Now married, her happiness is threatened when beautiful and emotionally unstable Simone, suffering from crippling postpartum depression, commits an unforgivable crime for which Roxanne comes to believe she is partially responsible. In the glare of national media attention brought on her sister, Roxanne fights to hold her marriage together as she is drawn back into the pain of her troubled past and relives the fraught relationship she and Simone shared with their narcissistic mother. At the same time, only she can help Simone's nine year old daughter, Merell, make sense of the family's tragedy. Cathartic, lyrical, and unflinchingly honest, The Good Sister is a novel of four generations of women struggling to overcome a legacy of violence, lies and secrecy, ultimately finding strength and courage in their love for each other.

    They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    Six years later, his daughter Chessie interviews him in an attempt to understand the trauma that led her father to burnout, in the process unravelling stories and memories from her own remarkable family history. Chessie rebuilds her family’s lives on the page, from her parents’ honeymoon across Africa, to living in Tokelau as one of five children under ten before returning to New Zealand, where her mother would set her heart and home in the Clarence Valley only to see it devastated in the 2016 Kaikōura Earthquake, and the family displaced. Written with the same love and compassion that defines her family’s courage and strength, We Can Make a Life is an extraordinary memoir about the psychological cost of heroism, home and belonging, and how a family made a life together.

    He has a reputation as a former Otago rugby player and believes he would have been an All Black but for sporting injuries. He runs a successful real-estate agency in a provincial South Island town, of which he is the second-term mayor. Popular, happily married, well established, he cuts an impressive figure, especially in his own eyes.But will his pride and complacency come before a fall?

    Neither was her boyfriend, Chandler. But they were. And so was Rudy, a cute stranger whom Go shared a connection with the night before. And Caroline, a girl whose silence ended up costing nineteen people their lives.Though it’s been a year since the bombing, Go isn’t any closer to getting over what happened. Since Chan shuts down every time Go brings that day up, she decides to reach out to Rudy. Just like that, the two fall right back into their easy, deep connection. Facing the past head-on with Rudy has opened up a small window of healing Go never thought was possible. So she makes an impulsive decision: Round up the rest of the survivors and head to New York City. There they will board an art installation made of the charred remnants of Bus 21.But things are never easy when it comes to rehashing the past. Uniting the four stirs up conflicting feelings of anger and forgiveness and shows them that, although they all survived, they may still need saving.

    'The Real Thing' is a rollicking adventure combining mystery ingredients, international conspiracies and a thrilling chase halfway around the world.

    This episodic novel is piloted by a young, anhedonic, gentle, slightly disassociated man. He has no money. He has a supportive but disintegrating family. He is trying hard to be better. He is painting a never-ending fence.Eamonn Marra’s debut novel occupies the precarious spaces in which many twenty-somethings find themselves, forced as they are to live in the present moment as late capitalism presses in from all sides. Mortifying subjects – loserdom, depression, unemployment, cam sex – are surveyed with dignity and stoicism. Beneath Marra’s precise, unemotive language and his character’s steadfast grip on the surface of things, something is stirring.

    First published om 1972, it was immediately endorsed by Maori and Pakeha alike for its original stories that showed how important Maori identity is for all New Zealanders. As Katherine Mansfield did in her first collection In a German Pension (1911), and Janet Frame in The Lagoon (1951), Witi Ihimaera explores in Pounamu Pounamu what it is like to be a New Zealander - but from a Maori perspective. The seeds of Ihimaera's later works are first introduced in this ground-breaking collection- The Whale Rider in his story 'The Whale', The Rope of Man in 'Tangi', and the character of Simeon form Bulibasha, King of the Gypsies in 'One Summer Morning'; and the themes of aroha (love), whanaungatanga (kinship) and manaakitanga (supporting each other), which are so intergral to Ihimaera's work.

    Fast forward nine years: Ruby and her daughter Lark live in New Mexico. Lark is a precocious, animal loving imp, and Ruby has built a family for them with a wonderful community of friends and her boyfriend of three years. Life is good. Until the day Ruby reads a magazine article about parents searching for an infant kidnapped by car-jackers. Then Ruby faces a choice no mother should have to make. A choice that will change both her and Lark's lives forever.

    The suicide attempt led to her parents’ divorce, and David all but vanished from Eden’s life. Since childhood, she has heard from him only rarely, just enough to know he’s been living on the streets and struggling with mental illness. But lately, there has been no word at all.Now in her thirties, Eden decides to go look for her father, so she can forgive him at last, and finally move forward. When her search uncovers other painful truths—not only the secrets her mother has kept from her, but also the agonizing question of whether David, after all these years, even wants to be found—Eden is forced to decide just how far she’ll go in the name of love.

    Stories deal with dreams, a woman who accidently injures her son, sheep herders, whales, violence, and family life.

    After a terrifying and uncertain journey, they landed in Auckland where they were able to seek asylum and - ultimately - create a new life.In this open and intimate account, Ghahraman talks about making a home in Aotearoa New Zealand, her work as a human rights lawyer, her United Nations missions, and how she became the first refugee to be elected to the New Zealand Parliament.Passionate and unflinching, Know Your Place is a story about breaking barriers, and the daily challenges of prejudice that shape the lives of women and minorities. At its heart, it's about overcoming fear, about family, and about finding a place to belong.

    Auē can be heard in the sound of the sea he loves and hates, and in the music he draws out of the guitar that was his father’s. It spills out of the gang violence that killed his father and sent his mother into hiding, and the shame he feels about abandoning his eight-year-old brother to a violent home.But Ārama is braver than he looks, and he has a friend and his friend has a dog, and the three of them together might just be strong enough to turn back the tide of sorrow. As long as there’s aroha to give and stories to tell and a good supply of plasters.Here is a novel that is both raw and sublime, a compelling new voice in New Zealand fiction. Haere mai, Becky Manawatu.

    When she learns that her old friend and grandmother’s caretaker has gone missing, Zoe and her fifteen-year-old daughter return to England to help.Zoe dreads seeing her estranged mother, who left when Zoe was seven to travel the world. As the four generations of women reunite, the emotional pain of the past is awakened. And to complicate matters further, Zoe must also confront the ex-boyfriend she betrayed many years before.Anxieties spike when tragedy befalls another woman in the village. As the mystery turns more sinister, new grief melds with old betrayal. Now the four Fairchild women will be tested in ways they couldn’t imagine as they contend with dangers within and without, desperate to heal themselves and their relationships with each other.

    The ensuing events unfold with stark brutality amidst a seldom-seen New Zealand cityscape of littered streets reflected in rain puddles and crowded speeding highways and noisy smoke-filled bars, a world of inarticulate turmoil.