Is the child really his? And does he want him?

    They share walks, meals, wine, and dangerous memories. Includes 11 page reader's guide for literature teachers and students.

    But Briony’s incomplete grasp of adult motives and her precocious imagination bring about a crime that will change all their lives, a crime whose repercussions Atonement follows through the chaos and carnage of World War II and into the close of the twentieth century.

    In exchange, he gets an uninterrupted supply of heroin—and the unexpected stream of fellow prisoners seeking out his uncanny abilities to soothe and absolve. His addiction started when his father committed suicide rather than be exposed as a corrupt cop, and now Sonny is the center of a vortex of corruption: prison staff, police, lawyers, a desperate priest—all of them focused on keeping him stoned and jailed, and all of them under the thumb of Oslo's crime overlord, the Twin. When Sonny learns some long-hidden truths about his father he makes a brilliant escape, and begins hunting down the people responsible for the hideous crimes he's paid for. But he's also being hunted, by the Twin, the cops, and the only person who knows the ultimate truth that Sonny is seeking. The question is, what will he do when they've cornered him?

    Though they hide it from themselves, their thoughts and memories reveal the spiteful, long-buried motivations behind seemingly innocent actions. The masks finally drop during an eight-course meal on a celebratory trip to Copenhagen, revealing undisguised fear and loathing. Shocking secrets are unearthed as the balance of power subtly shifts from one to the other. Brilliantly observed, this is female bonding at its worst, manipulative, and psychotic, exposing the dependency and deceit behind the compassionate and affectionate facade.

    The novel begins in the Middle Ages when Skord finds himself in a forest with no memory, no past and no language. As he observes the behaviour of the human beings he meets in the forest, he begins to gradually to understand human civilisation and to learn their language. Although he can pose as one of them, however, he is also able to assume the form of animals and cause things to happen simply by willing them. Skord survives for five hundred years and lives many different lives but, despite his learning, he finds it difficult to resist the call of the forest and returns there periodically to rejoin the band of forest outlaws who live outside human society. He will live to see the nineteenth century and the age of steam, but, by then, he will have discovered that man's supposed cultivation is in fact destructive and the most important thing in life is love - his love of a forest woman.

    From the Booker Prizewinning author of ‘Offshore’ and ‘The Blue Flower’; a funny, touching, authentic story of life at Broadcasting House during the Blitz.The human voices of Penelope Fitzgerald’s novel are those of the BBC in the first years of the World War II, the time when the Concert Hall was turned into a dormitory for both sexes, the whole building became a target for enemy bombers, and in the BBC – as elsewhere – some had to fail and some had to die, but where the Nine O’Clock News was always delivered, in impeccable accents, to the waiting nation.

    Told through the journals of this schoolteacher turned apiarist, The Death of a Beekeeper, is his gentle, courageous, and sometimes comic meditation on living with pain. Westin has refused to surrender the time left him to the impersonation of a hospital, preferring to take his fate upon himself, to continue solitary, reflective life in the Swedish countryside. "I took little walks and noticed that in the last months the pain had actually colored the landscape in a peculiar way. Here and there is a tree where it really hurt, here and there is a fence against whose post I struck my hand in passing." His inner landscape is also re-forming: "This constant concern with an indefinite dangerous secret in one’s own body, this feeling that some dramatic change is taking place, without one’s being able to have any clarity about what really is... reminds me of prepuberty. I even recognize this gentle feeling of shame again." The relentlessly intimate burning in his gut provides a point of psychic detachment, rendering his survival "a unique art form whose level of difficulty is so high that no one exists who can practice it.” Yet he insists, "We begin again. We never give up."

    Separated from her father just moments after bursting from his skull in full armor, Anna is packed off into foster care where she learns to ski, speaks in tongues, and negotiates the needs of a quirky cast of relatives. Unable to overcome her father’s absence, however, she finally succumbs to depression and is institutionalized. Anna’s rallying war cry rings out across the pages of this concise and piercing novel as a passionate appeal for belonging taken to its emotional extreme.

    Set in the fourteenth century in Europe’s most far-flung outpost, a land of glittering fjords, blasting winds, sun-warmed meadows, and high, dark mountains, The Greenlanders is the story of one family–proud landowner Asgeir Gunnarsson; his daughter Margret, whose willful independence leads her into passionate adultery and exile; and his son Gunnar, whose quest for knowledge is at the compelling center of this unforgettable book. Jane Smiley takes us into this world of farmers, priests, and lawspeakers, of hunts and feasts and long-standing feuds, and by an act of literary magic, makes a remote time, place, and people not only real but dear to us.

    Now, a year after Sarah's death, Bendrix seeks to exorcise the persistence of his passion by retracing its course from obsessive love to love-hate. At first, he believes he hates Sarah and her husband, Henry. Yet as he delves deeper into his emotional outlook, Bendrix's hatred shifts to the God he feels has broken his life, but whose existence at last comes to recognize.

    In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.

    Fifteen-year-old Ilse Stern is waiting to meet boy-next-door Hermann Rod for their first date. She was beginning to think he’d never ask her; she’s had a crush on him for as long as she can remember.But Hermann won’t be able to make it tonight. What Ilse doesn’t know is that Hermann is secretly working in the Resistance, helping Norwegian Jews flee the country to escape the Nazis. The work is exhausting and unpredictable, full of late nights and code words and lies to Hermann’s parents, to his boss…to Ilse.And as life under German occupation becomes even more difficult, particularly for Jewish families like the Sterns, the choices made become more important by the hour: To speak up or to look away? To stay or to flee? To act now or wait one more day?

    She is assigned as a teacher to children who were evacuated from London and have been rejected by the countryside because they are infirm, mentally disabled, or—like Mary’s favorite student, Zachary—have colored skin.Tom, an education administrator, is distraught when his best friend, Alastair, enlists. Alastair, an art restorer, has always seemed far removed from the violent life to which he has now condemned himself. But Tom finds distraction in Mary, first as her employer and then as their relationship quickly develops in the emotionally charged times. When Mary meets Alastair, the three are drawn into a tragic love triangle and—while war escalates and bombs begin falling around them—further into a new world unlike any they’ve ever known.A sweeping epic with the kind of unforgettable characters, cultural insights, and indelible scenes that made Little Bee so incredible, Chris Cleave’s latest novel explores the disenfranchised, the bereaved, the elite, the embattled. Everyone Brave Is Forgiven is a heartbreakingly beautiful story of love, loss, and incredible courage.

    Among the captives sold into slavery in Algiers were the island pastor, his wife and their three children. Although the raid itself is well documented, little is known about what happened to the women and children afterwards. It was a time when women everywhere were largely silent.In this brilliant reimagining, Sally Magnusson gives a voice to Ásta, the pastor's wife. Enslaved in an alien Arab culture Ásta meets the loss of both her freedom and her children with the one thing she has brought from home: the stories in her head. Steeped in the sagas and folk tales of her northern homeland, she finds herself experiencing not just the separations and agonies of captivity, but the reassessments that come in any age when intelligent eyes are opened to other lives, other cultures and other kinds of loving.The Sealwoman's Gift is about the eternal power of storytelling to help us survive. The novel is full of stories - Icelandic ones told to fend off a slave-owner's advances, Arabian ones to help an old man die. And there are others, too: the stories we tell ourselves to protect our minds from what cannot otherwise be borne, the stories we need to make us happy.