Gallico's most famous story, The Snow Goose, is set in the wild, desolate Essex marshes and is an intense and moving tale about the relationship between a hunchback and a young girl. The Small Miracle is a contemporary fable about a young boy's love for his dangerously ill donkey.

    Feeling abandoned and alone, Anna turns to her closest companion, her explorer journal filled with drawn maps of her earlier neighborhoods and all the places that she has called home.Anna is determined to become part of a real family, and with the help of a scrawny new friend named Eb, an unconventional biology teacher in cowboy boots, a homeless Vietnam vet, and a motley crew of kids from the neighborhood, Anna discovers a sense of belonging...and her own place in the world.With warmth and humor, award-winning author Adrian Fogelin follows up her critically acclaimed novel Crossing Jordan with the story of a young girl's trials and triumphs as she tries to find a home.

    Now they are alone. With the war raging around them, food and shelter are hard to come by. They live in constant fear.Finally, they get word that their father is alive. He has made it to Switzerland. Edek and Ruth are determined to find him, though they know how dangerous the long trip from Warsaw will be. But they also know that if they don't make it, they may never see their parents again.Their gripping story is taken from actual accounts.

    We’re the guards, we are. We hear that the house has gone all to sixes and sevens since we left it, but that’s going to be remedied now’Young Kay Harker lives in an old house in the country, filled with portraits of his ancestors. His only companions are his unpleasant guardian Sir Theopompus and his governess Sylvia Daisy Pouncer (who, Kay suspects, has stolen all his toys). Life is lonely and dull, until one night Kay’s great-grandpapa Harker, a sea captain, steps out of his portrait to tell him about a stolen treasure that belongs to Kay’s family. The evil Abner Brown is searching for it too, but Kay is helped by the midnight folk: creatures like Nibbins the cat and Rollicum Bitem Lightfoot the fox, and even his lost toys, who will join him on his dangerous quest.The Midnight Folk is a feast of imaginative story-telling, a glorious cornucopia of pirates and witches, lost treasure and talking animals. Although it was published in 1927, it evokes an older world: houses are lit by oil lamps, and travel is by horse, carriage – or broomstick. Masefield perfectly captures a child’s perspective, from the terrors of tigers under the bed to the horrors of declining a Latin adjective. Yet there is also plenty of humour that adults will appreciate, from Miss Piney Trigger, who swigs champagne in bed and prides herself on having backed a host of Derby winners, to Kay’s lessons: ‘Divinity was easy, as it was about Noah’s Ark. French was fairly easy, as it was about the cats of the daughter of the gardener.’ This mingling of past and present, reality and fantasy, has made this one of the most rewarding and influential children’s books ever written.

    Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

    But in July 1944, Judy’s carefree days and her innocence are shaken by a discovery: The man she’s always called Pa isn’t her real father. Even more shocking, Judy learns that the father she doesn’t remember was an alcoholic who abandoned his family. That’s why Judy’s mother emigrated to America from Norway. Now Judy feels jumbled inside: She’s angry at her mother for keeping the truth from her–and she’s suddenly awkward around Pa. Nothing her parents say soothes the hurt.At first, even the attentions of Jacob Jacobsen don’t make her feel any better. Judy likes Jacob; it’s just that his dad’s drinking binges hit too close to home. Ashamed, Judy doesn’t want anyone to find out her secret. But as misfortune befalls Jacob, Judy’s close friends, and her own family, Judy rallies to their side, and in the process recognizes that growing up encompasses forgiveness–of others and of herself.

    Inez Haynes Irwin used the pseudonym Inez Haynes Gilmore. She was a feminist writer and was a member of the National Women's Party. Maida is a sweet little girl whose father is one of the richest men in America. She is pale, listless and lame. Her father buys her a small shop in Charlestown, Massachusetts in the hope that this will give her an interest and help restore her health. His only requirement is that she not tell anyone who she is or who her father is. Maida makes friends for the first time in her life who see her as an ordinary girl.

    Her beloved brother Will goes off to war, and Simone seeks a way to help. The passionate daughter of a feisty French mother and a rebellious upper-class father, Simone is not cut out for the society life she is meant to lead. So, when General Pershing calls for French-speaking American girls to operate the switchboards on the Western Front, Simone becomes one of the first brave "Hello Girls" whose courage helps lead the Allies to victory. In the end, Christmas brings the Spencers back together again.

    Desperate, she breaks the one promise she made to her Alzheimer’s-stricken mother and opens an old chest that belonged to her great-grandfather, who died when the RMS Lusitania was sunk by a German U-Boat in 1915. What she discovers there could change history. Sarah embarks on an ambitious journey to England to enlist the help of John Langford, a recently disgraced Member of Parliament whose family archives might contain the only key to the long-ago catastrophe. . . .April 1915Southern belle Caroline Telfair Hochstetter’s marriage is in crisis. Her formerly attentive industrialist husband, Gilbert, has become remote, pre-occupied with business . . . and something else that she can’t quite put a finger on. She’s hoping a trip to London in Lusitania’s lavish first-class accommodations will help them reconnect—but she can’t ignore the spark she feels for her old friend, Robert Langford, who turns out to be on the same voyage. Feeling restless and longing for a different existence, Caroline is determined to stop being a bystander, and take charge of her own life. . . .Tessa Fairweather is traveling second-class on the Lusitania, returning home to Devon. Or at least, that’s her story. Tessa has never left the United States and her English accent is a hasty fake. She’s really Tennessee Schaff, the daughter of a roving con man, and she can steal and forge just about anything. But she’s had enough. Her partner has promised that if they can pull off this one last heist aboard the Lusitania, they’ll finally leave the game behind. Tess desperately wants to believe that, but Tess has the uneasy feeling there’s something about this job that isn’t as it seems. . . .As the Lusitania steams toward its fate, three women work against time to unravel a plot that will change the course of their own lives . . . and history itself.

    Once on board, Tess catches the eye of two men, one a roughly-hewn but kind sailor and the other an enigmatic Chicago millionaire. But on the fourth night, disaster strikes.Amidst the chaos and desperate urging of two very different suitors, Tess is one of the last people allowed on a lifeboat. Tess’s sailor also manages to survive unharmed, witness to Lady Duff Gordon’s questionable actions during the tragedy. Others—including the gallant Midwestern tycoon—are not so lucky.On dry land, rumors about the survivors begin to circulate, and Lady Duff Gordon quickly becomes the subject of media scorn and later, the hearings on the Titanic. Set against a historical tragedy but told from a completely fresh angle, The Dressmaker is an atmospheric delight filled with all the period's glitz and glamour, all the raw feelings of a national tragedy and all the contradictory emotions of young love.

    Still in their teens, these courageous pioneers, heroes in their own right, left their homes to serve their country doing what they loved to do--fly! Their story inspires us all to follow our dreams and find our own place in the world through courage, integrity, and passion. Readers of all ages will love the WASP's story of achievement, friendship, and patriotism.

    What's more is news of the picket is spreading and more and more women are coming from other parts of the district and some from as far away asMaryland and Virginia. President Wilson felt so sorry for them in the cold that he invited them in for coffee but they refused. They said they would only come in to talk about a federal amendment for the women's right to vote. No coffee! This made me think of Sojourner Truth's words about men who help lift women into carriages and over mud puddles--that of course is the easy part, just like giving them coffee. Giving them the vote is the hard part.

    Left in the care of the cruel Miss Slighcarp, the girls can hardly believe what is happening to their once happy home. The servants are dismissed, the furniture is sold, and Bonnie and Sylvia are sent to a prison-like orphan school. It seems as if the endless hours of drudgery will never cease.With the help of Simon the gooseboy and his flock, they escape. But how will they ever get Willoughby Chase free from the clutches of the evil Miss Slighcarp?

    Her eccentric uncle Enos drives away her only new acquaintance, Pat, a handsome British scholar, then leaves Peggy to fend for herself. But she is not alone. The house is full of mysteries and ghosts. Soon Peggy becomes involved with the spirits of her own Colonial ancestors and witnesses the unfolding of a centuries-old romance against a backdrop of spies and intrigue and of battles plotted and foiled.