Using guns, knives, poison, ice picks, tire irons, baseball bats, and bombs, the family man from New Jersey killed for fun, for money, to cover up his own crimes, and to satisfy his inner rage. Law enforcement officials knew all about Kuklinski and had a list of his victims, but couldn’t get near him—until undercover agent Dominick Polifrone posed as a mobster and began a deadly game of cat and mouse. In this harrowing true-crime account, Anthony Bruno delves into the mind of a cold-blooded killer, chronicling the Iceman’s grisly crimes and probing the bizarre dynamics of Agent Polifrone’s dangerous liaison with him. For as Polifrone carefully built up a case against Kuklinksi, he knew he was running out of time—because the Iceman was planning to kill him too.

    In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.

    She offered up more than 5,000 orphans tailored to the wish lists of eager parents--hiding the fact that many weren't orphans at all, but stolen sons and daughters of poor families, desperate single mothers, and women told in maternity wards that their babies had died.The publication of Lisa Wingate's novel Before We Were Yours brought new awareness of Tann's lucrative career in child trafficking. Adoptees who knew little about their pasts gained insight into the startling facts behind their family histories. Encouraged by their contact with Wingate and award-winning journalist Judy Christie, who documented the stories of fifteen adoptees in this book, many determined Tann survivors set out to trace their roots and find their birth families.Before and After includes moving and sometimes shocking accounts of the ways in which adoptees were separated from their first families. Often raised as only children, many have joyfully reunited with siblings in the final decades of their lives. In Before and After, Wingate and Christie tell of first meetings that are all the sweeter and more intense for time missed and of families from very different social backgrounds reaching out to embrace better-late-than-never brothers, sisters, and cousins. In a poignant culmination of art meeting life, long-silent victims of the tragically corrupt system return to Memphis with Wingate and Christie to reclaim their stories at a Tennessee Children's Home Society reunion . . . with extraordinary results.

    His home was ravaged, his family torn apart by illness and abduction. Years of brutality drew on as Moishe moved from one labor camp to the next. Finally, towards the end of the war and at the peak of Moishe’s deepest despair, a simple act of kindness by a group of courageous Czech women redeemed his faith that goodness could survive the trials of war: That was the day it rained warm bread.

    Emma from Hamburg, Sharmeena and three high school friends from London, Nour, a religious dropout from Tunis: all found rebellion or community in political Islam and fell prey to sophisticated propaganda that promised them a cosmopolitan adventure and a chance to forge an ideal Islamic community where they could live devoutly without fear of stigma or repression. It wasn’t long before the militants exposed themselves as little more than violent criminals, more obsessed with power than the tenets of Islam, and the women of ISIS were stripped of any agency, perpetually widowed and remarried, and ultimately trapped in a brutal, lawless society. The fall of the caliphate only brought new challenges to women no state wanted to reclaim. Moaveni’s sensitivity and reporting makes these forgotten women indelible and illuminates the turbulent politics that set them on their paths.

    Identity politics are beginning to encroach on every aspect of life. Civil liberties are increasingly seen as a threat to "safety". Progressives marginalize conservative, traditional Christians, and other dissenters. Technology and consumerism hasten the possibility of a corporate surveillance state. And the pandemic, having put millions out of work, leaves our country especially vulnerable to demagogic manipulation.In Live Not By Lies, Dreher amplifies the alarm sounded by the brave men and women who fought totalitarianism. He explains how the totalitarianism facing us today is based less on overt violence and more on psychological manipulation. He tells the stories of modern-day dissidents--clergy, laity, martyrs, and confessors from the Soviet Union and the captive nations of Europe--who offer practical advice for how to identify and resist totalitarianism in our time. Following the model offered by a prophetic World War II-era pastor who prepared believers in his Eastern European to endure the coming of communism, Live Not By Lies teaches American Christians a method for resistance: - SEE: Acknowledge the reality of the situation. - JUDGE: Assess reality in the light of what we as Christians know to be true. - ACT: Take action to protect truth.Aleksandr Solzhenitsyn famously said that one of the biggest mistakes people make is assuming totalitarianism can't happen in their country. Many American Christians are making that mistake today, sleepwalking through the erosion of our freedoms. Live Not By Lies will wake them and equip them for the long resistance.

    We remember the numbers: twenty children and six adults, murdered in a place of nurture and trust. We remember the names: teachers like Victoria Soto, who lost her life protecting her students. A shooter named Adam Lanza. And we remember the questions: outraged conjecture instantly monopolized the worldwide response to the tragedy—while the truth went missing. Here is the definitive journalistic account of Newtown, an essential examination of the facts—not only of that horrific day but the perfect storm of mental instability and obsession that preceded it and, in the aftermath of unspeakable heartbreak, the controversy that continues to play out on the national stage. Drawn from previously undisclosed emails, police reports, and in-depth interviews, Newtown: An American Tragedy breaks through a miasma of misinformation to present the comprehensive story that must be told—today—if we are to prevent another American tragedy in the days to come.

    This is the frighteningly true story of two young cops and two young robbers whose separate destinies fatally cross one March night in a bizarre execution in a deserted Los Angeles field.

    Edgar Hoover, 1965 Joe Barboza knew that there were two requirements for getting inducted into the Mafia. You had to be Sicilian. And you had to commit a contract killing. The New Bedford-born mobster was a proud Portuguese, not Sicilian, but his dream to be part of La Cosa Nostra proved so strong that he thought he could create a loophole. If he killed enough men, if he did enough of the Mafia's dirtiest biddings, then they would have no choice but to make him a Made Man. Barboza's brutal rise during one of the deadliest mob wars in U.S. history became the stuff of legend, both on the bloodied streets of Boston and in the offices of the FBI and the U.S. Attorney General. He took sick joy in his crimes, and it became increasingly difficult for the mob to keep the Animal on his leash. But soon the hunter became the hunted. Betrayed by the mob and now on the run, Boston's most notorious contract killer forged a Faustian bargain with two unscrupulous FBI agents--a pact that would transform the U.S. criminal justice system. From false testimony and manipulated evidence that sent mob leaders to death row, to the creation of the Witness Protection Program so the feds could protect their prized, cold-blooded witness, this was the horrific, dramatic first act in a story of murder and FBI corruption still being played out today in the news and the courtroom with the capture and trial of Whitey Bulger. Barboza's legacy, buried for years thanks to the murders or deaths of its participants, is finally coming to light and being told in its unvarnished brutality by one of America's most respected true crime writers.

    On a dark Kentucky night in 1952 exactly halfway between her fifteenth and sixteenth birthdays, Annie Holleran crosses into forbidden territory. Everyone knows Hollerans don’t go near Baines, not since Joseph Carl was buried two decades before, but, armed with a silver-handled flashlight, Annie runs through her family’s lavender fields toward the well on the Baines’ place. At the stroke of midnight, she gazes into the water in search of her future. Not finding what she had hoped for, she turns from the well and when the body she sees there in the moonlight is discovered come morning, Annie will have much to explain and a past to account for.It was 1936, and there were seven Baine boys. That year, Annie’s aunt, Juna Crowley, with her black eyes and her long blond hair, came of age. Before Juna, Joseph Carl had been the best of all the Baine brothers. But then he looked into Juna’s eyes and they made him do things that cost innocent people their lives. Sheriff Irlene Fulkerson saw justice served—or did she? As the lavender harvest approaches and she comes of age as Aunt Juna did in her own time, Annie’s dread mounts. Juna will come home now, to finish what she started. If Annie is to save herself, her family, and this small Kentucky town, she must prepare for Juna’s return, and the revelation of what really happened all those years ago

    That was all of it. A grace so ordinary there was no reason at all to remember it. Yet I have never across the forty years since it was spoken forgotten a single word.” New Bremen, Minnesota, 1961. The Twins were playing their debut season, ice-cold root beers were selling out at the soda counter of Halderson’s Drugstore, and Hot Stuff comic books were a mainstay on every barbershop magazine rack. It was a time of innocence and hope for a country with a new, young president. But for thirteen-year-old Frank Drum it was a grim summer in which death visited frequently and assumed many forms. Accident. Nature. Suicide. Murder. Frank begins the season preoccupied with the concerns of any teenage boy, but when tragedy unexpectedly strikes his family— which includes his Methodist minister father; his passionate, artistic mother; Juilliard-bound older sister; and wise-beyond-his-years kid brother— he finds himself thrust into an adult world full of secrets, lies, adultery, and betrayal, suddenly called upon to demonstrate a maturity and gumption beyond his years. Told from Frank’s perspective forty years after that fateful summer, Ordinary Grace is a brilliantly moving account of a boy standing at the door of his young manhood, trying to understand a world that seems to be falling apart around him. It is an unforgettable novel about discovering the terrible price of wisdom and the enduring grace of God.

    Ng escaped, but Lake's capture led police to a concrete bunker in the Sierra Nevada foothills, where they discovered the grisly evidence of an orgy of sex crimes, torture and murder that claimed at least sixteen victims. Lake committed suicide; Ng fled to Canada, where he was tracked down and extradited to California. This 14-year, $10 million legal case was the costliest and longest criminal prosecution in California history. Ng is currently on Death Row.

    Through tales of crime and punishment from Lizzie Borden to Jean Harris, this international best seller explores how and why women have killed throughout American history--and what their cases reveal about social prejudices and legal practices that still prevail.

    For David Berg, this is truer than for most, and once you read the story of his family, you will understand why he held it privately for so long and why the betrayals between parent and child can be the most wrenching of all. In 1968 David Berg’s brother, Alan, was murdered by Charles Harrelson, a notorious hit man and father of actor Woody Harrelson. Alan was only thirty-one when he disappeared; six months later his remains were found in a ditch in Texas. Run, Brother, Run is Berg’s story of the murder. But it is also his account of the psychic destruction of the Berg family by the author’s father, who allowed a grievous blunder at the age of twenty-three to define his life. The event changed the fate of a clan and fell most heavily on Alan, the firstborn son, who tried to both redeem and escape his father yet could not.This achingly painful family history is also a portrait of an iconic American place, playing out in the shady bars of Houston, in small-town law offices and courtrooms, and in remote ranch lands where bad things happen—a true-crime murder drama, all perfectly calibrated. Writing with cold-eyed grief and a wild, lacerating humor, Berg tells us first about the striving Jewish family that created Alan Berg and set him on a course for self-destruction and then about the gross miscarriage of justice that followed. As with the best and most powerfully written memoirs, the author has kept this horrific story to himself for a long time. A scrappy and pugnacious narrator, Berg takes his account into the darkest human behaviors: the epic battles between father and son, marital destruction, reckless gambling, crooked legal practices, extortion, and, of course, cold-blooded murder. Run, Brother, Run is a raw, furious, bawdy, and scathing testimonial about love, hate, and pain— and utterly unforgettable.

    A divided populace who sees him as savior or sinner. Streets filled with guns. Anger toward those who can't speak English. The presence of the Klan. A media in its infancy, awakening to their ability to sway public discourse. This is not modern day America, but postwar Texas. Beeville was the most American of small towns--the place that GIs had fantasized about while fighting through the ruins of Europe, a place of good schools, clean streets, and churches. Old West justice ruled, as evidenced by a 1947 shootout when outlaws surprised popular sheriff Vail Ennis at a gas station and shot him five times, point blank, in the belly. Ellis managed to draw his gun and put three bullets in each assailant; he reloaded and put in each three more. Then he drove himself sixteen miles to a hospital. Time Magazine's full-page article on the shooting was seen by some as a referendum on law enforcement owing to the sheriff's extreme violence, but telegrams, cards, and flowers from all across America poured into the Beeville's tiny post office. Most of Beeville took comfort in knowing that Ennis kept them safe, that Texas was still Texas Yet when a second violent incident threw Ennis into the crosshairs of public opinion once again, his downfall was orchestrated by an unlikely figure: his close friend and Beeville's favorite son, Johnny Barnhart. Feeling the town had to take responsibility for the violence, Barnhart confronted and overthrew Ennis in the election of 1952: a landmark standoff between old Texas, with its culture of cowboy bravery and violence, and urban Texas, with its lawyers, oil institutions, and a growing Mexican population. The town would never be the same again. The Last Sheriff of Texas is a riveting narrative about the postwar American landscape, an era grappling with the same issues we continue to face today. Debate over excessive force in law enforcement, Anglo-Mexican relations, racism, gun control, the influence of the media, urban-rural conflict, the power of the oil industry, mistrust of politicians and the political process--all have surprising historical precedence in the story of Vail Ennis and Johnny Barnhart.