When shots ring out in a crowded L.A. club, bartender Harper Flynn watches helplessly as her boyfriend, Drew, is gunned down in the cross fire. Then somebody throws a Molotov cocktail, and the club is quickly engulfed in flames. L.A. Sheriff Deputy Aiden Garrison sees a gunman in a hoodie and gas mask taking aim at Harper, but before he can help her a wall collapses, bringing the building down and badly injuring him. A year later, Harper is trying to rebuild her life. She has quit her job and gone back to college. Meanwhile, the investigation into the shoot-out has been closed. The two gunmen were killed when the building collapsed. Certain that a third gunman escaped and is targeting the survivors, Harper enlists the help of Aiden Garrison, the only person willing to listen. But the traumatic brain injury he suffered has cut his career short and left him with Fregoli syndrome, a rare type of face blindness that causes the delusion that random people are actually a single person changing disguises. As Harper and Aiden delve into the case, Harper realizes that her presence during the attack was no coincidence—and that her only ally is unstable, mistrustful of her, and seeing the same enemy everywhere he looks.

    Against the Technicolor unreality of Florida's finest tourist attractions, the Drummonds stumble into every illicit activity under the tropical sun-kidnapping, blackmail, gunplay, and black market negotiations, to name a few. But even as the Drummonds' lives spin out of control, Coupland reminds us of their humanity at every turn, hammering out a hilarious masterpiece with the keen eye of a cultural critic and the heart and soul of a gifted storyteller. He tells not only the characters' stories but also the story of our times--thalidomide, AIDS, born-again Christianity, drugs, divorce, the Internet-all bound together with the familiar glue of family love and madness.

    Each morning, he exits the prison gates and begins the short walk to a local charity shop, where he spends the day in the backroom sorting through other people's discarded belongings. All he needs to do is keep his nose out of trouble and in just a few months' time, he'll be out for good.One morning in the bustle of commuters on Brixton Hill, Rob notices a well-dressed woman trip over. He helps her up and they exchange a few words before parting ways, but she's made a lasting impression on him. From that day on, Rob keeps an eye out for her - and always seems to get lucky with a sighting. Despite coming from very different worlds, the pair slowly become acquainted and Rob gets increasingly desperate to hide his current residence from her.But who exactly is this woman who seems to have a growing interest in him? Rob must be very careful - one false step and it could set him back years . . .Brixton Hill is a teasing study of desperate lives delivered in a series of charged encounters on the streets of south London. Nail-biting in its execution, award-winning author Lottie Moggach ratchets up the tension, taking us behind the prison walls and into a world in which no one is quite who they seem.

    Chapters: The Stars' Tennis Balls, Making History, the Liar, the Ode Less Travelled: Unlocking the Poet Within, Moab Is My Washpot, the Hippopotamus, Paperweight, Stephen Fry's Incomplete and Utter History of Classical Music. Source: Wikipedia. Free updates online. Not illustrated. Excerpt: The Stars' Tennis Balls is a psychological thriller novel by Stephen Fry, first published in 2000. In the United States, the title was changed to Revenge. In the Afterword to the 2003 American edition, Fry admits that the story "is a straight steal, virtually identical in all but period and style to Alexandre Dumas' The Count of Monte Cristo" but denies plagiarism, since Dumas also admits that the plot was taken from a contemporary urban legend. The main character, Edward (Ted/Tedward) Maddstone, is a seventeen year old schoolboy who appears to be the sort of person for whom everything goes right. He is captain of school, talented at sports and following in the footsteps of his father towards Oxford University, then a career in politics. He is happy and has fallen in love with a girl called Portia. But a few bizarre twists and turns of fate ensure that his life is turned upside down. As mentioned above, the plot is extremely similar to the story of The Count of Monte Cristo. The original title comes from a quotation taken from John Webster's The Duchess of Malfi. In full it reads: "We are merely the stars' tennis balls, struck and banded which way please them." The novel's dedication reads simply "To M'Colleague" - "M'Colleague" being the name by which Fry and Hugh Laurie referred to each other in their TV sketch show A Bit of Fry and Laurie.