Síle is a stylish citizen of the new Dublin, a veteran flight attendant who's traveled the world. Jude is a twenty-five-year-old archivist, stubbornly attached to the tiny town of Ireland, Ontario, in which she was born and raised. On her first plane trip, Jude's and Síle's worlds touch and snag at Heathrow Airport. In the course of the next year, their lives, and those of their friends and families, will be drawn into a new, shaky orbit. This sparkling, lively story explores age-old questions: Does where you live matter more than who you live with? What would you give up for love, and would you be a fool to do so?

    Fusing pornography and postfeminist theory, transcript and tell-all, these playful, penetrating poems and stories reach off the page in search of what it is to be known, both to the masses and to the "Other."

    Traveling to Northern Ontario and across the Great Lakes, Passage is a poetic voyage through divorce, family violence, legacy of colonization, and the affirmation of a new sexuality and gender. Previously published as a man, Passage is the poet's first collection written as a transwoman. Striking and raw in sparse lines, the collection showcases a vital Two Spirited identity that transects borders of race, gender, and experience. In Passage, the poet seeks to reconcile herself to the land, the history of her ancestors, and her separation from her partner and family by invoking the beauty and power of her ancestral waterways. Building on the legacy of other ground-breaking Indigenous poets like Gregory Scofield and Queer poets like Tim Dlugos, Benaway's work is deeply personal and devastating in sharp, clear lines. Passage is a book burning with a beautiful intensity and reveals Benaway as one of the most powerful emerging poets writing in Indigenous poetics today.

    Years later the horrifying details are still unclear, smothered in layers of deliberate forgetting. Phil doesn’t even remember the names: Ted and Terry? Tom and Tony? It’s only when he descends into a crisis of his own that he comes to realize that perhaps, as he drunkenly tells a crisis line counsellor, “I went down into a ravine, and never really came back out.” The Ravine is Phil’s book — we read it as he types it, in the basement apartment he’s called home since his wife kicked him out for having an affair with a make-up girl. As he writes, and then corrects what he’s written, we hear how he went from promising young playwright to successful, self-hating TV producer. We listen in on his disastrous late-night phone calls, and watch his brother (once a brilliant classical pianist) weep to himself as he plays Ravel and Waltzing Matilda in a desolate bar. The Ravine tells us all about the influence of The Twilight Zone on Phil’s work and his life — how it helped him meet his wife Veronica and then lose her, and how it led to the bizarre death of his friend, TV star Edward Milligan. Sometimes, when Phil’s drunk, a friend will look at what he’s written so far and call him on it — like when Jay tells Phil that he’s remembered it all wrong: that he was just as good as Phil at tying knots back when they were in the cubs. Phil’s “ravine” is his attempt to make sense of things, to try to understand how everything went so wrong just as it seemed to be going so right. But The Ravine is also a Paul Quarrington novel, meaning that it’s hilarious and ingenious, quietly working its magic until the reader is at once heartbroken and hopeful. A darkly funny story about loss and redemption, The Ravine is also about how stories are made — how they can pull us out of disasters that seem too much for anyone to bear — and about how, sometimes, what we need to forgive ourselves for is not what we think it is at all.

    As the journey progresses, secrets are unveiled, a friendship is tested, and there is a run-in with the Hurley family, a family both men have feared since childhood. In The Architects Are Here, Winter’s fifth and most emotionally resonant novel to date, he explores the nature of grief and friendship in unwaveringly powerful prose, and sheds light on who we are and how we go on when the future seems uncertain.

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar

    Ramy is a young gay Iraqi struggling to find a balance between his sexuality, religion, and culture. Ammar is a sheikh whose guidance Ramy seeks, and whose tolerance is tested by his belief in the teachings of the Qur'an. Full of quiet moments of beauty and raw depictions of violence, God in Pink poignantly captures the anguish and the fortitude of Islamic life in Iraq.Hasan Namir was born in Iraq in 1987. God in Pink is his first novel.

    When Peter’s nipples begin speaking to him one day and inform him of their diabolical plan to expose his secret desires to the world, Peter finds himself cornered in a world that seems to have no tolerance for difference.Peter’s only solace is “The Bedtime Movies” — perfect-world fantasies that lull him to sleep every night. But when the lines between Peter’s fantasy world and his reality begin to blur, no one is safe from the depths of Peter’s imagination — especially Peter himself.

    The band's story unfolds through the eyes of Jim, a small-town violin prodigy who struggles with her past as well as her present; and Rize, an emotionally charged trombone player who is stuck playing sidekick to his best friend, charismatic lead singer Jules. As the band's popularity mounts, the pressures of road-life and success begin to complicate relationships and The Angel Riots' chaotic world threatens to implode. Dark and dazzling, this novel will firmly establish Kaslik's reputation as a young literary talent.

    Because I always stutter politely. Because there's always the chatter before the kiss. --from "In Need of Subtitles"In this award-winning debut, Sjohnna McCray movingly recounts a life born out of wartime to a Korean mother and an American father serving during the Vietnam War. Their troubled histories, and McCray's own, are told with lyric passion and the mythic undercurrents of discovering one's own identity, one's own desires. What emerges is a self- and family portrait of grief and celebration, one that insists on our lives as anything, please, but singular. Rapture is an extraordinary first collection, with poems of rare grace and feeling.

    Street life, drugs, art and nature, family, AIDS, politics, friendship and acceptance: Wojnarowicz challenges us to examine our lives -- politically, socially, emotionally, and aesthetically.

    In an odd pilgrimage through the mountains, the townsfolk of Coalton—from the ski bum to the urbanite—embark on a bizarre adventure that walks the line between comedy and tragedy. As the rednecks mount their sleds and the hippies snowshoe through the cedar forest, we see rivals converge for the weekend. While readers follow the characters on their voyage up and over the mountain, stereotypes of ski-town culture fall away. Loco, the ski bum, is about to start his first real job; Alison, the urbanite, is forced to learn how to wield an avalanche shovel; and Michael, the real estate developer, is high on mushroom tea.In a blend of mordant humour and heartbreak, Angie Abdou chronicles a day in the life of these industrious few as they attempt to conquer the mountain. In an avalanche of action, Angie Abdou explores the way in which people treat their fellow citizens and the landscape they love.

    Scarborough the novel employs a multitude of voices to tell the story of a tight-knit neighborhood under fire: among them, Victor, a black artist harassed by the police; Winsum, a West Indian restaurant owner struggling to keep it together; and Hina, a Muslim school worker who witnesses first-hand the impact of poverty on education.And then there are the three kids who work to rise above a system that consistently fails them: Bing, a gay Filipino boy who lives under the shadow of his father's mental illness; Sylvie, Bing's best friend, a Native girl whose family struggles to find a permanent home to live in; and Laura, whose history of neglect by her mother is destined to repeat itself with her father.Scarborough offers a raw yet empathetic glimpse into a troubled community that locates its dignity in unexpected places: a neighborhood that refuses to be undone.Catherine Hernandez is a queer theatre practitioner and writer who has lived in Scarborough off and on for most of her life. Her plays Singkil and Kilt Pins were published by Playwrights Canada Press, and her children's book M is for Mustache: A Pride ABC Book was published by Flamingo Rampant. She is the Artistic Director of Sulong Theatre for women of color.

    As he learns about science in his day school, Lev begins his own extracurricular study of the Bible’s Tree of Knowledge with neighbor Mr. Katz, who is building his own Tree out of trash. Meanwhile his sister Samara is secretly studying for her Bat Mitzvah with next-door neighbor and Holocaust survivor, Mr. Glassman. All the while his father, David, a professor of Jewish mysticism, is a non-believer.When, years later, David has a heart attack, he begins to believe God is speaking to him. While having an affair with one of his students, he delves into the complexities of Kabbalah. Months later Samara, too, grows obsessed with the Kabbalah’s Tree of Life—hiding her interest from those who love her most–and is overcome with reaching the Tree’s highest heights. The neighbors of Mile End have been there all along, but only one of them can catch her when she falls.

    She never knew her biological father, and while her mother and stepfather were loving parents, the situation was sometimes chaotic. While still a teenager, she met the love of her life. They were wed at 20, and the first of three children followed shortly. Jetté Knox finally had the stability she craved--or so it seemed. Their middle child struggled with depression and avoided school. The author was unprepared when the child she knew as her son came out as transgender at the age of eleven. Jetté Knox became an ardent advocate for trans rights.For many years, the author had coped with her spouse's moodiness, but that chronic unhappiness was taking a toll on their marriage. A little over a year after their child came out, her partner also came out as transgender. Knowing better than most what would lie ahead, Jetté Knox searched for positive examples of marriages surviving transition. When she found no role models, she determined that her family would become one.The shift was challenging, but slowly the family members noticed that they were becoming happier and more united. Love Lives Here is a story of transition, frustration, support, acceptance, and, of course, love.