Kadambari


Banabhatta
    It is clear, from his writings, that his mind was amazingly modern, humane and sensitive, especially for the seventh-century India in which he lived. Bana had a healthy irreverence towards many of the established orthodoxies of his time and his strength lies in his skill as a storyteller and as a creator of characters vibrant with life and individuality.Kadambari is a lyrical prose romance that narrates the love story of Kadambari, a Gandharva princess, and Chandrapida, a prince who is eventually revealed to be the moon god. Acclaimed as a great literary work, it is replete with eloquent descriptions of palaces, forests, mountains, gardens, sunrises and sunsets and love in separation and fulfillment. Featuring an intriguing parrot-narrator, the story progresses as a delightful romantic thriller played out in the magical realms between this world and the other, in which the earthly and the divine blend in idyllic splendour.

Gitanjali


Rabindranath Tagore - 1910
    Among his expansive and impressive body of work, Gitanjali is regarded as one of his greatest achievements, and has been a perennial bestseller since it was first published in 1910.

Ramayana


Vālmīki - 1929
    The popularity of the book is so great that it has run into forty two impressions ever since it was originally published in the year 1951

Panchatantra


Pandit Vishnusharma
    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.

Gora


Rabindranath TagoreJanko Moder - 1910
    The story reflects the social, political and religious scene in Bengal at the turn of the century. The forces that were operating in Bengal at that time were one of the intense nationalism and revival of ancient spiritual values and also that of liberal western thought. What makes Gora a great prose epic is not only its social content but also its brilliant story of self-searching, of resolution, of conflicts and of self discovery.

The Hitopadesa


Narayana Pandit
    Drawing on traditional sources, Narayana presents classic tales as narrated by animals, resulting in a work that is a fascinating blend of fable and satire.

Pather Panchali: Song of the Road


Bibhutibhushan Bandyopadhyay - 1929
    It was followed in 1932 by a sequel Aparajito, which was later also adapted into a film of the same name by Satyajit Ray.

Tales from the Kathasaritsagara


Somadeva Bhaṭṭa
    1070 for the queen of Kashmir. Unlike those more familiar classics, this work contains no hidden moral lessons. Instead, it is an uninhibited and bawdy celebration of earthly life. This edition includes ten of the original eighteen books.

Cobalt Blue


Sachin Kundalkar - 2006
    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

Shilappadikaram


Ilango Adigal
    The Shilappadikaram has been called an epic and even a novel, but it is also a book of general education. Adigal packed his story with information: history merging into myth, religious rites, caste customs, military lore, descriptions of city and country life. And four Cantos are little anthologies of the poetry of the period (seashore and mountain songs, hunters’ and milkmaid’s song). Thus the story gives us a vivid picture of early Indian life in all its aspects.

Rain in the Mountains: Notes from the Himalayas


Ruskin Bond - 1993
    Though written in a simple language, they manage to create vivid imagery and capture the essence of mountain life. Some of his writings that are featured in the book are Once Upon A Mountain Time, Sounds I Like To Hear, How Far Is The River, and After The Monsoon.Rain In The Mountains: Notes From The Himalayas covers the everyday life of the author with descriptive words and lucid writing.CONTENTSSECTION I - ONCE UPON A MOUNTAIN TIMEOnce Upon A Mountain TimeVoting at BarlowganjMiss Bun and OthersA Station for ScandalIt Must be the Mountains (Play)SECTION II - MOUNTAINS IN MY BLOODHow Far is the RiverFour Boys on a GlacierGrowing up with TreesMountains in my BloodA Mountain StreamA Lime Tree in the HillsA New FlowerThe Joy of FlowerSounds I like to HearDragon in the TunnelHill of the FairiesThe Open RoadThese I Have LovedA Dream of GardensA Sweet SavourGreat Trees I Have KnownPicninc at Fox-BurnA Wayside TeashopAll About my WalkaboutsGreat Spirits of the TreesBirdsong in the MountainsMeetings on the Tehri RoadGuests who Fly in from the ForestUp at Sisters BazaarSECTION III - NOTES BY THE WAYSIDESECTION IV - MOUNTAINS ARE KIND TO WRITERSIn Search of a Winter GardenThe Old LamaThe Night Roof Blew OffMountains are Kind to WritersBest of All WindowsA Knock at the DoorSounds of the SeaAll My Writing DaysThe Trail to the BankWhere the Grass Grows GreenerBetter to Have a Bird in a BushCoaxing a Garden from Himalyan SoilWhere Rivers MeetAfter the MonsoonThe Road to Anjani SainSECTION V - TIME TO CLOSE THE WINDOWEpilogue

The Ground Beneath Her Feet


Salman Rushdie - 1999
    This is her story, and that of Ormus Cama, the lover who finds, loses, seeks, and again finds her, over and over, throughout his own extraordinary life in music. Their epic romance is narrated by Ormus's childhood friend and Vina's sometime lover, her "back-door man," the photographer Rai, whose astonishing voice, filled with stories, images, myths, anger, wisdom, humor, and love, is perhaps the book's true hero. Telling the story of Ormus and Vina, he finds that he is also revealing his own truths: his human failings, his immortal longings. He is a man caught up in the loves and quarrels of the age's goddesses and gods, but dares to have ambitions of his own. And lives to tell the tale.Around these three, the uncertain world itself is beginning to tremble and break. Cracks and tears have begun to appear in the fabric of the real. There are glimpses of abysses below the surfaces of things. The Ground Beneath Her Feet is Salman Rushdie's most gripping novel and his boldest imaginative act, a vision of our shaken, mutating times, an engagement with the whole of what is and what might be, an account of the intimate, flawed encounter between the East and the West, a brilliant remaking of the myth of Orpheus, a novel of high (and low) comedy, high (and low) passions, high (and low) culture. It is a tale of love, death, and rock 'n' roll.

The Rig Veda


Wendy Doniger
    A work of intricate beauty, it provides a unique insight into early Indian mythology, religion and culture. This selection of 18 of the hymns, chosen for their eloquence and wisdom, focuses on the enduring themes of creation, sacrifice, death, women, the sacred plant soma and the gods. Inspirational and profound, it provides a fascinating introduction to one of the founding texts of Hindu scripture, an awesome and venerable ancient work of Vedic ritual, prayer, philosophy, legend and faith.

The Hungry Tide


Amitav Ghosh - 2004
    Piya Roy, a young American marine biologist of Indian descent, arrives in this lush, treacherous landscape in search of a rare species of river dolphin and enlists the aid of a local fisherman and a translator. Together the three of them launch into the elaborate backwaters, drawn unawares into the powerful political undercurrents of this isolated corner of the world that exact a personal toll as fierce as the tides.

The Ramayana: A Shortened Modern Prose Version of the Indian Epic


R.K. Narayan - 1972
    K. Narayan in the Introduction to this new interpretation, 'is aware of the story of The Ramayana. Everyone of whatever age, outlook, education or station in life knows the essential part of the epic and adores the main figures in it - Rama and Sita. Every child is told the story at bedtime . . . The Ramayana pervades our cultural life.' Although the Sanskrit original was composed by Valmiki, probably around the fourth century BC, poets have produced countless variant versions in different languages. Here, drawing his inspiration from the work of an eleventh-century Tamil poet called Kamban, Narayan has used the talents of a master novelist to recreate the excitement and joy he has found in the original. It can be enjoyed and appreciated, he suggests, for its psychological insight, its spiritual depth and its practical wisdom - or just as a thrilling tale of abduction, battle and courtship played out in a universe thronged with heroes, deities and demons.