowran, Amy Grech, Benoit Lelievre, Kieran Shea, David Cranmer, and Wayne D. Dundee and a boiled down look at hardboiled fiction in an introduction by Ron Scheer. Edited by David Cranmer and Scott D. Parker.

    Into a dive bar walks Lorretta Channing the beautiful, enigmatic socialite and sister of Newton the drunk. Loretta's the impossible dream, the escape route out of his hellhole existence, away from the crowded tenements, the shacks, the dark alleys. But Loretta may also hold the key to finding out what promptd his sister's death, the reason he can never break free.The Moon in the Gutter is a fierce and heated tale of desire and revenge. Made into a film starring Gerard Depardieu and Nastassia Kinski, it remains an enthraling classic of American noir fiction.

    But it's all the money in the world to the struggling Cuban exiles of Miami who rescued Morgan the Raider. So when it's snatched by a man the Cubans trusted, Morgan sets out to get it back.A simple favor but as the bodies pile up - dead men and beautiful women - the Raider wonders what kind of Latin hell he's gotten himself into, and just who or what is the mysterious Consummata?Begun by mystery master Mickey Spillane in the late 1960s and completed four decades later by his friend Max Allan Collins (Road to Perdition), The Consummata is the long-awaited follow-up to Spillane's bestseller The Delta Factor - a breathtaking tale of treachery, sensuality, and violence, showcasing two giants of crime fiction at their pulse-pounding, two-fisted best.

    She’s only been out for a day when she accepts a strange job offer from the head of a Christian political advocacy group. He wants her to track down a missing ex-con named Alexis. Although no one knows where Alexis has gone, it seems like everyone in Arkansas is looking for her—from a rich televangelist running for Congress to the governor’s dirty tricks man. When Bennett finds the troubled young woman, she has to decide whether to hand her over to the highest bidder or help her escape from the most powerful men in the state.

    . . It was only cheap glass, a fraud, a come-on for the suckers who paid Doc Magus to gaze into its depths and tell them tomorrow would be better. And Doc--a decent man, a smart man--pitied them. Yet tonight, even Doc had to believe the Madball. There was nothing left to lead him to the money--enough money to spring him free of the raucous, sordid world of the pitchmen and the pickled punks, the cotton candy and the kewpie dolls--and the belly dancers who needed him for all-night alibis.Doc was shrewd, but not quite shrewd enough. Someone else knew about the $42,000--a specialist in death, who was only yards away. . .MADBALL is a novel of one traveling show, and of the lives of its carneys, who live to close to the edge of frenzy.

    But that ended the day he saw a beautiful Mob wife become a Mob widow. Now Paul is going to break every one of the rules he’s lived by to protect the woman he loves—even if it means he might be left holding the bag..."Personal, hard-hitting, idiosyncratic...Everything was about storytelling, the great yarn."— Quentin Tarantino"One of the great movie directors of the 20th century...most certainly its greatest storyteller."— Wim Wenders In a career that spanned half a century, Samuel Fuller wrote and directed classic movies that inspired filmmakers as varied as Steven Spielberg, Martin Scorsese, Francis Ford Coppola, Jean-Luc Godard, Jim Jarmusch, Wim Wenders, and Quentin Tarantino. He also wrote unforgettable novels such as the noir classic THE DARK PAGE—and this book, his last, which has never previously been published in the English language.

    Nevermind that he was the last one to see her alive. But in a town filled with the likes of an amoral tabloid reporter known only as The Captain, a district attorney who'll do anything for a confession, and Bob's parents, who care as little for Bob as they do for each other, guilt and innocence are little more than a matter of perspective. In a masterfully woven tapestry of multiple points of view, The Criminal explores the nature of guilt and responsibility in a psychological thriller of an entire town under the spell of an act of brutal violence. Jim Thompson unlike you're ever read him before.

    — But could any man ever have her? — After years at sea, Swede Nelson just wanted to find a nice girl and settle down. What he found was Corliss Mason: sensual irresistible - and deadly. Soon Swede's helping Corliss cover up a killing, but how long can they get away with murder? And why - even when he's in her arms - can't he shake that feeling that he's being set up?A writer for radio, television, movies, pulp magazines and paperbacks, DAY KEENE created some of the most memorable noir nightmares ever penned. HOME IS THE SALIOR is his greatest book, a tale of passion and obession that makes James M. Cain and Jim Thompson look tame -- now available of the first time in decades!

    When Dick commits one crime and plans another, the police arrest him for a crime he actually did not commit. Dick attempts to reconcile with his family and find his way out of LA’s seedy underworld. You Play the Black and the Red Comes Up was a bestseller when originally published in 1938 and is a noir classic.