The reprint from the 1970 Arlington House original sports an all-new introduction by Comics Buyer's Guide Editor Maggie Thompson and includes 16 pages of full-color comic-book art.

    Cannon's internationally popular strip features a disturbing and sidesplitting cast of characters that includes latex-clad fathers, sadistic milkmen, vomiting robots, malformed neighbors, incontinent interdimensional beings, decomposing clowns, and dozens of other bizarre Red Meat denziens who will keep you laughing until it hurts. Pure Gold!

    A quiet, conservative mother of two, Trish had lived her entire life following the rules. But as soon as Matt and Angie came into her life, the rules changed. It was just a picnic, just like a hundred other picnics all over America. She thought it was wrong for the young man to flirt with her, but she soon found herself slipping away from her husband and walking down to the river in the woods. Of course, she knew the young man would follow her and the things he asked her to do … well, a good woman wouldn’t.

    Even after many years together, do you still need distance between you in order to miss each other--or can you occupy the same space and still feel disconnected? Dancing on the Volcano is an autobiographical story about the painful but recognizable sides of love. We all know that a long relationship has many stages, but never before has someone portrayed all those different facets of love as beautifully as Floor de Goede in the original graphic memoir.

    Travel back to the wacky Fifties in this comic compilation of the best of MAD's early years! From the Cold War and Richard Nixon (the first time around) to Howdy Doody and Mickey Mouse, this one's got it all...and then some!

    In keeping with the popular but off-beat anime, the manga begins a series of original stories that take the action to a whole new level. Spike, Jet and Faye all end up after the same bounty, Spike goes after a convict who's already in prison, and Faye (the con-artist she is) ends up the victim of a con not once, but twice.

    2 million years ago, human evolution made its move. It chose Fire. At the dawn of humanity, during a period of tremendous change and drought, three lost children meet a mysterious traveler named Tuki. Together, their search for the Motherherd of all Buffalo leads them far north through the dangerous territory of a rival species called the Habiline. The Habiline hunt and kill anyone found using fire. Tuki’s reputation precedes them and soon they find themselves at the center of unwanted attention not only from Habiline warriors, but of tribal spirits and giants!

    Mark Beyer was breathing delirious, heartbreaking, otherworldly life into it by means of Amy and Jordan. Obviously, you weren’t reading New York Press. But I sure was. Voraciously. Back in 1989, when I discovered that Beyer’s strips were appearing regularly in this new “alternative weekly” paper, I quickly became hooked, and a thought seized me: I had to clip and save them–they were exquisite poems of urban despair, dreamy and nightmarish. I was already a fan of Beyer’s talent based on his book Agony (Pantheon, 1988), but these new strips revealed, week by week, a whole new dimension to his work–an ingenious reinvention of panel-design that redefined what a comic strip could be. As with Peanuts, it helps to try and picture these in the context which they first appeared in order to appreciate just how profoundly they emerged from anything else on the newspaper page. Even the “outré” NYP ads and listings which often ran alongside them were hopelessly dull by comparison. One of its most impressive aspects was the way Form served the Content–no matter how eccentric the layout got, it somehow never confused the narrative. And what narrative: it was as if Candide had been transported to the East Village and split in two like an amoeba and holed up in a squat on Avenue C. Along with giant bugs from outer space. So I did clip and save them, and put them into an envelope, which was then placed in a shoebox with a lot of other envelopes (receipts, receipts!), which was shoved to the back of the closet of my sixth-floor walk-up studio apartment, which I moved out of three years later and in the process I unwittingly threw them all away. Which frankly is just the sort of thing that Amy and Jordan would do. Drat. “Oh well,” I thought, once I’d realized it, “at some point someone will collect and publish them, and I’ll get them back that way.” And that was that. Fast forward more than ten years, to the spring of 2002. During a panel of cartoonists I was chairing in Philadelphia, a member of the audience asked what Mark was working on and where he was. No one seemed to know. The discussion was transcribed and published in The Comics Journal that summer, and in the fall Mark contacted me with the best possible news: He’d read the panel transcript and wanted to publish again. And the Amy and Jordan strips had never been comprehensively collected. So now, as an editor, I was able to grant my own wish. Amy and Jordan ran from 1988 through early 1996. After that, Beyer put cartooning aside to pursue other projects. This book signals his return to the realm of comics, which he says he wants to start making again. We can only hope he does. For now, I’m just thankful I finally have my Amy and Jordan collection back. –Chip Kidd, NYC, 10/03

    101 cartoons in all from The New Yorker over the past 65 years.

    As more of Venom's twisted off spring make their presence known, Carnage strikes - and all hell breaks loose! As if things weren't bad enough, it turns out there's much more to Dylan than Eddie, Carnage or even the alternate-reality Reed Richards known as the Maker understand - and once they learn the truth, nothing will ever be the same! Then, in the aftermath of Carnage's assault, Eddie fi nds himself back on the ominous Island of Bones - where every living thing is out to get him! Venom will be tested like never before! COLLECTING: VENOM (2018) 16-25

    But a lone valkyrie puts forward a suggestion to let the gods and humanity fight one last battle, as a last hope for humanity's continued survival. 13 gods will fight against 13 human champions in one-on-one battles to decide whether humanity lives or dies.

    the Avengers #1-4, and Uncanny X-Men #9.

    He is forced to dream of the past. He dreams of real-life butchers and tyrants, and what they have done.And then he finds them, and kills them.The year is 2841, and this man is Nexus, a godlike figure who acts as judge, jury, and executioner for the vile criminals who appear in his dreams. He claims to kill in self-defense, but why? Where do the visions come from, and where did he get his powers? Though a hero to many, does he have any real moral code? These are but some of the questions that reporter Sundra Peale hopes to have answered.

    This colorful, galaxy-spanning tale mixes the high style of classic swashbuckling adventures with futuristic mayhem.