Roads are closed and all rail is halted. For their own safety, city workers are told that they must go home early.Sita is a Tamil Sri Lankan refugee living in the Hutt Valley. She’s just had a call from her boss. If she doesn’t get to her cleaning job in the city she’ll lose her contract.

    But the truth is life is threadbare and unpromising until the mysterious Bridget moves in to the Park. The wife of a disgraced Ponzi schemer, she brings with her glamour and wild dreams and an unexpected friendship. Drawn in, Kara forgets for a moment who she’s there to protect.

    A group of white-collar deadbeats attend a swinger’s party in the era of drunk Muldoon. A pervasive smell seeps through the walls of a German housing block. A seabird performs at an open-mic night.Bug Week is a scalpel-clean examination of male entitlement, a dissection of death, an agar plate of mundanity. From 1960s Wellington to post-Communist Germany, Bug Week traverses the weird, the wry and the grotesque in a story collection of human taxonomy.

    His story mirrors the alien experience everywhere.

    Her writing is often done then, and she offers her own often hilarious and always heart-warming experiences to other exhausted parents. She describes the frustrations as well as the tender moments of real parenting, as opposed to what you thought it was going to be like, or what well-meaning advice-givers tell you it should be like.A must-have for all new parents and parents-to-be.Emily's blogs have been wildly popular, as have her on-line columns with New Zealand Woman's Weekly and The New Zealand Herald.

    What clues can Frances find in her own history, and who is the mysterious Mazarine? Following the narrative thread left by her daughter, she travels through cities touched by terrorism and surveillance, where ways of relating are subtly changed, and a startling new fiction seems to be constructing itself.

    There's "Let's Go," the story of a young couple's apathetic wanderings on a trip to discover the real Prague; "You Can Hear the Boats Go By," the story of ex-lovers who cope with their chance meeting in a supermarket in the most childish way; and "Barking," the mad rant of a drama student pissed off by Clown class. Not Her Real Name presents an essential guide to postmodern romance, to the vagaries of city life, and to a chronically self-absorbed generation whose love affairs are never as good as the last movies they've seen.

    As Canny studies the magic more carefully, she realizes that she not only understands it--she can perform the magic, too, so well that it feels like it has always been a part of her. With the help of an alluring seventeen-year-old boy who is held hostage by a spell that is now more powerful than the people who first placed it, Canny figures out the secrets of this valley and of her own past.

    She is joining her husband there, a reunion that is far from warm, but this remote place is to mark Alice's long and steady growth towards shared love, a new awareness of life and a sense of personal liberation. First published in New York in 1920, this is the first New Zealand novel to confront convincingly many of the twentieth century's major political, religious, moral and social issues - most significantly women's rights. Daring for its time in its exploration of sexual, emotional and intellectual freedom, the New Zealand Herald found the ending 'too early for good public morality'. It is the most celebrated of Jane Mander's six novels, and is believed by many to be the inspiration of Jane Campion's film The Piano.

    It is focused on the effort of Ripeka/Linda to find identity as well as love, as increasingly she commits herself to her Maori being, family and name.

    But Clifford's words have too much life in them to be ignored, and start to permeate his family's world. This book tells the story of three generations of the Stilton family.

    He was already an actual director – he'd made four fifteen-minute films – but so far only his schoolmates and the residents of the High Street had viewed them. Global fame was a little way off. It would come, though. Barney was certain about that ...So begins the manuscript written from the hospital bed of an unnamed man.He has written it over many months as he recovers from serious injuries sustained in a city-wide catastrophe.He has written so he can remember the street where he lived, home to a cavalcade of interesting people, singular shops, and curious stories.He has written so he can remember the summer before he was injured, the last days of a vanished world.Above all, he has written so he can remember the inimitable Barney Kettle, filmmaker, part-time dictator, questing brain, theatrical friend; a boy who loved to invent stories but found a real one under his nose; a boy who explored his neighbourhood with camera in hand and stumbled on a mystery that changed everything ...

    Grant and Murray Ball, his travels to the ends of the earth with his close friend Ed Hillary, and more...

    She shares the care of her paralysed father with her domineering, difficult mother, forced to cut down on her hours at school to help support the family with a part-time rest home job. She's very much alone, still grieving the loss of her older sister Van, who died five years before. Her only source of consolation is her obsession with art and painting in particular. Most especially she is enamoured with Vincent Van Gogh: she has read all his letters and finds many parallels between the tragic story of his life and her own. Luckily she meets the intelligent, kindly Professor Max Stockhamer (a Jewish refugee and philosopher) and his grandson Johannes, and their support is crucial to her ability to survive this turbulent time. NZ Post Award-wining author Mandy Hager tackles the difficult topic of suicide fearlessly, with a novel that's not afraid to go to the dark places but which resolves its story beautifully. It's uplifting and positive.

    Until now.Part memoir, part essay collection, Megan Dunn’s ingenious, moving, hilariously personal Things I Learned at Art School tells the story of her early life and coming-of-age in New Zealand in the ‘70s, ‘80s and ‘90s.From her single mother's love life to her Smurf collection, from the mean girls at school to the mermaid movie Splash, from her work in strip clubs and massage parlours (and one steak restaurant) to the art school of the title, this is a dazzling, killer read from a contemporary voice of comic brilliance.Chapters include (but are not limited to): The Ballad of Western Barbie; A Comprehensive List of All the Girls Who Teased Me at Western Heights High School, What They Looked Like and Why They Did It; On Being a Redhead; Life Begins at Forty: That Time My Uncle Killed Himself; Good Girls Write Memoirs, Bad Girls Don’t Have Time; Videos I Watched with My Father; Things I Learned at Art School; CV of a Fat Waitress; Nine Months in a Massage Parlour Called Belle de Jour; Various Uses for a Low Self-esteem; Art in the Waiting Room and Submerging Artist.