The girls plan to place it in their study room at Starhurst when they return for their sophomore year. But before the girls leave, the lamp is stolen! After the sisters return to Starhurst, they discover the lamp in a secondhand shop and buy it back. Unwittingly, the girls make an enemy of their classmate, Lettie Briggs, not only because the girl had planned to buy the lamp but because the Danas' room is the one Lettie wanted to have at Starhurst.The Danas are overjoyed when they discover that their friend Evelyn Starr has returned to Starhurst. Evelyn's family once owned Starhurst, but Evelyn and her brother now have very little money, and Evelyn is unsure that she can pay for the tuition. The Danas hope that they can find a way to help Evelyn stay at Starhurst, little realizing that the solution to Evelyn's problem is held within the antique study lamp.

    But instead of enjoying her stay as an exchange student, she's miserable and homesick. Most of all, she misses her boyfriend, Simon. Taco West, the only boy on the ranch where Fiona is staying, is nothing like Simon. He teases her and treats her like a pesty younger sister.But as time goes by, Fiona finds Taco has a gentle, tender side. And she thinks about Simon less and less. Should Fiona stay faithful to the boy she's supposed to love - or give her heart to the boy she thought she hated?

    A novel from the Beat generation.

    Mitchell, Ruth's most intimate friend. Lighthearted and indifferent, Eurie knew how to laugh and chat merrily in any and all circumstances.Flossy Shipley, born to a wealthy family to be loved and cherished and allowed to have her own sweet and precious way.Marion Wilbur, a young woman of poor, yet hard working stock. She dressed in severely plain black or brown suits with almost--and sometimes quite--no trimmings at all on them. And yet, for all her apparent plainness, she ruled them all.Though they didn't know it, all four were about to embark on the adventure of their lives!Heartwarming stories of faith and love by Grace Livingston Hill's aunt—Isabella Alden. Each book is similar in style and tone to Hill's and is set in the late 1800s and early 1900s.

    As she learns how to accept the conflicts of her unorthodox home life and then her fellow students in a boarding school in Switzerland, we follow Katherine through all the torment, loneliness, and adorations and passions of a fifteen-year-old girl as she tries to realize her ambitions in the tumultuous world of the arts and make her own way to maturity.

    

    After her father's death, Rebecca must adapt to a new life in a Vermont farmhouse with her mother, whom she hasn't seen for eight years.

    Flora Popescu can't imagine a revolution, but suddenly daily life brings frightening changes. Some changes seem connected to a new classmate who dresses and eats better than his poor classmates. As Flora's world crumbles around her, she learns that her father's in danger and only she can save him from the secret police.

    With candor and grace, BEGINNERS' LOVE explores the excitement and joy of a new relationship as well as the problems that can arise when two people are old enough for passion but too young to deal with its complications.

    "Lovely and heartwarming . . . a poignant, hopeful love story that will touch your heart".--Cathy Cash-Spellman, author of Paint the Wind.

    Everything would be fine if it weren't for one girl who's always mean. Katy knows that if she told her secret, everything would be fine - but Katy is determined not to tell anybody.

    The kids in 8th Grade Writer's Workshop are awestruck when their teacher announces that through her husband's cousin, she's met rock superstar Nick Thompson and has invited him to their class. He's come to talk about writing and he's even cooler than they imagined. Nick, known for his music as well as his lyrics, tells the kids his secret: A song is just a bowl of fruit-one must figure out how to paint it. Words are to a writer what paint is to a painter. How many ways can one arrange the fruit? An infinite number. There's style, voice, genre, and much more to consider. Nick gives the kids two weeks to complete the assignment using seven seemingly ordinary elements. Each student must tell an interesting story, reflecting his or her style. And so "The Fruit Bowl Project" begins. Rap, poetry, monologue, screenplay, haiku, fairy tale-and more.

    There is literally no crime, and the houses don't even need locks on the doors. David and Mary are thoroughly investigated and approved, but as part of the requirements to move in, they must surrender all of their considerable assets with the understanding that if they decide to leave, everything will be returned to them. Architect David is ecstatic when given the assignment of designing the new city, and the children love their new school and quickly make friends. Only Mary is unhappy. She soon rebels against the strict rules for women; no makeup, no hair color or haircuts, and worst of all, no birth control. When she begins trying to persuade David to leave, she falls victim to a series of accidents and starts to wonder if her husband is in on a plot to kill her. His new assistant is a beautiful young widow, and he seems overly fond of her. With only one friend, Mary wonders who she can really trust. Convinced that someone is coming into her home when she is away, she begins to investigate and discovers bugs planted in the house, including the bathrooms and bedrooms. Living with the knowledge that every day could be her last, Mary realizes that it was much easier to get into New Jordan than it will be to get out. One of the things her probing uncovers is that no one has ever left there alive.

    When Constable O'Dowd brings her an 11th orphan he found on the streets, Ma Bigsby is reluctant to take her. But there's something about Elfie, it's the first day of a new century and Ma loves a mystery.

    When a series of dramatic events brings a strange man to her door, Mary emerges from the comfortable isolation that she knows to follow her dreams in Boston. Those desires do not come without sacrifice and hard choices. When her past comes back to haunt her, Mary must decide whether there is room for both her aspirations and her heart—or if she must surrender one to have the other.