He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    In his blind jealous rage he later gives away the baby to gypsy Rona Parrish, summoned to help with the delivery. Kathleen, frenzied with grief, is soon after locked away in an asylum. Rejected by her father, the little girl begins her new life with only a valuable brooch pinned to her shawl as a clue to her true origins. Named after Rona's own mother, the lovely raven-haired Starlena grows up in ignorance of her true parentage and vast inheritance, believing her birthplace to be the beautiful Whistledown Valley. And Rona, always afraid, stays watchful over the years for any sign that someone might track Starlena down - someone who wishes her harm...

    Woken one night when the body of a young woman is found torn apart, that peace is shattered as it dawns on him that a predator is among them.EVERYONE A SUSPECT...With little to go on, all the men in the town are potential suspects and Jesse begins an investigation that spans across the social spectrum. Unable to find the killer, the mayor goes against Jesse and decides to bring in bounty hunters. But the cure may be more dangerous than the disease.A WINDOW INTO THE DARKNESS OF MEN...As another murder occurs under their noses, Jesse realizes he is outmatched and facing an evil he has never encountered. He enlists the help of an alienist from Harvard University. Someone trained in the new science of the mind. Together they are about to journey into the darkest recesses of the human soul, and they may not make it out alive...

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights. A Chronology and updated Selected Bibliography are also included.

    He was dirty and hungry. The cobbler fed him and schooled him because his mother worked at the local brothel and was he was not allowed in school. When Birdie was twelve, the natural biological changes forced his mother to reveal that Birdie was really Birgitta, a girl, but now she couldn't stay at the brothel. Turning to the cobbler with her dilemma, he convinces her mother to sign guardianship papers before she dies of the hazards of her occupation. Birgitta finds that her real father and twin brother had been searching for her for the past twelve years. Can she leave the cobbler who she now calls grandpa to move to Colorado with her father and brother? Will she ever fit in with other young ladies?

    Amusing mystery story, its melodramatic plot unwinding against the charming background of a South Carolina townlet stirred to its depths by the passing of an historic mansion, through a spite will, to the possession of "a Yankee woman named Smith".

    He wanted to talk about Wells's "Time Machine" but he knew that'd be no use -- these folks didn't read that sort of thing. "If the earth had settled down, we'd have been lower. If it had settled to one side, we'd have been moved one way or another, but as it's settled back in the Fourth Dimension, we're going back in time." "Then --""We're in a runaway skyscraper, bound for some time back before the discovery of America!

    . . to have your life change forever.Joplin Missouri, 1933, Kathryn Nash believes that her life has finally changed for the better. Her abusive husband of eighteen years, Clayton, has passed away suddenly and she has met an intriguing handsome stranger, John Stevens. Will a dark secret from Kathryn’s distant past surface and place Kathryn at odds with everyone in her world and set her life on a collision course with destiny that threatens her very life and the lives of those she loves the most? The Great Depression, The Great Midwestern Crime Spree, and the early incarnations of the Ku Klux Klan all converge on the small town and shape not only history, but the very course of Kathryn’s life. One Mississippi is a fast paced work of historical fiction that will keep you wondering what could possibly happen next and eager to find out just what can really happen in the time it takes to say the word “Mississippi.”

    Somerset Maugham's ode to the powerful forces behind creative genius. Charles Strickland is a staid banker, a man of wealth and privilege. He is also a man possessed of an unquenchable desire to create art. As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leave the lives of those closest to him in tatters. Through Maugham's sympathetic eye, Strickland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in humans' lives it sometimes demands.

    His novel is at once a major social document and a story that draws us irresistibly into the twilit world of Edwin Reardon, a struggling novelist, and his friends and acquaintances in Grub Street including Jasper Milvain, an ambitious journalist, and Alfred Yule, an embittered critic. Here Gissing brings to life the bitter battles (fought out in obscure garrets or in the Reading Room of the British Museum) between integrity and the dictates of the market place, the miseries of genteel poverty and the damage that failure and hardship do to human personality and relationships.

    According to Wikipedia: "Jack London (12 January, 1876 – 22 November, 1916) was an American author who wrote The Call of the Wild and other books. A pioneer in the then-burgeoning world of commercial magazine fiction, he was one of the first Americans to make a lucrative career exclusively from writing."

    If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.

    Is it possible? An unfrocked monk against us Leads rascal troops, a truant friar dares write Threats to us! Then 'tis time to tame the madman! Trubetskoy, set thou forth, and thou Basmanov; My zealous governors need help. Chernigov Already by the rebel is besieged; Rescue the city and citizens.