In Grealy’s critically acclaimed memoir Autobiography of a Face, she wrote about losing part of her jaw to childhood cancer, years of chemotherapy and radiation, and endless reconstructive surgeries. In Truth and Beauty, the story isn’t Lucy’s life or Ann’s life but the parts of their lives they shared. This is a portrait of unwavering commitment that spans twenty years, from the long winters of the Midwest to surgical wards to book parties in New York. Through love, fame, drugs, and despair, this is what it means to be part of two lives that are intertwined--and what happens when one is left behind.

    A classic work of autobiography that transcends the self, Dictée is the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha's mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. The elements that unite these women are suffering and the transcendence of suffering. The book is divided into nine parts structured around the Greek Muses. Cha deploys a variety of texts, documents, images, and forms of address and inquiry to explore issues of dislocation and the fragmentation of memory. The result is a work of power, complexity, and enduring beauty.

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    With her mother often away, her aunts took turns to look after her - until, just weeks before Maggie's sixth birthday, a shocking event changed everything.Twenty years on, Maggie is living alone in New York City when a surprise visit from her grandfather brings a revelation and a proposition to reunite the family. As the Faradays gather in Ireland, Maggie begins to realize that the women she thought she knew so intimately all have something to hide .

    Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

    She proclaims, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. Using examples from literature, history, neighborhood signage, and her own imagination, Truss shows how meaning is shaped by commas and apostrophes, and the hilarious consequences of punctuation gone awry.Featuring a foreword by Frank McCourt, and interspersed with a lively history of punctuation from the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, Eats, Shoots & Leaves makes a powerful case for the preservation of proper punctuation.

    Because those wobbly stones are only inches above the quotidian rush, what’s jotted there has an immediacy that is intimate and close to life. Kooser, winner of the Pulitzer Prize and a former U.S. poet laureate, has filled scores of workbooks. The Wheeling Year offers a sequence of contemplative prose observations about nature, place, and time arranged according to the calendar year. Written by one of America’s most beloved poets, this book is published in the year in which Kooser turns seventy-five, with sixty years of workbooks stretching behind him.

    George's, befriends her. But even as their relationship develops, so too does another: Sheba has begun an illicit affair with an underage male student. When the scandal turns into a media circus, Barbara decides to write an account in her friend's defense—and ends up revealing not only Sheba's secrets, but also her own.

    Chapters: The Stars' Tennis Balls, Making History, the Liar, the Ode Less Travelled: Unlocking the Poet Within, Moab Is My Washpot, the Hippopotamus, Paperweight, Stephen Fry's Incomplete and Utter History of Classical Music. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: The Stars' Tennis Balls is a psychological thriller novel by Stephen Fry, first published in 2000. In the United States, the title was changed to Revenge. In the Afterword to the 2003 American edition, Fry admits that the story "is a straight steal, virtually identical in all but period and style to Alexandre Dumas' The Count of Monte Cristo" but denies plagiarism, since Dumas also admits that the plot was taken from a contemporary urban legend. The main character, Edward (Ted/Tedward) Maddstone, is a seventeen year old schoolboy who appears to be the sort of person for whom everything goes right. He is captain of school, talented at sports and following in the footsteps of his father towards Oxford University, then a career in politics. He is happy and has fallen in love with a girl called Portia. But a few bizarre twists and turns of fate ensure that his life is turned upside down. As mentioned above, the plot is extremely similar to the story of The Count of Monte Cristo. The original title comes from a quotation taken from John Webster's The Duchess of Malfi. In full it reads: "We are merely the stars' tennis balls, struck and banded which way please them." The novel's dedication reads simply "To M'Colleague" - "M'Colleague" being the name by which Fry and Hugh Laurie referred to each other in their TV sketch show A Bit of Fry and Laurie.

    Daffy Duck enters the Valley of the Eternals. Faulkner and bell-bottoms cling to beauty's evanescence.Even in single poems, Young's tone and style vary. No one feeling or idea takes precedence over another, and their simultaneity is frequently revealed; sadness may throw a squirrelly shadow, joy can find itself dressed in mourning black. As in the agitated "Whirlpool Suite": "Pain / and pleasure are two signals carried / over one phoneline."In taking up subjects as slight as the examination of a signature or a true/false test, and as pressing as the death of friends, Young's poems embrace the duplicity of feeling, the malleability of perception, and the truth telling of wordplay.

    It’s the only place left to goWhen Marianne’s carefully constructed life and marriage fall apart, she is forced to return to Ancaire, the ramshackle seaside house perched high on a cliff by the Irish Sea. There she must rebuild her relationship with her mother, Rita, a flamboyant artist and recovering alcoholic who lives by her own rules.Marianne left home when she was fifteen following a traumatic and tragic incident. She never planned to return, and now she has to face the fact that some plans don’t work out the way you wanted them to. But she might just discover that, sometimes, you have to come to terms with the story of your past before you can work out the shape of the future…Set on the wild Irish coast, with an unforgettable cast of characters, this deeply emotional novel is full of Ciara Geraghty’s trademark heart and poignancy.

    At the heart of this bold and seductive novel is an alleged crime committed many years before the story opens. Mala is the reclusive old woman suspected of murder who is delivered to the Paradise Alms House after a judge finds her unfit to stand trial. When she arrives at her new home, frail and mute, she is placed in the tender care of Tyler, a vivacious male nurse, who becomes her unlikely confidante and the storyteller of Mala's extraordinary life.In luminous, sensual prose, internationally acclaimed writer Shani Mootoo combines diverse storytelling traditions to explore identity, gender, and violence in a celebration of our capacity to love.

    She delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject.

    With the same intelligence and insouciant charm he brought to How Proust Can Save Your Life, de Botton considers the pleasures of anticipation; the allure of the exotic, and the value of noticing everything from a seascape in Barbados to the takeoffs at Heathrow. Even as de Botton takes the reader along on his own peregrinations, he also cites such distinguished fellow-travelers as Baudelaire, Wordsworth, Van Gogh, the biologist Alexander von Humboldt, and the 18th-century eccentric Xavier de Maistre, who catalogued the wonders of his bedroom. The Art of Travel is a wise and utterly original book. Don’t leave home without it.