For the Appleton sisters, life had unravelled many times before. This time it explodes.Eight-year-old Hariet, known to all as Ari, is dispatched to Cape Breton and her Aunt Mary, who is purported to eat little girls . . . With Ari on the journey is her steadfast companion, Jasper, an imaginary seahorse. But when they arrive in Pleasant Cove, they instead find refuge with Mary and her partner Nia.As the tumultuous ’60s ramp up in Toronto, Ari is torn from her aunts and forced back to her twisted mother and fractured sisters. Her new stepfather Len and his family offer hope, but as Ari grows to adore them, she’s severed violently from them too, when her mother moves in with the brutal Dick Irwin.Through the sexual revolution and drug culture of the 1960s, Ari struggles with her father’s legacy and her mother’s addictions — testing limits with substances that numb and men who show her kindness. She spins through a chaotic decade of loss and love, the devilish and divine, with wit, tenacity, and the astonishing balance unique to seahorses.The Clay Girl is a beautiful tour de force that traces the story of a child, sculpted by kindness, cruelty and the extraordinary power of imagination, and her families — the one she’s born in to and the one she creates.

    "Possesses the suspense and chilling impact of Lord of the Flies." Washington Post Book World.

    Friendships form with another American student, and with Cesare, an Italian medical student living in the same "hotel." But what transpires is something no one ever expected, especially her mom. Over the next 45 years, Debbie returns 11 more times, mostly alone. Other trips include her two best friends, another with her father, and horseback riding adventures in the Chianti Region of Tuscany with cousins. Some of the places visited include Rome, Tuscany, the Almalfi Coast, Sicily, Capri, and a 2,500 year-old village in Umbria where the only mode of transportation allowed is a moped or donkey. One hundred years after her great grandmother migrated to America, Debbie locates her family in the most unusual way, culminating with a heartwarming reception. Rarely staying in hotels, My Love Affair With Italy describes each of the trips, all the types of accommodations such as the agriturismi (farmhouses), the apartments, vineyards, the medieval villages, monastery, villas, and horseback riding centers she stayed in addition to the romances and friends met along the way. At the age of 50, Debbie learns how to horseback ride English style and takes a 100-mile tour cantering through Tuscany, something she was not nearly qualified to do. Within a year, she becomes an exchange student and enrolls in school in Siena, one of Tuscany's most magnificent cities, to learn Italian and moves in with a local family, she not knowing Italian and they not knowing English. While in school, she befriends a German woman who invites her to stay at her home in the beautiful Bavarian Alps during her next visit to Europe, and Debbie accepts in an attempt to practice Italian with her former classmate, but the trip becomes a shocking revelation. The book also details the "jewels" of Rome not mentioned in brochures such as The Scala Sancta, the Holy Stairs, holy because they are said to be the stairs that Jesus climbed on his way to his trial before Pontius Pilate, and the Aventine Keyhole, a nondescript-looking door on the Aventine Hill, neatly placing the dome of St. Peter’s right in the center. Each trip also details why she returns each time, the struggles endured at home after becoming a caregiver, the 50-year friendships that get her through it all, and the shocking way her father shows his presence in Piazza Navona. Lastly, four decades after it all began, there are very surprising reunions and the most unusual romance.

    

    After a non-life threatening accident as a child, he hasn't quite developed like other boys his age. A group of older classmates take advantage of George's nature and force him into a situation that leads him to discover some interesting things about himself.

    Each One Dirtier And Rougher Than The Next… SMITH I want her. Plain and simple truth. I want her. I want to push inside her. I want to grip her hair and tug her scalp and lick her bared throat. I want to tie her wrists and ankles to my bed, make her helpless, weak, begging for me. I want to leave my marks on her, bruise that delicate flesh, have her sore and aching after I ravage her. But my cravings are most definitely too dark for her. I’m not the white-picket-fence kind of guy, and I can’t let myself start thinking otherwise. I should stick to the kind of women I’m used to, the kind who are fine with one night. Aubrey deserves love, real love, the kind of love I’m incapable of. The problem is she’s all I want. I know I can only destroy her. But I can’t stay away. AUBREY I try to pretend that I’m not aware of the tattoos covering him. That I’m not aware of the muscles of his arms and legs. I try to pretend my core doesn’t tighten in response to his raw masculinity, pretend I don’t want him to push me up against the wall and have his way with me. I’m so attracted to him I can barely focus. He thinks I’m naive, and maybe he’s right. Am I really so naïve as to think that maybe what Smith and I are doing is different? Or is this just me being blind? Sometimes I can see every emotion on his face. Other times, I can’t tell a thing he’s thinking. I’m plagued by doubts, yet also trying to convince myself that I know what I know. I’m not just a random woman to Smith. There’s more between us than that. What that “more” is, I don’t know. But it’s there. Either that, or he’s the world’s greatest actor. Because the emotion in our last kiss was so strong it almost blew me over. If I’m wrong about him, it will shatter my heart, break me into a million pieces. The only thing worse would be walking away… Aubrey’s standing there, lips swollen, breath panting, eyes heavily lidded. She’s so innocent but so primed for me. I could probably take her upstairs to my apartment, spread her wide and plunge deep inside her. But I can’t do that. Because she deserves better than me. I can’t ruin her. The Becket Boys: The Complete Series, contains: SMITH (The Beckett Boys, Book One) by Olivia Chase JAX (The Beckett Boys, Book 2) by Olivia Chase ASHER (The Beckett Boys, Book Three) By Olivia Chase JAMISON (The Beckett Boys, Book Four) by Olivia Chase ZACK (The Beckett Boys, Book Five) by Olivia Chase HUDSON (The Beckett Boys, Book Six) by Olivia Chase HALE (The Beckett Boys, Book Seven) by Olivia Chase AXEL (The Beckett Boys, Book Eight) by Olivia Chase

    Because no one wants to believe a girl from the wrong side of town, the truth about him has cost her everything—friends, family, and her community. Branded a liar and bullied relentlessly by a group of kids she used to hang out with, Romy’s only refuge is the diner where she works outside of town. No one knows her name or her past there; she can finally be anonymous. But when a girl with ties to both Romy and Kellan goes missing after a party, and news of him assaulting another girl in a town close by gets out, Romy must decide whether she wants to fight or carry the burden of knowing more girls could get hurt if she doesn’t speak up. Nobody believed her the first time—and they certainly won’t now — but the cost of her silence might be more than she can bear.　With a shocking conclusion and writing that will absolutely knock you out, All the Rage examines the shame and silence inflicted upon young women after an act of sexual violence, forcing us to ask ourselves: In a culture that refuses to protect its young girls, how can they survive?

    At least, that’s what she tells the police.Now that she’s Lucy Black, she's able to begin again. She's even getting used to the empty bedroom where her brother should be. And her fresh start has attracted the attention of one of the hottest guys in school, a boy who will do anything to protect her. But when someone much more dangerous also takes notice, Lucy's forced to confront the dark secrets she thought were safely left behind.One thing is clear: The damage done can never be erased. It’s only just beginning. . . .

    But they both have something to hide.Quiet, shy Elyse can't believe it when she's cast as the lead in her Portland high school's production of Romeo and Juliet. Her best friend, Brynn, is usually the star, and Elyse isn't sure she's up to the task. But when someone at rehearsals starts to catch her eye--someone she knows she absolutely shouldn't be with--she can't help but be pulled into the spotlight. Austin native Gabe is contemplating the unthinkable--breaking up with Sasha, his headstrong, popular girlfriend. She's not going to let him slip through her fingers, though, and when rumors start to circulate around school, he knows she has the power to change his life forever. Gabe and Elyse both make the mistake of falling for the wrong person, and falling hard. Told in parallel narratives, this twisty, shocking story shows how one bad choice can lead to a spiral of unforeseen consequences that not everyone will survive.

    And as children all around become emblems of hope and longing and grief, she's made shockingly aware of why she has this pervasive sense of non-existence . . .What mystery makes Kitty's decidedly odd family so vague about her mother's life? And why does Dad splash paint on canvas rather than answer his daughter's questions? On the edges of her dreams Kitty glimpses the 'kaleidoscope van' that took her sister Dinah away - will it connect her to her childhood?This compelling and witty debut tells of identity struggles in a large family, the sadness of lost children - and the optimism of an eccentric, loving marriage ('He'd make a wonderful husband if it wasn't for me'). Clare Morrall's insightful narrative has resonated with hundreds of thousands of readers since its Booker Prize shortlisting in 2003 and continues to make new fans each year.

    Missing. Ezra Ahern wakes up one day to find his older sister, Bea, gone. No note, no sign, nothing but an email address hidden somewhere only he would find it. Ezra never expected to be left behind with their abusive stepfather and their neglectful mother - how is he supposed to navigate life without Bea?Bea Ahern already knew she needed to get as far away from home as possible. But a message in her inbox changes everything, and she finds herself alone in a new city - without Ez, without a real plan - chasing someone who might not even want to be found.As things unravel at home for Ezra, Bea confronts secrets about their past that will forever change the way they think about their family. Together and apart, broken by abuse but connected by love, this brother and sister must learn to trust themselves before they can find a way back to each other.

    First-time novelist Swati Avasthi has created a riveting and remarkably nuanced portrait of what happens after. After you’ve said enough, after you’ve run, after you’ve made the split—how do you begin to live again? Readers won’t be able to put this intense page-turner down.Reading Level: Age 14 and Up

    Now, on the eve of their sixty-fifth wedding anniversary, they must decide how to navigate Mona's declining health. Bookended by the touching exploration of their love, Victoria Park follows the disparate lives of twelve people over the course of a single year. Told from their multiple perspectives in episodes which capture feelings of alienation and connection, the lingering memory of an acid attack in the park sends ripples of unease through the community. By the end of the novel, their carefully interwoven tales create a rich tapestry of resilience, love and loss.With sharply observed insight into contemporary urban life, and characters we take to our hearts, Gemma Reeves has written a moving, uplifting debut which reflects those universal experiences that connect us all.

    She doesn't have a problem. Everybody parties, everybody does stupid things, like get in their car when they can barely see. Still, with six months of court-ordered AA meetings required, her days of vodka-filled water bottles are over. Unfortunately her old friends want the party girl or nothing. Even her up-for-anything ex seems more interested in rehashing the past than actually helping Nat. But then a recovering alcoholic named Joe inserts himself into Nat’s life and things start looking up. Joe is funny, smart, and calls her out in a way no one ever has. He’s also older. A lot older. Nat’s connection to Joe is overwhelming but so are her attempts to fit back into her old world, all while battling the constant urge to crack a bottle and blur that one thing she's been desperate to forget.Now in order to make a different kind of life, Natalie must pull together her broken parts and learn to fight for herself.

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”