It isn’t easy to watch your daughter marry a man who’s twice her age, but Samantha Kiley holds her tongue. Wes seems like a good man, and it doesn’t hurt that he’s also a billionaire. She has no idea that she will soon be caught up in a May–December affair of her own that will set tongues wagging and complicate her idyllic small-town life. In Taste of Honey, a former nun revisits a decision that changed her life three decades ago. Gerry Fitzgerald kneels before the altar, moments away from the most important decision of her life. She is about to take her vows in the sisterhood of God, and yet she is not at peace. Doubt fills her heart and she is torn with guilt. She found illicit passion in the arms of Father Jim, and now she is pregnant with the baby they conceived. Is she ready to give up on having a family? And in Wish Come True, a young woman fights for freedom after being arrested for the murder of her sister. The world loves Monica Vincent, and her sister Anna has always tried to love her, too. Anna’s life is devoted to the Hollywood star; as her sister’s personal assistant, she spends her days answering Monica’s fan mail and catering to her every whim. But Monica is cruel, and when a car accident leaves her in a wheelchair, her treatment of Anna gets even worse. When Monica is found floating facedown in the swimming pool at her mansion, the police see the star’s sister as the likely culprit. To keep herself from jail, Anna digs for the truth, desperate to learn who killed the sister she hated.

    Of course, that was before she learned that the lowlife cad had secretly mortgaged their dream house, run up their shared debts . . . and posted a picture of her on the internet that would make a rugby team blush. Still, she is coping masterfully, despite losing her home and her dignity -- until the local newspapers get wind of the story . . .So here she is -- homeless, jobless, loverless . . . and scandalous at thirty-two. Her best friend Cara thinks yoga, aromatherapy, and the perfect potion will turn Emily's karma around. Why not, Emily figures. It might help to attract that handsome stranger she's just barely met. Either that, or she'll hunt down the elusive Mr. Right herself. After all, there isn't much else that could possibly go wrong . . .And sometimes, when you've got absolutely nothing left to lose . . . that's when you get everything you ever wanted!

    Christy is pregnant with Jimmy's child, and she's determined to head home, with or without Jimmy, to face up to her past and prepare for the future. Somehow, barreling across America from Albany to New Orleans to Ohio and Texas in a souped-up Chevy Nova, Christy and Jimmy are transformed from passionate but conflicted lovers into a young family on a magnificent journey.

    From his own birth and childhood on the streets of Dublin to his role as soldier (and lover) in the Irish Rebellion, Henry recounts his early years of reckless heroism and adventure. At once an epic, a love story, and a portrait of Irish history, A Star Called Henry is a grand picaresque novel brimming with both poignant moments and comic ones, and told in a voice that is both quintessentially Irish and inimitably Roddy Doyle's.

    A special "Hawk's Way" collector's edition features three "Texas-style" romances of the Whitelaw family: "Honey and the Hired Hand, The Cowboy Takes a Wife" and "Temporary Groom"

    . . ever . . . after.” Readers: “And then what happened?” Author: “But, at the end of Billionaires in Disguise: Rae, Wulf and Rae are engaged, and they’re going to be married the next morning, and if you notice, she’s pregnant. That’s the end of the story.” Readers: “And then what happened?” Author: “Well, okay, you can kind of see where their story goes in these other short stories and subplots in these other books, so if you just follow me—” Readers: “AND THEN WHAT HAPPENED?” Author: “Um, okay? Here it is all in one book? Are we good now?” Readers: “Better.” Finally, due to readers’ demand, here are all the epilogues, short stories, and interval scenes involving Wulf and Rae that come after Billionaires in Disguise: Rae. Consider it Wulf and Rae: Volume Two. While this is an anthology of short stories and novellas, it is as long as an average novel. The epilogues and stories, put together, are 55,000 words, which is about 340 pages in paperback. Happy reading! Includes: Introduction from the Author Epilogue I (short story) Epilogue II (short story) In Paris (Interval Scenes) (short story) Skiing in June (A Rae and Wulf Story) (novella) Kidnapped (A Rae and Wulf Story) (novella) Rae and Wulf: At the Hospital (Interval Scenes) (short story) Montreux (A Rae and Wulf Story) (novella) Keep Dreaming (short story)

    Eight years ago he dropped out of a seminal Seattle grunge band to try his hand at a more grown-up calling. Now he's thirty-six ("almost forty!"), a deputy prosecutor (a suit), still hanging out at the same clubs he played ten years ago (the ones that haven't shut down), and still dating the same kind of girls (except now they tell him how much their older sisters loved his band).Pete decides it's time to get married—he just doesn't know to whom. Possibilities include Beth, his first love, who has disappeared; Winter, his on-and-off stripper girl-friend, who has been living the grunge life too long; and Esme´, a Sub Pop A&R executive who has some life decisions of her own to make. When a date-rape case lands on his desk—the accused is a local rocker Pete's age, the accuser an eighteen-year-old from the scene—Pete finds his past and present facing him from both sides of the aisle, and he finally has to decide where he stands.Pete Tyler is a cooler version of Everyguy, and Never Mind Nirvana is a hilarious and unexpectedly moving story of a man with one foot stuck in adolescence and the other planted in adulthood. Richly textured with references to classic rock and the music of Seattle's legendary alternative rock scene, it is also a fascinating, bittersweet riff on a particularly American zeitgeist.

    The five novels that Hammett published between 1929 and 1934, collected here in one volume, have become part of modern American culture, creating archetypal characters and establishing the ground rules and characteristic tone for a whole tradition of hardboiled writing. Drawing on his own experiences as a Pinkerton detective, Hammett gave a harshly realistic edge to novels that were at the same time infused with a spirit of romantic adventure. Each novel is distinct in mood and structure. Red Harvest (1929) epitomizes the violence and momentum of his Black Mask stories about the anonymous detective the Continental Op, in a raucous and nightmarish evocation of political corruption and gang warfare in a western mining town. In The Dain Curse (1929) the Op returns in a more melodramatic tale involving jewel theft, drugs, and a religious cult. With The Maltese Falcon (1930) and its protagonist Sam Spade, Hammett achieved his most enduring popular success, a tightly constructed quest story shot through with a sense of disillusionment and the arbitrariness of personal destiny. The Glass Key (1931) is a further exploration of city politics at their most scurrilous. His last novel was The Thin Man (1934), a ruefully comic tale paying homage to the traditional mystery form and featuring Nick and Nora Charles, the sophisticated inebriates who would enjoy a long afterlife in the movies.

     Thrilled isn't the word for how Lindsey Parker feels when her widowed father announces his plans to marry his personal trainer, Karen. The devoted daddy's girl has already scared off three former fiancŽes, and the new one's got to go too-if for no other reason than her appalling taste in bridesmaids' gowns. Lindsey's driven to do something pretty drastic, and nearly manages to kill Karen. Fortunately, while her botched attempt at homicide fails, it does succeed in driving Karen away-along with her hideous velour tracksuits. The trouble is, Dad is genuinely crushed. Now, with a change of heart, Lindsey's on the road to something close to redemption.

    The Blaire siblings are just taking theirs home for the long weekend.When Murray Blaire invites his three grown children to his New Hampshire farm for a few days, he makes it clear he expects them to keep things pleasant. The rest of his agenda–using Ruth and George to convince their younger sister, Lizzie, to break up with her much older boyfriend–that he chooses to keep private. But Ruth and George arrive bickering, with old scores to settle. And, in a classic Blaire move, Lizzie derails everything when she turns up late, cradling a damaged family cookbook, and talking about possible criminal charges against her.This is not the first time the Blaire family has been thrown into chaos. In fact, that cookbook, an old edition of Fannie Farmer, is the last remaining artifact from a time when they were a family of six, not four, with a father running for Congress and a mother building a private life of her own. The now-obscured notes written in its pages provide tantalizing clues to their mother’s ambitions and the mysterious choices she once made, choices her children have always sought without success to understand. Until this weekend.As the Blaire siblings piece together their mother’s story, they come to realize not just what they’ve lost, but how they can find their way back to each other. In this way, celebrated author Elisabeth Hyde reminds readers that family survival isn’t about simply setting aside old rivalries, but preserving the love that’s written between the lines.

    In fact, he now spends his days crashing funerals for the free food and insight into the Great Beyond. Then he meets Rosamond, a nun playing hooky from the Holy Orders. Hayden is smitten the instant her heavy silver cross smacks him in the face when she leaps up to do the wave at a ball game. Luckily, Rosamond has picked the right person to teach her how to live . . . and to love—because nobody does both better than Hayden MacBride.However, Rosamond’s years in the convent have not prepared her for the oddball characters of Hayden’s world. There’s his ever-fretful, vigilant daughter, Diana, the “Dutchess o’ the Sidelong Glance”; his sweet grandson Joey, struggling to break free of his mother’s overprotective embrace; Hayden’s bagpipe-blowing cronies; the Greyfriars Gang; neighbor Bobbie Anne, a “working girl” full of good advice and tender mercies; and Hank, the sexy architect contemplating the priesthood—a big mistake in Hayden’s book. For Hayden thinks that Hank should be married to his daughter and raising Joey. And he has an elaborate plan to make Hank see things his way. . . .In an uproariously funny novel of love, laughter, and one man’s final call at the riotous watering hole called life, Laura Pedersen proves that miracles are all around us—when we open our eyes and our hearts to embrace them.

    Once a baby raised in a hippie commune, he is now an ambitious Reagan youth dreaming of a career with the corporation whose offices his mother once firebombed.

    He also has the tender memories of his grandfather's exaggerated stories of Irish wonder and magic stories of leprechauns and legends and the mysterious power of fate. But he doesnot have the story of why his grandfather left Ireland as a young man.Mesmerized by his romantic vision of Ireland, Cooper begins his search with a charming, down-on- his-luck Irish actor. He is also unprepared for the presence of Kathleen O'Reilly. As Cooper hunts for his grandfather's ghost, the landmarks and the fate of the Irish that Finn Coghlan talked of magically brings Cooper and Kathleen together. Yet, there is a truth between the two of them that not even the enchanting tale of Finn McCool and Sally Cavanaugh can resolve. For that, Cooper must use the one gift bestowed on him as a child by his grandfatherBogmeadow's wish.

    She’s struggling to leave her trophy wife identity behind and make ends meet as a full-time event planner. When her handsome new neighbor needs to throw the perfect birthday party for his niece, Juliet offers her services. If she pulls this off, maybe she can get her life back on track. But to do so, she’ll need the help of the Cupcake Posse. Too bad her friends are grappling with problems of their own:Missy’s recovering from injuries; Nell’s trying to thwart her mother’s matchmaking efforts; Selena’s husband wants her to work less when she needs to do more; and Bria’s facing obstacles she never anticipated trying to save her late aunt’s bakery.Join the Cupcake Posse as they work together to navigate the difficulties of life, loss, and love. They continue to rely on each other, never losing sight of the importance of friendship and family, but will that be enough to save the Berry Lake Cupcake Shop?

    His two earliest, and perhaps most accessible, successes—A Portrait of the Artist as a Young Man and Dubliners—are here brought together in one volume. Both works reflect Joyce’s lifelong love-hate relationship with Dublin and the Irish culture that formed him.In the semi-autobiographical Portrait, young Stephen Dedalus yearns to be an artist, but first must struggle against the forces of church, school, and society, which fetter his imagination and stifle his soul. The book’s inventive style is apparent from its opening pages, a record of an infant’s impressions of the world around him—and one of the first examples of the “stream of consciousness” technique.Comprising fifteen stories, Dubliners presents a community of mesmerizing, humorous, and haunting characters—a group portrait. The interactions among them form one long meditation on the human condition, culminating with “The Dead,” one of Joyce’s most graceful compositions centering around a character’s epiphany. A carefully woven tapestry of Dublin life at the turn of the last century, Dubliners realizes Joyce’s ambition to give his countrymen “one good look at themselves.” Kevin J. H. Dettmar is Professor of English and Cultural Studies at Southern Illinois University Carbondale. He is the author or editor of a half-dozen books on James Joyce, modernist literature, and rock music. He is currently finishing a term as President of the Modernist Studies Association.--back cover