Extraordinary." —Variety One night in Beirut in September 1982, while Israeli soldiers secured the area, Christian militia members entered the refugee camps of Sabra and Shatila and began to massacre hundreds, if not thousands, of Palestinians. Ari Folman was one of those Israeli soldiers, but for more than twenty years he remembered nothing of that night or of the weeks leading up to it. Then came a friend's disturbing dream, and with it Folman's need to excavate the truth of the war in Lebanon and answer the crucial question: what was he doing during the hours of slaughter? Challenging the collective amnesia of friends and fellow soldiers, Folman painfully, candidly pieces together the war and his place in it. Gradually, the blankness of his mind is filled in by scenes of combat and patrol, misery and carnage, as well as dreams and hallucinations. Soldiers are haunted by inexplicable nightmares and flashbacks - snapping, growling dogs with teeth bared and eyes glowing orange; a recurring image of three young men rising naked out of the sea to drift into the Beirut battlefield. Tanks crush cars and buildings with lethal indifference; snipers pick off men on donkeys, men in cars, men drinking coffee; a soldier waltzes through a storm of bullets; rock songs fill the air, and then yellow flares. The recollections accumulate until Ari Folman arrives at Sabra and Shatila and his investigation reaches its terrible end. The result is a gripping reconstruction, a probing inquiry into the unreliable quality of memory, and, above all, a powerful denunciation of the senselessness of all wars. Profoundly original in form and approach, Waltz with Bashir will take its place as one of the great works of wartime testimony.

    He runs into a rich Captain who is taken by his abilities and hires him with a handsome stipend to come along in his voyages. It turns out he's a pirate. Isaac went to make some quick money and come back and marry the love of his life but has embarked upon a series of at turns hilarious and dark adventures on the high seas from the Caribbean to the icy North, with apparently no end in sight. Meanwhile, his girlfriend is getting attention from another.

    Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings. This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized.

    Only one small village of indomitable Gauls still holds out against the invaders. But how much longer can Asterix, Obelix and their friends resist the mighty Roman legions of Julius Caesar? Anything is possible, with a little cunning plus the druid Getafix's magic potions! Their effects can be truly hair-raising...

    A proud artisan, he takes his donkey-drawn cart to the market only to be turned away when the distinctive shop he once sold to now stocks only cheaply manufactured merchandise. As the realities of the marketplace sink in, Mendleman unravels. James Sturm draws a quiet, reflective, and beautiful portrait of eastern Europe in the early 1900s–bringing to life the hustle and bustle of an Old World marketplace on the brink of industrialization. Market Day is an ageless tale of how economic and social forces can affect a single life. An award-winning cartoonist of the books Golem’s Mighty Swing, James Sturm’s America, Satchel Paige: Striking Out Jim Crow, and Adventures in Cartooning, Sturm is a true visionary, having cofounded the Seattle alternative weekly The Stranger and the Center for Cartoon Studies, the country’s premier cartooning school.

    And you need to read this graphic novel, the amazing deadpan masterpiece from mighty Jason.

    But in 1935, he was just another schoolboy - who happened to be Jewish in Nazi Germany. The definitive origin story of one of Marvel's greatest icons begins with a silver chain and a crush on a girl - and quickly turns into a harrowing struggle for survival against the inexorable machinery of Hitler's Final Solution From X-Men: Phoenix - Endsong writer Greg Pak and award-winning artist Carmine Di Giandomenico. Collects X-Men: Magneto Testament #1-5.

    The human drama, the psychological insight -- Eisner captures the soul of the city and its troubled inhabitants with pen and ink. The comics medium was altered forever with the publication of this seminal work.

    In another time, in another place, this 15 year-old boy could have grown to be a great artist. But in Nazi-occupied Poland during World War II, Yossel, a Jew is an untermensch and thus has no rights - and no future. This is his story, as told through his sketches.

    To his master’s consternation, the cat immediately begins to tell lies (the first being that he didn’t eat the parrot). The rabbi vows to educate him in the ways of the Torah, while the cat insists on studying the kabbalah and having a Bar Mitzvah. They consult the rabbi’s rabbi, who maintains that a cat can’t be Jewish — but the cat, as always, knows better.Zlabya falls in love with a dashing young rabbi from Paris, and soon master and cat, having overcome their shared self-pity and jealousy, are accompanying the newlyweds to France to meet Zlabya’s cosmopolitan in-laws. Full of drama and adventure, their trip invites countless opportunities for the rabbi and his cat to grapple with all the important — and trivial — details of life.Rich with the colors, textures, and flavors of Algeria’s Jewish community, The Rabbi’s Cat brings a lost world vibrantly to life — a time and place where Jews and Arabs coexisted — and peoples it with endearing and thoroughly human characters, and one truly unforgettable cat.

    Obviously there were other wars going on, but they didn't have anything to do with us. There were wars for blacks. Wars for Arabs. Wars for Slavs. Our war started on the 18th of January, and in a few days, everything had changed."So recounts Giuliano, a loner among outsiders, one of three young drifters caught up in the whirlwind of a war in the Balkans. The three boys are like passing shadows; they live in abandoned houses, dodge the occasional bomb, and steal car parts for money. Meeting Felix—a powerful, fast-talking mercenary—changes everything for them. Felix is an expert manipulator; he speaks to their ambition and to their desires for power, wealth, and purpose. They're instantly hooked, especially the trio's unofficial leader, Stefano, and they soon escalate from petty crime to working on behalf of a mafia-style militia, bullying and extorting money in Felix's name. But as Giuliano comes to realize, they don't know what they're fighting for—if they're even fighting for anything.Notes for a War Story is an astonishing look at life in a lawless, war-torn nation, heightened by the harsh, moving, pencil and watercolor artwork of Italy's best graphic novel author.

    Tolkien and Seamus Heaney to a multitude of Hollywood screenwriters. Beaowulf tells of the tale of a Scandinavian hero in lands that would become what is now Denmark and Sweden. A monster, Grendel, has arrived in the kingdom of the Danes, devouring its men and women for over a decade until Beowulf arrives to save them.Garcia and Rubin faithfully follow the original story for a graphic-novel version that is neither revisionist nor postmodern. It captures the tone and important details of the poem, translating its potent, epic resonance and melancholy into a contemporary comic that isn't standard swords and sorcery or heroic fantasy fare. This is an ancient story with a modern perspective that respects the source material.

    Yet more than merely the story of "The Man Who Made The Beatles," The Fifth Beatle is an uplifting, tragic, and ultimately inspirational human story about the struggle to overcome seemingly insurmountable odds. Brian himself died painfully lonely at the young age of thirty-two, having helped The Beatles prove through Sergeant Pepper's Lonely Hearts Club Band that pop music could be an inspirational art form. He was homosexual when it was a felony to be so in the United Kingdom, Jewish at a time of anti-Semitism, and from Liverpool when it was considered just a dingy port town.

    He remembers nothing of his former life. But when Verloc is handed his diary by a robot-ape called Churchill, he is able to revisit his past. His life, he discovers, has been a miserable one. He lost his business, his family, and his friends because he refused the technological advancements of society - the eye implants, the pharyngeal filters, the genetic modifications — he went without all these. He was astray in a society he deeply resented until his brother, Conrad, took him to another planet to retrieve a mysterious substance called aama. Full of action, adventure, and strange characters, Aama is a unique exploration of society’s dangerous relationship with technology.

    (His very first—rejected—comics story dealt with the subject, as does his most recent work, the two-volume Putain de Guerre.) But It Was the War of the Trenches is Tardi’s defining, masterful statement on the subject, a graphic novel that can stand shoulder to shoulder with Erich Maria Remarque’s All Quiet on the Western Front and Ernest Hemingway’s A Farewell to Arms.Tardi is not interested in the national politics, the strategies, or the battles. Like Remarque, he focuses on the day to day of the grunts in the trenches, and, with icy, controlled fury and disgust, with sardonic yet deeply sympathetic narration, he brings that existence alive as no one has before or since. Yet he also delves deeply into the underlying causes of the war, the madness, the cynical political exploitation of patriotism. And in a final, heartbreaking coda, Tardi grimly itemizes the ghastly human cost of the war, and lays out the future 20th century conflicts, all of which seem to spring from this global burst of insanity.Trenches features some of Tardi’s most stunning artwork. Rendered in an inhabitually lush illustrative style, inspired both by abundant photographic documentation and classic American war comics, augmented by a sophisticated, gorgeous use of Craftint tones, trenches is somehow simultaneously atypical and a perfect encapsulation of Tardi’s mature style. It is the indisputable centerpiece of Tardi’s oeuvre.It Was the War of the Trenches has been an object of fascination for North American publishers: RAW published a chapter in the early 1980s, and Drawn and Quarterly magazine serialized a few more in the 1990s. But only a small fraction of Trenches has ever been made available to the English speaking public (in now out of print publications); the Fantagraphics edition, the third in an ongoing collection of the works of this great master, finally remedies this situation.