After all, he was instrumental in erasing the memories of several patients—including one he claimed to love. With a lifetime of regret stretched before him, Realm vows to set things right. Along with his friend, James Murphy, Realm will track down those he’s hurt in an attempt to give them back their lives—starting with Dallas Stone. He’s not looking for forgiveness or redemption; he’s not a hero. But Realm hopes that with each recovered past, he’ll be able to reclaim a small bit of his own.

    Two decades later, on a visit with her children, her nine-year-old son Daniel, recently diagnosed with bipolar disorder, disappears. Olivia's search for him sparks tender and painful memories of her past--of her fiercely loving and secretive mother, Myla, an erratic and beautiful psychic, and the discovery of heartbreaking secrets that shattered her world.

    Lewis yearns for his absent father, befriending the only other fatherless kids: Jimmy and Rose. One afternoon, Jimmy goes missing. The neighborhood in the era of the Cold War, bomb scares, and paranoia seizes the opportunity to further ostracize Ava and her son. Lewis never recovers from the disappearance of his childhood friend. By the time he reaches his twenties, he's living a directionless life, a failure in love, estranged from his mother. Rose is now a schoolteacher in another city, watching over children as she was never able to watch over her own brother. Ava is building a new life for herself in a new decade. When the mystery of Jimmy's disappearance is unexpectedly solved, all three must try to reclaim what they have lost.

    Someone of my own I can love. Someone who won’t break my heart. But I don’t want another relationship ever again. I thought about going to a clinic. But I like the idea of knowing the identity of the father of my child, even if we’re not an item. So I pick Marc. Or Fitz, as everyone else calls him. He’s tall, handsome, healthy – apart from his injured back – hardworking, kind, and loyal. I’d be happy if my child were to grow up like him. So I ask him if he’d agree to be a sperm donor for me. To my disappointment, he says no. He does say he’ll be happy to get me pregnant the old-fashioned way. According to him, extended foreplay increases the man’s productivity. I think he just wants to get me into bed, but I’m willing to give it a try. Do I go ahead with it? There aren’t any drawbacks to having a quick fling, surely?

    He is entranced by her image, flooded by memories of their teenage summer together, and utterly conpelled to make contact with her again. Charles sends Sian a letter, knowing all the while that "from the very first sentence of the very first note there was nothing innocent about it." Sian writes back - she is now a poet living with her husband and small child on an onion farm in Pennsylvania. She is intrigued that Charles has sought her out after so many years but wary of where their correspondence might lead. For Charles, troubled by financial woes, on the verge of losing his home, and concerned about the security of his family, the letters become a secret obsession and another source of instability in his already complicated life. Despite their reservations, the power of Charles and Sian's attraction leads them to meet again . . . and again. As Charles understands it, "for the two of them, eros is linked with time. It is the very urgency of time he dreads, the sense that their minutes together are short and numbered, that he must say what he has come to say before she leaves, that gestures and words cannot be wasted." Anita Shreve takes the classic theme of "Romeo and Juliet" and gives it an unusual twist: two lovers struggle against formidable odds, reaching across a lifetime to reclaim what they once lost. In doing so, they set in motion a tumultuous series of events that moves inexorably to a shocking conclusion.

    Elizabeth Whitman is working as a nurse in the local hospital, waiting for her husband to return from war, though he is missing in action, 'presumed dead'. She keeps him alive for their four-year-old son, Jack, by telling the story of a man she calls The Balloonist, who went away in a hot-air balloon and has adventures in exotic countries. When she is asked to nurse a returned soldier whose head injury has reduced him to an animal-like state with no memory, Elizabeth starts telling stories to him. It is through them that she manages to engage his interest and offer him a new life . . . in more ways than one.

    The government wants to build a prison over the home of the taniwha, and Niko’s grandfather is busy protesting. People call him pōrangi, crazy, but when he dies, it’s up to Niko to convince his community that the taniwha is real and stop the prison from being built. With help from his friend Wai, Niko must unite his whānau, honour his grandfather and stand up to his childhood bully.

    After definitively winning the 2009 season of Australian Idol at the age of 19, R&B sensation Stan Walker's career went from strength to strength. His first album, Introducing Stan Walker, went platinum in Australia and triple platinum in New Zealand; his second; From the Inside Out, debuted at number one on the New Zealand Albums Charts and number two on the ARIA charts. He's won multiple New Zealand Music Awards, been a judge on The X Factor NZ, and played starring roles in films Mt Zion and Born to Dance.Yet few knew what he had had to overcome reach these dizzying heights.Before Australian Idol, Walker had survived a childhood marred with poverty, domestic violence and sexual abuse; dabbled in crime and drug use; and suffered his own personal tragedy. For the first time, he speaks candidly about his rags-to-riches story - and the trials and tribulations he's had to deal with since.The trans-Tasman R&B superstar's raw and open memoir is a lesson that no matter how many setbacks, no matter the odds, you will succeed if you have the courage and belief to do so.

    She’s the mother of a beautiful teenager and the wife of a beloved high school football coach. And all it took to achieve her charmed life was her greatest act of betrayal.Coach Ryan can coax his team to victory, but he can’t seem to make his wife, Abby, happy. Her struggles with depression have marred their marriage and taken a toll on their daughter, Juliana. Although this isn’t the life he’s dreamed of, he’s determined to heal the rifts in his family.Chasing waterfalls and documenting their beauty has led photographer Lauren Sheppard all around the world. Now it has brought her back home to the mountains of North Carolina—back to the scene of her devastating heartbreak.For the first time in seventeen years, a trio of once-inseparable friends find themselves confronting past loves, hurts, and the rapid rush of a current that still pulls them together…

    The sight of a spam ad for ‘lonely Asian women looking for fun’ becomes a moment of profound realisation that she, too, is but a lonely Asian woman looking for fun. Paula's new outlook leads her to shoplift a cheesecake-laden supermarket trolley. The trolley contains an unexpected attachment. Lonely Asian Woman is not the story of a young woman coming to her responsibilities in the world. Instead, Lam defies the expected and leads the reader and her characters to a deft climax against the grain of the titular lonely Asian woman.

    Her survival during a four-month kidnapping ordeal amongst Taranaki Maori is hailed as nothing short of a miracle. But questions about what really happened slowly surface within the elite governing circles of the raw new town of Sydney. Jacky Guard, ex-convict turned whaler, had taken Betty as his wife to his New Zealand whaling station when she was fourteen. After several years and two children, the family is returning from a visit to Sydney when their barque is wrecked near Mount Taranaki. A battle with local Maori follows, and Betty and her children are captured. Her husband goes to seek a ransom, but instead England engages in its first armed conflict with New Zealand Maori when he is persuaded to return with two naval ships. After her violent rescue, Betty's life amongst the tribe comes under intense scrutiny. Based on real events, this is the compelling story of a marriage, of love and duty, and the quest for freedom in a pioneering age.

    I will always be here. This was the promise Ella’s mother betrayed thirty years ago when she walked into the sea, leaving her five-year-old daughter alone in the world. Ella’s been angry ever since, building up a wall to protect herself. But that all changes the day she opens a newspaper and finds those ten little words printed in a classified ad.Ella refuses to believe her mother could still be alive—that would mean she did want to live, just not with her daughter. So she throws herself into finding out exactly what happened all those years ago, determined to extinguish even the tiniest flame of hope—for Ella, hope is torture.But rather than settling things once and for all, what Ella discovers shatters her world. As she pieces together the truth behind her mother’s disappearance, she learns that the words are not what she thought.Now she knows the truth. Is it possible that Ella can allow herself to love—and be loved—once again?

    It is a set text in most New Zealand courses in universities, and is often grossly misrepresented as a kind of celebration of the Kiwi bloke going it alone, getting offside with the law and women, and making a fist of it on his own terms. It also has been glibly accused of misogyny and racism. For all its local emphases and colour, the novel must be read in the context of post-war Europe, as it takes a hard look at the reality of ‘ordinary’ life, without the self-congratulatory assurances common to both British and New Zealand conservatism. The starkness of the novel is also a philosophical one. Such values as emerge are what the individual manages to put together as the historical moment allows—fiction as existentialism, before such a term became modish. At the same time as he was working on the novel, Mulgan edited for Victor Gollancz Poems of Freedom, an anthology of poets who ‘were unafraid’, and whom W.H. Auden, in his Introduction, valued not for their wisdom, but for raising their voices against oppression.

    Times were tough and when the Government implemented harsh and heavy-handed emergency regulations, families were divided along political lines, and bitter accusations of sabotage and treachery began to tear small mining communities apart. Against this emotive backdrop, in the tiny mining village of Pukemiro, a story of love and treachery is also being played out in the personal lives of some of those intimately connected with the strike. Ellen McCabe, wife of the local union secretary and hero, Thomas McCabe, and a life-long Union woman, finds herself caught up the passion of the fight and a new found passion of her own - when a charismatic war veteran, Jack Vaughan comes to Pukemiro and befriends her husband. In a powerful tale of love and conflict Ellen is forced to examine her loyalties and make heart shattering choices, as the country and community around her is pulled apart. A full-blooded romance set in times of conflict, Union will do for the Waikato what Denniston Rose did for the West Coast - and much more.

    But secrets started building, and ten years have passed since they’ve all been together—in fact, they’ve rarely spoken, and it broke their grandmother’s heart.Now she’s gone, leaving Annie’s Place to her granddaughters—twelve cabins, a small house, a café, a convenience store, and a lot of family memories. It’s where Dana, Harper, and Tawny once shared so many good times. They’ve returned, sharing only hidden regrets, a guarded mistrust, and haunting guilt. But now, in this healing summer place, the secrets that once drove them apart could bring them back together—especially when they discover that their grandmother may have been hiding something, too…To overcome the past and find future happiness, these “sometimes sisters” have one more chance to realize they are always family.